Yasuo Ōtsuka's Joy in Motion(2004)

Lasseter-san, Thank You(ja)

Depicts the 2002 trip by several employees of Studio Ghibli to promote the movie Sen to Chihiro no Kamikakushi (Spirited Away) in North America. It was originally made as a private thank-you gift from Ghibli to John Lasseter, the Lasseter-San of the title. The show appears similar to a home movie, or private documentary. This footage includes snippets from some of Miyazaki's films, as well as some Pixar shorts. The most striking part were clips from Porco Rosso, interchanging with images of Miyazaki flying a red double-decker.

The Theory of Evolution(ja)

The story of evolution, from the first aquatic organisms to modern man (and woman).

Rambutan Adventures(ja)

The hero, Rambutan, fights against a rival inside an old convertible launched at high speed. His opponent manages to rush him out of the vehicle and then bends over the hero's girlfriend who desperately resists by kicking him in the face. Meanwhile, Rambutan catches up with the car running. He throws himself on his enemy and gets rid of him then kisses his girlfriend. The rival arises again, separates the two lovers and he and Rambutan fight again. The cycle resumes.

The Fish of the Fish(ja)

A small white fish enters the frame and is eaten by a larger one, then the latter is in turn eaten by an even larger fish... At the end, only a huge white fish remains which seems to shrink in size. swimming towards the bottom of the screen. He leaves the frame and the cycle resumes.

Tacolator(ja)

An octopus goes up an escalator placed in the water.

Bobo-kun(ja)

Bobo-kun is a fire demon who eats coal continuously.

Madaran's World(ja)

The universe of strange and colorful creatures that are born, eat, are eaten... and are reborn indefinitely on the screen.

Alucardos: Portrait of a Vampire(es)

Terror, transsexualism, and an eternal cult film. What is on the mind of horror film director Juan López Moctezuma and his fans, Manolo and Lalo, who are not only obsessed with the Mexican horror film 'Alucarda', but also believe in their hearts that they are its true characters? After finding the director in a psychiatric hospital, they kidnap him to make him remember his gloriously twisted past. An unclassifiable documentary film that uses interviews, stock shots and recreations of a past that may only have existed in the nightmares of its protagonists.

Israel, Why(fr)

Using interviews and other footage shot especially for this documentary, French director Claude Lanzmann investigates the state of Israel in 1972. This movie concentrates on Israelis going about their business of everyday living.

Lessons for Zafirah(es)

A metaphor of the Flood in our times, The Flood is the rain of violence that washes over us. Noah´s Ark is the train that runs through Mexico toward the United States and migrants are the species attempting to save their lives. For the directors, cinema moves people not just by condemnation, but by confronting and fostering emotions which lead to new, constructive ideas. This documentary became a cinematographic diary for their first viewer, their three-year-old daughter, Zafirah.

The Way South(nl)

Johan van der Keuken went against the grain in 1980: from Amsterdam (on April 30 with the coronation riots and squatting actions) via Paris, southern France and Italy to Egypt. He made his personal travelogue in three parts for VPRO television. Later, he fused the three parts into one long movie.

The Blind Child(nl)

With the use of montage sequences, voiced over with the observations of the children, van der Keuken was able to use artistic expression to portray the sightless children’s unique perspective of the world.

When Cinema Reflects the Times: Hou Hsiao-Hsien and Edward Yang(ja)

From the 1980s to the 1990s, New Taiwanese Cinema gained international attention for adopting a completely different approach to that of the commercial films which had preceded it. This piece contrasts Hou Hsiao-hsien and Edward Yang, two rivals who were the driving force behind New Taiwanese Cinema. The closing of a cinema invites us to reflect on society and the passage of history.

Wimbledon, 2019 Official Film(en)

A look back at 2019’s Wimbledon Championships, where storylines included both Roger Federer and Serena Williams aiming for history and the emergence of a new young star in Coco Gauff.

El Camino(es)

Monsters and Magic(en)

A behind the scenes look at the making of "The Golden Voyage of Sinbad".

Uma Breve História da Imprensa LGBT+ no Brasil(pt)

A documentary that explores the history and impact of magazines, newspapers, fanzines, and other journalistic media produced by and for the LGBTQIAPN+ community in Brazil. The idea for the documentary came about in 2020, during the pandemic, when the director began studying the history of the LGBTQIAPN+ press, an investigation that resulted in a video for the filmmaker's YouTube channel, published in 2021. The film presents an overview of the LGBTQIAPN+ press, from the mimeograph in the 1960s to the internet today, and is also a portrait of Brazilian society and the evolution of the rights achieved by this community.

Mosul(en)

Described by some military commanders as the deadliest urban combat since World War II, the battle to drive ISIS out of Mosul as the terror group held civilians captive there was brutal and grueling. Shot over the course of the entire nine-month fight, this vivid documentary follows the experiences of four young soldiers in a team of Iraqi Special Forces tasked with leading the battle.

River Rat(en)

A man spends an evening by the river

Shadow of War(mo)

When Russian armed forces invaded Ukraine, Moldovans raced to the borders to assist refugees, offering warm food, rides, and shelter. At the same time, a group of Moldovan filmmakers formed an ad-hoc film collective to document the unwavering efforts of volunteers and the fate of refugees through multifaceted lenses. Despite these acts of solidarity, a segment of the population's Soviet nostalgia fuels a growing fear that the country could be drawn into the war.