Yasuo Ōtsuka was the mentor of Isao Takahata and Hayao Miyazaki, the man who taught them to feel the joy of animation. As the supervising animator of their films and through the creation of superb scenes such as Lupin leaping from turret to turret in Lupin the 3rd: The Castle of Cagliostro, Ōtsuka made the impossible believable, and touched people’s emotions. To look back at the many works he was involved in is to review the history of Japanese animation after WWII. This film is a must for anime fans who want to learn how Japanese animation evolved.
Yasuo Ōtsuka was the mentor of Isao Takahata and Hayao Miyazaki, the man who taught them to feel the joy of animation. As the supervising animator of their films and through the creation of superb scenes such as Lupin leaping from turret to turret in Lupin the 3rd: The Castle of Cagliostro, Ōtsuka made the impossible believable, and touched people’s emotions. To look back at the many works he was involved in is to review the history of Japanese animation after WWII. This film is a must for anime fans who want to learn how Japanese animation evolved.
2004-07-23
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Depicts the 2002 trip by several employees of Studio Ghibli to promote the movie Sen to Chihiro no Kamikakushi (Spirited Away) in North America. It was originally made as a private thank-you gift from Ghibli to John Lasseter, the Lasseter-San of the title. The show appears similar to a home movie, or private documentary. This footage includes snippets from some of Miyazaki's films, as well as some Pixar shorts. The most striking part were clips from Porco Rosso, interchanging with images of Miyazaki flying a red double-decker.
The universe of strange and colorful creatures that are born, eat, are eaten... and are reborn indefinitely on the screen.
The hero, Rambutan, fights against a rival inside an old convertible launched at high speed. His opponent manages to rush him out of the vehicle and then bends over the hero's girlfriend who desperately resists by kicking him in the face. Meanwhile, Rambutan catches up with the car running. He throws himself on his enemy and gets rid of him then kisses his girlfriend. The rival arises again, separates the two lovers and he and Rambutan fight again. The cycle resumes.
A small white fish enters the frame and is eaten by a larger one, then the latter is in turn eaten by an even larger fish... At the end, only a huge white fish remains which seems to shrink in size. swimming towards the bottom of the screen. He leaves the frame and the cycle resumes.
The story of evolution, from the first aquatic organisms to modern man (and woman).
In the steppes and forests of northern Asia, several species of bear coexist and fight for their survival, in a nature that has been put to the test by climate change.
If the beach is synonymous with holidays and relaxation, it is also of capital importance for the animals and plants that flourish there. Between wet towels, umbrellas and sandcastles, the real inhabitants of this golden expanse have developed amazing strategies to adapt to the tourist crowds.
Herzog and cinematographer Peter Zeitlinger go to Antarctica to meet people who live and work there, and to capture footage of the continent's unique locations. Herzog's voiceover narration explains that his film will not be a typical Antarctica film about "fluffy penguins", but will explore the dreams of the people and the landscape.
Morgan Spurlock tours the Middle East to discuss the war on terror with Arabic people.
A reflection on anarchism and labor, ANCIENT SUNSHINE marks a path through the struggles of climate activism and coal extractions in the American West.
Army Aviators say they fly "above the best" see the lengths these heroes will go to, to protect the soldiers on the ground, and each other during intense combat in the most dangerous places on Earth.
Chronicles the making of director Werner Herzog’s 2009 feature, My Son, My Son, What Have Ye Done, providing profound insight into the director and his craft. My Son, My Son, What Have Ye Done was inspired by the true story of an actor who committed in reality the crime he was supposed to enact on stage: murdering his mother. With longtime friend Herbert Golder behind the lens, Herzog reveals the privacy and deep solitude that defines the director and his art.
"Yep, you picked the right video. In Bloom features the natural talents of six rising stars leaving their indelible impression on the glamorous world of skateboarding. From the flash and flair to the fame and falls, it's all in there. Prepare yourself for a glimpse of what's to come." Video #13
A portrait of the lives of a disparate group of patrons and employees at an American watering hole today.
“In re-viewing our Super 8 films, shot between 1972 and 1981, it occurred to me that they comprised not only a family archive but a testimony to the pastimes, lifestyle and aspirations of a social class in the decade after 1968. I wanted to incorporate these silent images into a story which combined the intimate with the social and with history, to convey the taste and colour of those years.” Annie Ernaux