A true look into Kosine’s coming of age story featuring all-new music from his highly anticipated debut album Truth Serum. On his journey to 9 Grammy nominations, millions of records sold, and a host of other accolades, Kosine still found himself unfulfilled and seeking purpose. Truth Serum is a story of self-discovery while tackling everything they never told you about Hollywood.
A short history of movie music is presented, from silent films accompanied by a single piano, to the elaborate song scores for musicals (with scenes from MGM's musicals) and background music for dramas. Conductor/composer
A metalhead gets passed down a satanic guitar that riffs to shreds.
The Bonzo Dog Band freak out at the farm and strange sounds abound.
Hymn of the Nations, originally titled Arturo Toscanini: Hymn of the Nations, is a 1944 film directed by Alexander Hammid, which features the "Inno delle nazioni," a patriotic work for tenor soloist, chorus, and orchestra, composed by Italian opera composer Giuseppe Verdi in the early 1860s. (For this musical work, Verdi utilized the national anthems of several European nations.) In December 1943, Arturo Toscanini filmed a performance of this music for inclusion in an Office of War Information documentary about the role of Italian-Americans in aiding the Allies during World War II. Toscanini added a bridge passage to include arrangements of "The Star-Spangled Banner" for the United States and "The Internationale" for the Soviet Union and the Italian partisans. Joining Toscanini in the filmed performance in NBC Studio 8-H, were tenor Jan Peerce, the Westminster Choir, and the NBC Symphony Orchestra. Preserved by the Academy Film Archive in 2010.
Experience a mystical journey through nature performed by a movement artist. Felix faces the whirling challenges of his inner turbulence with an emotionally charged dynamic, delicate strength, graceful dignity, as well as ecstatic devotion. Behold the fire dancer in the night.
A history of rock music during the 1960s, covering everything from the British Invasion that began with the Beatles to the psychedelic sound from San Francisco.
Wildest Dreams is a sonic adventure into the mind and heart of Nadine’s artistry. Drawing from personal experiences we hear and feel true reflection throughout this album.
A humoristic turbo drama. Floyd, after being dumped by his girlfriend, suffers from psychological problems manifested as a little demon who disrupts his everyday life. Floyd has to go through great depths before he can continue his life.
Johnny YesNo – Redux reunites Cabaret Voltaire and Peter Care almost 30 years later with a completely new cast, a relocation to LA and an entirely new soundtrack remixed by Richard H. Kirk, the film has lost none of its hallucinatory power. The short goes deep into the structure of Peter Care’s original film and the Cabaret Voltaire tracks used in connection with it. What emerges is as much a juxtaposition of times and places as sights and sounds. The tale changes in the retelling, but that change now seems to be taking place on a molecular level. Richard H Kirk has reconfigured the film’s soundtrack, giving the proceedings an ominous sense of something slowly sliding into view from afar, glimpsed out of the corner of the eye.
After the original run of the television series, an OAV music video titled Genesis Climber Mospeada: Love Live Alive was specially (mostly due to demands of hardcore Mospeada fans) released in Japan in September 1985. The music video consisted of both old and new footage. The story of Love Live Alive chronicled the events after the ending of the original Mospeada, featuring Yellow Belmont as the main character. The music video focused on Yellow's concert and also on his flashback of past events.
A short portrait film of the collaboration between experimental musicians Art-Errorist (Jean-Herve Peron) and Zsolt Sőrés together with Jesus & Mary Chain's Douglas Hart.
This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.
Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.
Shapes projected onto an abstract environment. The movement and scale of the forms in the film is a beautiful equivalent of the dynamics of the soundtrack
Looking to reconcile with her past, a Hollywood born and raised actress visits her younger self as a child actor under the wing of her toxic stage mom in order to understand the root of her heart condition.
Len Lye scraped together enough funding and borrowed equipment to produce a two-minute short featuring his self-made monkey, singing and dancing to 'Peanut Vendor', a 1931 jazz hit for Red Nichols. The two foot high monkey had bolted, moveable joints and some 50 interchangeable mouths to convey the singing. To get the movements right, Lye filmed his new wife, Jane, a prize-winning rumba dancer.