Yasuo Ōtsuka was the mentor of Isao Takahata and Hayao Miyazaki, the man who taught them to feel the joy of animation. As the supervising animator of their films and through the creation of superb scenes such as Lupin leaping from turret to turret in Lupin the 3rd: The Castle of Cagliostro, Ōtsuka made the impossible believable, and touched people’s emotions. To look back at the many works he was involved in is to review the history of Japanese animation after WWII. This film is a must for anime fans who want to learn how Japanese animation evolved.
Yasuo Ōtsuka was the mentor of Isao Takahata and Hayao Miyazaki, the man who taught them to feel the joy of animation. As the supervising animator of their films and through the creation of superb scenes such as Lupin leaping from turret to turret in Lupin the 3rd: The Castle of Cagliostro, Ōtsuka made the impossible believable, and touched people’s emotions. To look back at the many works he was involved in is to review the history of Japanese animation after WWII. This film is a must for anime fans who want to learn how Japanese animation evolved.
2004-07-23
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Depicts the 2002 trip by several employees of Studio Ghibli to promote the movie Sen to Chihiro no Kamikakushi (Spirited Away) in North America. It was originally made as a private thank-you gift from Ghibli to John Lasseter, the Lasseter-San of the title. The show appears similar to a home movie, or private documentary. This footage includes snippets from some of Miyazaki's films, as well as some Pixar shorts. The most striking part were clips from Porco Rosso, interchanging with images of Miyazaki flying a red double-decker.
The hero, Rambutan, fights against a rival inside an old convertible launched at high speed. His opponent manages to rush him out of the vehicle and then bends over the hero's girlfriend who desperately resists by kicking him in the face. Meanwhile, Rambutan catches up with the car running. He throws himself on his enemy and gets rid of him then kisses his girlfriend. The rival arises again, separates the two lovers and he and Rambutan fight again. The cycle resumes.
The universe of strange and colorful creatures that are born, eat, are eaten... and are reborn indefinitely on the screen.
The story of evolution, from the first aquatic organisms to modern man (and woman).
A small white fish enters the frame and is eaten by a larger one, then the latter is in turn eaten by an even larger fish... At the end, only a huge white fish remains which seems to shrink in size. swimming towards the bottom of the screen. He leaves the frame and the cycle resumes.
Gerry Anderson’s successful career spanned 60 years. Released a decade after his death, this documentary draws on exclusive access to over 30 hours of previously unpublished interviews, in order to share the untold stories that defined his life and body of work.
Cut off from his loved ones due to the strict COVID-19 lockdown at the long-term care facility where he lives, a quadriplegic rabbi is filmed by his daughter while reflecting on love, mortality and longing.
The foundations and effects of the law to ensure full equality for women are presented with a wide range of examples.
Juan Martín del Potro talks about his beginnings in tennis and all the demands that his professional career demanded from him on a personal and family level. Together with Mariano Zabaleta, former professional tennis player, they talk about love relationships, media exposure and current details without censorship. After the return and after the tears, an unmissable chat between Delpo and Mariano Zabaleta.
This feature documentary weaves together sculptor Richard Hunt’s process and life story, with that of civil rights crusader, suffragist and antilynching activist, Ida B. Wells. Hunt creates the Light of Truth monument for the Bronzeville community at the former site of the Ida B. Wells Homes. Wells’ history and the sculptor’s history intersect in their mutual reaction and actions as they confront the injustices of racism with their work.
A haunting call echoes across the Liuwa Plain. There is no answer, there hasn't been for years. She has no pride, no support - she alone must safeguard her own survival. Her name is Lady Liuwa, and she is the Last Lioness. Isolated by a scourge of illegal trophy hunting that wiped out the rest of her species in the region, Lady Liuwa is the only known resident lion surviving on Zambia's Liuwa Plain. For four years, cameraman Herbert Brauer watched her lonely life unfold, until, in her solitude, she reached out to him for companionship. But Herbert knows he is not the companion this lonely lioness needs - she should be amongst her own kind. Now, in May of 2009, plans for a male lion translocation have come through, and there is hope for ending her isolation. For the first time in more than five years, Lady Liuwa will no longer be the Last Lioness This is just a re-titled version of "The Last Lioness"
Following the final race of the season, this eccentric bunch of pigeon fanciers explain the inner workings of their niche sport: pigeon racing.
Athens. Nothing seems to move. The locals seem as still as statues. While at the same time, somewhere, a caryatid is escaping from a museum and a small group of people demands the destruction of all antiques. Would film be the only way to avoid stone-cold indifference?
Women of mature years talk about their marriage, their first time, their intimate relationship with sexuality. In the repetition of these ancestral rituals, the director questions her own lack of marriage, of children, and with it, a chain of mother-daughter relationships that is dying out.