Yasuo Ōtsuka was the mentor of Isao Takahata and Hayao Miyazaki, the man who taught them to feel the joy of animation. As the supervising animator of their films and through the creation of superb scenes such as Lupin leaping from turret to turret in Lupin the 3rd: The Castle of Cagliostro, Ōtsuka made the impossible believable, and touched people’s emotions. To look back at the many works he was involved in is to review the history of Japanese animation after WWII. This film is a must for anime fans who want to learn how Japanese animation evolved.
Yasuo Ōtsuka was the mentor of Isao Takahata and Hayao Miyazaki, the man who taught them to feel the joy of animation. As the supervising animator of their films and through the creation of superb scenes such as Lupin leaping from turret to turret in Lupin the 3rd: The Castle of Cagliostro, Ōtsuka made the impossible believable, and touched people’s emotions. To look back at the many works he was involved in is to review the history of Japanese animation after WWII. This film is a must for anime fans who want to learn how Japanese animation evolved.
2004-07-23
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Depicts the 2002 trip by several employees of Studio Ghibli to promote the movie Sen to Chihiro no Kamikakushi (Spirited Away) in North America. It was originally made as a private thank-you gift from Ghibli to John Lasseter, the Lasseter-San of the title. The show appears similar to a home movie, or private documentary. This footage includes snippets from some of Miyazaki's films, as well as some Pixar shorts. The most striking part were clips from Porco Rosso, interchanging with images of Miyazaki flying a red double-decker.
The universe of strange and colorful creatures that are born, eat, are eaten... and are reborn indefinitely on the screen.
The story of evolution, from the first aquatic organisms to modern man (and woman).
The hero, Rambutan, fights against a rival inside an old convertible launched at high speed. His opponent manages to rush him out of the vehicle and then bends over the hero's girlfriend who desperately resists by kicking him in the face. Meanwhile, Rambutan catches up with the car running. He throws himself on his enemy and gets rid of him then kisses his girlfriend. The rival arises again, separates the two lovers and he and Rambutan fight again. The cycle resumes.
A small white fish enters the frame and is eaten by a larger one, then the latter is in turn eaten by an even larger fish... At the end, only a huge white fish remains which seems to shrink in size. swimming towards the bottom of the screen. He leaves the frame and the cycle resumes.
A documentary film that brings testimonies taken just one week after the attack, from 7 different areas that were attacked in the events of Saturday, 10/7/23. The film is told from the point of view of the survivors. The evidence is unusually presented in the movie with the help of miniature models and animations that reinforce the hard evidence. The survivors share the survival experience they experienced during the long hours of the murderous terrorist attack. Those who ran away from the party, the houses they hid in, those who fought against the terrorists, and those who saved lives in the field. All with the choices they had to make in real-time, and saved their lives.
In the climate of a global pandemic, COVID-19 vaccines were rolled out under emergency use authorization after a much shorter than normal testing period. Millions of people rolled up their sleeves because they were told they were doing their part to end the pandemic. But for some—it didn’t go as expected. The Unseen Crisis is a feature-length documentary that provides an intimate, uncensored look into the lives of those who live with the debilitating after-effects of the COVID-19 vaccines. It examines the issue of COVID-19 vaccine injury claims in a fresh, honest, and comprehensive manner with expert interviews, whistleblowers’ statements, and government health statistics.
The earliest 'rockumentary' of John Mayall and his musicians filmed in their homes, dressing rooms, motorways, airports, clubs, concert halls and at festivals.
The personal story of six unique characters that have helped build fan owned F.C Utd of Manchester: from an idea down a pub, to the reality of their very own 5,000 capacity stadium. The film is an ode to these heroes of the beautiful game!
Camp Beaverton is the Home for Wayward Girls, the only queer, all women, trans-inclusive, sex positive theme camp set within Burning Man, an 8-day experimental art festival that encourages radical self expression found deep within the Nevada desert. The Beavers create a safe space to explore their boundaries while they build a community of friendship, trust, and lifelong relationships.
Ten years after Mondovino, his analysis of the increasingly standardised wine production in France, wine expert Jonathan Nossiter picks up the thread again and shows what it means to be rooted in the soil you're working on. During walks through the vineyards and relaxed gatherings with a group of alternative Italian wine growers, he trades experiences and arguments. What looks like a bucolic paradise, where intelligent people produce wine according to time-honoured and organic methods, is actually revealed to be a battleground. The DOC association, which is supposed to look after the interest of independent vintners, promotes winemakers who produce vast amounts in a standardised quality; and the agricultural industry with its hygiene regulations excludes traditional methods of production. The only thing saving the landscape from being totally destroyed is affluent foreigners using the old vineyards as summer holiday homes.
A documentary that explores the challenges that a life in music can bring.
A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.
Beirut – or indeed maybe any city, anywhere – is at war with itself. Here, no conflict is ever resolved, and no wall is ever repaired. The explosions resonate better in this city full of holes. Young men who live here are caught between military service and religious affiliation. I visit some friends, gather their suicidal testaments. No one goes anywhere. I cross my city in every way possible, day and night. 16mm
A look back at the girl-group craze of the 60's through archival footage and interviews with those involved.