In this short film from 1967, filmmaker Henry English attempts to place a context around saxophonist and composer Marion Brown’s flurries of notes and expression. Juxtaposed against performance footage and scenes from Brown’s environment are the musician’s spoken observations in which he, in a gentle Georgia accent, explains some of who he is and how his chosen form of expression (wild, free lines of spontaneous sound) may not be as alien as it must have seemed in 1967. (Austin Film Society)
Angelo Debarre meets his friends for a tribute to the culture of Travellers. Since Django Reinhardt, which is celebrated 100 years, until today, this rich music that thrilled several generations. His strength is always reinventing itself. This beautiful tribute takes place around the “fire” in a caravan decor (set created for the show). He is talking about the past and future by remembering the fabulous legacy of Django: spiritual father of gypsy jazz.
Hard Rock classics turned into jazz - or even the creators of many Black Sabbath songs? Jazz Sabbath is damn well thought out and yet very true. Live performance of the band from November 11, 2022 as part of the 43rd Leverkusen Jazz Days.
Captured in state-of-the-art High Definition and mastered in Dolby Digital 5.1 Surround Sound, The New Orleans Concert ignites a massive celebration of Big Easy music past and present - redolent in jazz, rollicking piano renditions, classic rhythm and blues, contemporary funk and rock & roll, all as steamy as a sweltering Delta summer's evening. New Orleans' legends, including Allen Toussaint, The Neville Brothers, and legendary drummer Earl Palmer, are joined by Steve Jordan, Bonnie Raitt, Keith Richards and Joss Stone to create this extraordinary musical extravaganza, reminding the world once again that New Orleans is far more than just one nation's treasure.
In the 1930s, jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute woman.
The Life & Times of Bobby Keys ... decades-long Sax player with The Rolling Stones, best friend to Keith Richards, and session player with John Lennon, Eric Clapton, Delaney & Bonnie, George Harrison, Dr. John, Joe Cocker, Harry Nilsson, Ian McLagan, Keith Moon, Etta James, Ronnie Wood, Sheryl Crow, Ringo Starr, Joe Ely, Warren Zevon, Billy Preston, Donovan, Marvin Gaye, Lynyrd Skynyrd, Carly Simon, Barbra Streisand, John Hiatt, Yoko Ono and B.B. King.
Retracing the longstanding career of avant-garde drummer Sunny Murray, one of the most influential figures of the Free jazz revolution. Through a series of interviews with key time witnesses as well as historic and contemporary concert footage, it reassesses the relationship between the libertarian music movement and the political events of the 1960s, whose social claims it so intimately reflected. By doing so, it also recounts how the most radical forms of musical expression were excluded from the major production and distribution networks as the libertarian ideal went out of fashion. Beyond its historical approach, the film follows Sunny Murray on current gigs, showing his daily struggle to perpetuate a musical genre which is still widely ignored by the general public. In doing so, Sunny's time now also dwells on the near-clandestine community of aficionados who continue to worship the gods of their musical coming of age, and whose unfaltering support has permitted free ...
A documentary that explores the challenges that a life in music can bring.
Filmed live at Tokyo Kosei Nenkin Kaikan on November 22, 2003
A collectively made filmic opera in 35 parts. The Black and predominantly queer art collective, an evolving line up of poets and artists from across the world, abstracts and reimagines opera in any traditional conception. Set to hip-hop, blues, noise, R&B and electronica, the piece uses the voice (chanting, singing, screaming; written by poet and activist Dawn Lundy Martin) as its primary tool, verbalising centuries of alienation, vulnerability and protest in the global African diaspora through its disruptive libretto.
In early July of 2012, Scofield released, after ten years of record pause of ensemble Uberjam, a new and long-awaited album called Uberjam Deux...
29. Leverkusener Jazztage, 01. November 2008, Germany Tracklist: - Who Needs Love - Talkin Loud - Deep Waters - N.O.T. - When the Sun Comes Down - Colibri - Step Aside - Reach Out - Nights over Egypt - Don't You Worry 'Bout A Thing - Everyday - I Hear Your Name - Always There
Joe Zawinul & Trilok Gurtu duo amazes everyone! The 25th Frankfurt Jazz Festival in 1994 hosted this superhero duo.
Sun Ra and his Solar Myth Arkestra return to Earth after several years in space. Ra proclaims himself "the alter-destiny", meets with inner-city youths and battles with the devil himself to save the black race.
A biographical film featuring the music and times of Bill Evans with interviews from Tony Bennett, Jack Dejohnette, Billy Taylor, Paul Motian, Jon Hendricks, Orin Keepnews, Bobby Brookmeyer, Pat Evans and more, including family and friends who knew Bill Evans well.
An unprecedented collection by Afrobeat legend Femi Kuti, Live At The Shrine includes both a concert film/DVD documentary and a live concert CD, singularly conveying the beauty and joy of Afrobeat music – a combustible cocktail fusing jazz, funk, and traditional African music – while also communicating it’s fascinating roots and politics which began with Femi’s father Fela Kuti, the creator and godfather of Afrobeat. Live At The Shrine takes place in the Kuti family’s hometown of Lagos at the Africa Shrine, where every Sunday Femi plays to a packed house of revelers. With music as his weapon of choice and the Africa Shrine a temple of protest song, Femi continues his father’s fight, railing against the corrupt Nigerian government and staunchly defending PanAfricanism. Capturing this experience through interviews, street scenes, and the music itself, Live At The Shrine captures the spirit, passion, and hope, of a man and a people who are fighting.
When the Lutheran pastor Roland retires, the young priest Roll shall replace him. He plays the trumpet, loves Jazz and his methods are unconventional: From the first day on he offends the village's notables, but he doesn't care so much since he especially targets the youths, wants them to get back to the church again. However the mayor agitates against him, manages to endanger Roll's success. The conflict leads to vandalism and open violence against Roll.
A vibrant tribute to one of America's legendary bandleaders, charting Glenn Miller's rise from obscurity and poverty to fame and wealth in the early 1940s.