Oscar winner William Wyler directed this 1944 "newsdrama," narrated by Lieut. Robert Taylor, USNR (Bataan), and photographed in zones of combat by the U.S. Navy. The film follows one of the many new aircraft carriers built since Pearl Harbor, known as THE FIGHTING LADY in honor of all American carriers, as it goes into action against the Japanese in the Pacific Ocean in 1943. See the ship and its pilots undergo their baptism of fire, attacking the Japanese base on Marcus Island. Preserved by the Academy Film Archive in partnership with The Film Foundation.
Himself
Himself (as Jocko)
Himself (as Dixie)
Oscar winner William Wyler directed this 1944 "newsdrama," narrated by Lieut. Robert Taylor, USNR (Bataan), and photographed in zones of combat by the U.S. Navy. The film follows one of the many new aircraft carriers built since Pearl Harbor, known as THE FIGHTING LADY in honor of all American carriers, as it goes into action against the Japanese in the Pacific Ocean in 1943. See the ship and its pilots undergo their baptism of fire, attacking the Japanese base on Marcus Island. Preserved by the Academy Film Archive in partnership with The Film Foundation.
1944-12-21
6.1
Photographed in Zones of Combat by Men of U.S. Navy
Meet Cassie, Jason and Patrick, three amoral college students who, through a series of sexual wagers, take malicious pleasure in ruining the lives of their fellow classmates.
A backstage and on-stage look at Justin Bieber during his rise to super stardom.
A high school student suffers from a strange amnesia, causing her memories to only last a week. After she befriends a new student, his kindness and persistence make her gradually open up.
Two ice skaters develop a love-hate relationship while dreaming of Olympic glory.
Set in a world where love is deemed illegal and can be eradicated with a special procedure. With 95 days to go until her scheduled treatment, Lena Holoway does the unthinkable, she falls in love.
The film tells a story speaks of "Yusuf ", a plumbing Man, who is exposed to many pranks by his friends.
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An attempted robbery turns to be an unexpected recruitment when two unemployed men mistakenly break into a police office instead of a store.
In his first-ever stand-up special, Ken Jeong shares hilarious stories from his Hollywood career -- and reveals how "The Hangover" saved his life.
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John tells the story of a young male, a psychiatric hospital patient who witnesses the death of another Black male patient at the hands of white staff. Blurring the boundaries between fact and fiction, this work draws from real life cases of mentally ill Black men who have died as a result of excessive force of the State.
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After finding an ad online for “video work,” Sara, a video artist whose primary focus is creating intimacy with lonely men, thinks she may have found the subject of her dreams. She drives to a remote house in the forest and meets a man claiming to be a serial killer. Unable to resist the chance to create a truly shocking piece of art, she agrees to spend the day with him. However, as the day goes on, she discovers she may have dug herself into a hole from which she can’t escape.
London, England, April 1980. Six terrorists assault the Embassy of Iran and take hostages. For six days, tense negotiations are held while the authorities decide whether a military squad should intervene.
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The staff of a Korean War field hospital use humor and hijinks to keep their sanity in the face of the horror of war.
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The film reflects Dewdney's conviction that the projector, not the camera, is the filmmaker's true medium. The form and content of the film are shown to derive directly from the mechanical operation of the projector - specifically the maltese cross movement's animation of the disk and the cross illustrates graphically (pun intended) the projector's essential parts and movements. It also alludes to a dialectic of continuous-discontinuous movements that pervades the apparatus, from its central mechanical operation to the spectator's perception of the film's images... (His) soundtrack demonstrates that what we hear is also built out of continuous-discontinuous 'sub-sets.' Preserved by the Academy Film Archive in 2009.
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Documentary examining the steel industry in Youngstown, Ohio during World War II. Focuses on steel production, including the smelting process, slagging and the blast furnace. Workers reflect upon their lives and the importance of their jobs. Emphasizes the importance of teamwork in the mills and on the plant's labor relations committee to help win the war. Preserved by the Academy Film Archive in 2012.
A young Catholic priest from Boston confronts bigotry, Nazism, and his own personal conflicts as he rises to the office of cardinal.
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A lyrical recreation of Lightnin’ Hopkins’ decision at age eight to stop chopping cotton and start singing for a living. Preserved by the Academy Film Archive in 2013.
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Produced by the Army Pictorial Service, Signal Corps, with the cooperation of the Army Air Forces and the United States Navy, and released by Warner Bros. for the War Activities Committee shortly after the surrender of Japan. Follow General Douglas MacArthur and his men from their exile from the Philippines in early 1942, through the signing of the instrument of surrender on the USS Missouri on September 1, 1945. Preserved by the Academy Film Archive in 2013.
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Satyajit Ray's poetic documentary was commissioned by the Chogyal (King) of Sikkim at a time when he felt the sovereignty of Sikkim was under threat from both China and India. Ray's documentary is about the sovereignty of Sikkim. The film was banned by the government of India when Sikkim merged with India in 1975. The ban was finally lifted by the Ministry of External Affairs in September 2010. Preserved by the Academy Film Archive in 2007.
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Les Blank's poetic documentation of 1967's Los Angeles Easter Sunday Love-In. Preserved by the Academy Film Archive in 2002.
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