Currently, Sunwoo and Ikjune are lovers and co-directors of a movie. The film starts with a landscape shot at dawn. Ikjune is smoking a cigarette from the veranda of his house, looking at the village across the street. In the bedroom, Sunwoo is lying on Ikjune's bed with her eyes open. Next to them are the same movie scenarios. You can predict what they are thinking by looking at their faces. Production is half-way and the two are having a long conversation about what to shoot today as they are headed to the set. At the set, they are talking with the actors and giving acting directions. In the process, Sunwoo and Ikjune experience various feelings about love, either individually or together.
Currently, Sunwoo and Ikjune are lovers and co-directors of a movie. The film starts with a landscape shot at dawn. Ikjune is smoking a cigarette from the veranda of his house, looking at the village across the street. In the bedroom, Sunwoo is lying on Ikjune's bed with her eyes open. Next to them are the same movie scenarios. You can predict what they are thinking by looking at their faces. Production is half-way and the two are having a long conversation about what to shoot today as they are headed to the set. At the set, they are talking with the actors and giving acting directions. In the process, Sunwoo and Ikjune experience various feelings about love, either individually or together.
2021-10-23
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As a filmmaker and his girlfriend return home from his movie premiere, smoldering tensions and painful revelations push them toward a romantic reckoning.
Sibyl, a jaded psychotherapist, returns to her first passion: writing. But her newest patient Margot, a troubled up-and-coming actress, proves to be a source of inspiration that is far too tempting. Fascinated almost to the point of obsession, Sibyl becomes more and more involved in Margot’s tumultuous life, reviving volatile memories that bring her face to face with her past.
Sleazy director "auditioning" actresses for a movie and trying to get them to commit to more to get the part.
In the 1970s, Director Kim is obsessed by the desire to re-shoot the ending of his completed film Cobweb, but chaos and turmoil grip the set with interference from the censorship authorities, and the complaints of actors and producers who can't understand the re-written ending. Will Kim be able to find a way through this chaos to fulfill his artistic ambitions and complete his masterpiece?
A year after Sheila is killed in a hit-and-run, her multimillionaire husband invites a group of friends to spend a week on his yacht playing a scavenger hunt-style mystery game — but the game turns out to be all too real and all too deadly.
Muhammad returns home to Detroit to bury his stepfather and is thrust into settling his accounts, but Muhammad’s struggles with depression and addiction may finish him before he finishes the task.
Tomas and Martin are a gay couple living in Paris whose marriage is thrown into crisis when Tomas impulsively begins a passionate affair with young schoolteacher Agathe. But when Martin begins an affair of his own, Tomas must confront life decisions he may be unprepared—or unwilling—to deal with.
An exiled filmmaker finally returns to his home country where former mysteries and afflictions of his early life come back to haunt him once more.
In 1967, during the making of “La Chinoise,” film director Jean-Luc Godard falls in love with 19-year-old actress Anne Wiazemsky and marries her.
Arrogant, self-centered movie director Guido Contini finds himself struggling to find meaning, purpose, and a script for his latest film endeavor. With only a week left before shooting begins, he desperately searches for answers and inspiration from his wife, his mistress, his muse, and his mother.
A committed film director struggles to complete his movie while coping with a myriad of crises, personal and professional, among the cast and crew.
Two children, Ignacio and Enrique, know love, the movies and fear in a religious school at the beginning of the 1960s. Father Manolo, director of the school and its professor of literature, is witness to and part of these discoveries. The three are followed through the next few decades, their reunion marking life and death.
It's 1957, and James Whale's heyday as the director of "Frankenstein," "Bride of Frankenstein" and "The Invisible Man" is long behind him. Retired and a semi-recluse, he lives his days accompanied only by images from his past. When his dour housekeeper, Hannah, hires a handsome young gardener, the flamboyant director and simple yard man develop an unlikely friendship, which will change them forever.
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Film director Juan Bravo is in a deep, existential funk: his latest film has been vilified by critics, and his friends, relatives and even business associates are wasting no time in badmouthing him. He seeks refuge in the city of Oviedo, Asturias, wandering the empty streets at night, going to parties that are veritable circuses full of wannabes, and attending concerts and religious and traditional ceremonies as he seeks inspiration for his next film. He reminisces about his childhood but, most importantly, that strange woman who asked him to visit her at her apartment at precisely 10 p.m., not one minute more, nor one minute less.
A struggling filmmaker finds unexpected solidarity and validation when she takes on the job of restoring a classic 1960s film directed by the first known female South Korean director.
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Federico Fellini welcomes us into his world of film making with a mockumentary about his life in film, as a Japanese film crew follows him around.