


2011-04-07
0
6.9An intimate portrayal of the everyday lives of Carthusian monks of the Grande Chartreuse, high in the French Alps (Chartreuse Mountains). The idea for the film was proposed to the monks in 1984, but the Carthusians said they wanted time to think about it. The Carthusians finally contacted Gröning 16 years later to say they were now willing to permit Gröning to shoot the movie, if he was still interested.
0.0In May of 1982 Julio Cortázar, the Argentinean writer and his companion in life, Carol Dunlop set out in their VW bus on a journey along the highway from Paris to Marseille that, for each of them, was to be their final one. Twenty-five years later, Océane Madelaine and Jocelyn Bonnerave set out to undertake the journey again.
0.0Zurich-born Hugo Koblet was the first international cycling star of the post-war period. He was a stylist on the bicycle and in life, and a huge heartthrob. Koblet had a meteoric rise and won the Giro d'Italia in 1950. Once he had reached the zenith of his career, Koblet was put under pressure by overly ambitious officials and ended up ruining his health with drugs. In 1954, he married a well-known model and they became a celebrity dream couple. After his athletic career ended, Koblet began to lose his footing. Threatened by bankruptcy, he crashed his Alfa into a tree.
0.0Nearing the end of a long and successful stage career, Miriam Goldschmidt finds her prowess as an actress increasingly on the wane. She struggles to memorize her lines and as her last project with lifelong collaborator, the legendary director Peter Brook, threatens to fall apart, Miriam looks back. Referencing Brook’s ground-breaking book «The Empty Space», she uses an empty rehearsal room in Berlin to invoke her archetypal life journey that took an orphaned black child from post-war Germany to the world’s biggest stages. We «Call Her Miriam» is a bewitching and moving portrait of a great artist living between dream and reality, truth and fction and life and death.
0.0A disturbing exploration of what it means to be a man Desert Wind unveils the innermost thoughts of 13 men about their lives and male identity, making a clean sweep of clichés. Their revelations -- a glimpse of the hidden side that few men spontaneously reveal -- are of equal interest for women.
0.0Women bring children into the world. But when, as in the case of Sandra, Jasmine and Jennifer, you're not yet eighteen and your belly is starting to round out, that's when people look at you sideways. And once the baby's here, life with a child is a far greater challenge than we ever imagined in our rosy teenage dreams. A long-term study of three very young mothers, their children and their fathers. A film about their first great love, their professional futures and their dreams for the future.
0.0The film traces the mysterious story of the Indian elephant RAJA, who was sent on an adventurous journey from the forests of Kerala to Vienna around 1550, via Lisbon. Gandhi activist P. V. Rajagopal's explorations along the route uncover surprising facts and awaken fascinating associations. We witness the capture of the little elephant, its training, its work in the forest and its performances at temple festivals - until it is chosen as a status symbol by European rulers. A story of appropriation that continues to this day.
0.0Dieter Roth was an artist who combined art and life in a unique way. He painted, drew, printed, wrote, filmed and made music. He created his own universe in which he turned all materials, no matter how banal or ephemeral, into art. The film "Dieter Roth" is conceived as an inner and outer journey, just as Dieter Roth lived, worked, taught, learned, loved and suffered while traveling. The starting point is his works, including videos and films in which he himself acts - friends and companions will also accompany this cinematic journey, above all his son Björn, who has worked with him for the last 20 years.
6.2It is winter at an emergency shelter for the homeless in Lausanne. Every night at the door of this little-known basement facility the same entry ritual takes place, resulting in confrontations which can sometimes turn violent. Those on duty at the shelter have the difficult task of “triaging the poor”: the women and children first, then the men. Although the total capacity at the shelter is 100, only 50 “chosen ones” will be admitted inside and granted a warm meal and a bed. The others know it will be a long night.
7.0Tracing the emigrations of his family over more than half a century, this riveting documentary epic from acclaimed expatriate Iraqi filmmaker Samir pays moving homage to the frustrated democratic dreams of a people successively plagued by the horrors of dictatorship, war and foreign occupation of Iraq.
8.0The real place where the penguin congress takes place is also the most fictional place on this planet where you can stand on your own two legs. Here, even the animals can talk. This land of dreams and nightmares is called Antarctica. In this desert of ice surrounded by a stormy sea, a few dozen human beings also live. Using sophisticated instruments, they observe the worrying changes affecting our world: the hole in the ozone layer, climate change, and so on.
6.4A well-preserved mammoth carcass is found in the remote New Siberian Islands in the Arctic Ocean, opening up the possibility of a world-changing “Jurassic Park” moment in genetics.
0.0MUHAI TANG – IN THE OCEAN OF MUSIC is a portrait of Chinese conductor Muhai Tang’s extraordinary life. Born in 1949, the founding year of the People’s Republic of China, and raised during the Cultural Revolution, it seemed as if he would have to abandon his dream of a career in music. However, his talent, perseverance and the support of Herbert von Karajan ultimately brought him to the world’s concert halls. Today, Muhai Tang is a global nomad. A wanderer between the worlds which he unites with music. His personal history, interspersed with historical caesurae, is typical for Chinese of his generation. He gained access to western culture early on through music. Muhai Tang’s life and work are exemplary of a changing China and the enrichment of the world by an artist between East and West.
0.0This documentary offers a complex portrait of Hollman Morris, the Colombian war journalist whose multiple award-winning news show Contravía is one of the few local current-affairs programs that refuses to pander to President Alvaro Uribe's staunchly authoritative government. While most television viewers in Columbia opt for variety shows and soap operas, citizens in search of suppressed truths tune in to Contravía to hear the latest news about forced disappearances, secret mass graves, and various other atrocities taking place all across the countryside. But when you live and work in the country that Reporters Without Borders claims is one of the most dangerous places in Latin America for a journalist to work, denouncing human rights abuses can be a dangerous game. Yet despite the danger to both himself and his family, Morris remains convinced that the situation in Columbia will never been improved if outspoken media figures like himself simply disappear into exile.
0.0The first film about second-generation Swiss immigrants: A Turkish ice hockey player explains why, in Switzerland, he could only fall in love with an Italian. A young Italian woman explains why she prefers to rap in English. A hip-hop artist with Hispanic origins fights for his political rights and the director reminisces on how, despite his Arabic roots, he's been persecuted as a Jew. Babylon 2 reflects the rise of a new urban culture in Switzerland, which is instigated by the second generation of immigrants and the help of electronic media.
7.0Filmmakers Nicolaus Humbert and Werner Penzel examine the nature of nomadic existence in this documentary, from the literal nomads of North Africa to the more metaphorical kind of wanderer, such as American poet and ex-pat Robert Lax. Humbert and Penzel focus especially on the nomad's paradoxical ability to fully inhabit every moment while remaining coolly detached from specific locales and anxious thoughts about the past or future.