The sheriff runs Oswald the Rabbit out of town; but then Oswald finds the sheriff's infant son out in the desert.
The sheriff runs Oswald the Rabbit out of town; but then Oswald finds the sheriff's infant son out in the desert.
1930-06-02
6.071
In answer to an orphan boy's prayers, the divine Lord Krishna comes to Earth, befriends the boy, and helps him find a loving family.
People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.
Chris has vast experience in driver training both as an advanced driving instructor and driving examiner. This is the third in the Ultimate Driving Craft series of high quality advanced driving DVDs which have received international acclaim having sold to 39 countries. Filmed with two HD professional movie cameras and professionally edited by Green Gecko Television Ltd who have also added some excellent animation to support Chris's teaching of driving skills. In this DVD Chris highlights a problem that affects all drivers. It is called the natural focal point and not the best way to drive. He explains what it is, why it happens and what we, as drivers, can do about preventing it.
Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.
Human traffickers wipe out a young girl's family and village. She then seeks revenge on those responsible, eventually becoming first the hunted then turning into the hunters with the mercenary hired to eliminate her.
Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
A wreathmaker slips on ice and injures her arm which puts her holiday wreath deliveries in jeopardy until a selfless neighbor steps up to keep her business afloat.
Intertwined stories from the gladiator/athletes participating to the Calcio Storico Fiorentino yearly championship.
With a suitcase in hand, a son arrives to visit his elderly mother.
Standard Gauge is an autobiographical film that examines Morgan Fisher’s work as an editor in the film industry. The film goes through scraps of rejected material along with commentary on the meaning of all the scrapped images. This film is an account and critique of the processes of meaning within film production through an examination of both materialism and the institution of film itself.
For Kevin, a shy teenager, being bullied is part of everyday life. But one day an older guy, Benny, comes to his aid. Impressed by Benny's self-as-sured appearance, Kevin seeks his company from then on, and increasingly idolizes him. But Benny's intention is not to protect the younger boy, quite the contrary.
Two people are waiting together for each other. Their flat waits with them and for them. Together they are living side by side. Someone is coming, someone is leaving, the flat stays where it is.
The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times
Criminals aboard a train to the infamous penitentiary plot an escape, and receive outside help in their attempt.
Sundar, a waiter, is in love with Radha but does not have the courage to tell her. When he becomes a successful comedian, he confesses his feelings to her, only to find that she loves someone else.
The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people
Set in the late 1950s, when geisha culture was threatened by moral crusades, it tells the story of Omocha (Miyamoto Maki), a young girl who sees the geisha life as a way to lift her poverty-stricken family from their hand-to-mouth existence. Through her eyes, we see the protocols and complex financial relationships which dictate the running of the geisha house. Fukasaku's film is a work of great delicacy with moments of hypnotic beauty, and his tender direction, often touched with a sense of wonder, fills the screen with lovingly constructed scenes. At its heart is the poignant situation of the women who must sacrifice their normal relationships to live an ambiguous life in which they are a key part of society while being kept, for the most part, on its periphery, like perpetual mistresses.
Eight college friends gather at a remote cabin for an annual weekend of drinking and fun. When a blood-covered teenage girl crashes their party, she unwittingly brings something with her, that transforms every door of the cabin from an exit to an entrance of terror. With no place to go and nowhere to hide, paranoia flares as they wait for certain death that may take everyone of them before the morning comes.
SHE AND SHE tells stories about 4 young people who used to be best friends but also had some unimaginable secrets. In a series of accidents,everything changed in their lives. In the name of love,they did something over the line unintentionally.Blinded by love,they made the others step into dangerous unconsciously...They were so desperate to be loved by the others,but sometimes they forgot to love themselves.Love makes the beloved breathless...Then,someone died,someone was missing,someone was in trouble.Finally,they saved each others by understandings and forgiveness.It seemed everything was back to the right way,but in fact something even darker just started...
The mortgage is due by 6 p.m. or Grandma and Oswald will lose the homestead. Oswald is forced to take the beloved old milk cow to market. On the way, he's accosted by a scary old witch. She wants the cow and gives Oswald a bag of magic beans in exchange. The beans grow into a huge beanstalk which transports Oswald to a giant ogre's castle in the clouds.
Oswald and his friend and nemesis Peg-Leg Pete are hobos riding on a train and playing checkers when hilarity ensues
Three hitchhiking, hobo chimpanzees, followers of the open road and work-dodgers are put to work on Oswald Rabbit's farm in payment for pies stolen from the hard-working rabbit. The simians find it hard to milk a cow, paint a house and haul water from the well.
Oswald the Rabbit gathers some of the greatest entertainers of the age to cure Old King Cole of the blues.
Late in the evening, just as a skeleton puts out its cat for the night, the masked Phantom stalks the graveyard, pausing only to insult an overly inquisitive owl. The Phantom enters the local opera house and falls in love with Kitty, a feline singer who is terribly jealous of the star of the show, a husky-voiced hippo. The Phantom falls in love with Kitty at first sight. For her sake, he sabotages the hippo (by popping and deflating her). Then he puts a phonograph player down Kitty's skirt. She walks out and pretends the recording is her own voice. Even though the record skips and, moments later, slows down to a stop (forcing the Phantom to crank the machine for her), Kitty is a hit. But does she appreciate the Phantom? No. Backstage, she jumps into the arms of Oswald the Rabbit. Enraged, the Phantom grabs Kitty and takes her down with him to the catacombs underneath the stage. Oswald goes on a rescue mission.
The animals on Oswald the Rabbit's farm couldn't be happier with their work. The hens, in particular, enjoy their jobs as egg producers. True, a hen gets a bit anxious when her egg is too small or when she can't lay anything. But on the whole, times are good. That changes when a specter by the name of Depression rises from the dump and travels the globe spreading fear and panic. The Great Depression has begun and has poisoned the entire country, including Oswald's farm. Now, the roosters are listless and the chickens flop around in a daze. Oswald runs to the doctor for help. But Dr. Pill points to a poster of the President, Franklin Delano Roosevelt. "There's your doctor!" he declares. Soon, Oswald is in the White House, knocking down the Vice President in his haste to see FDR. Roosevelt sings "Confidence" and gives the rabbit a generous supply.
After reading the story of Little Red Riding Hood to three kittens in a cradle, Oswald the Rabbit goes to sleep thinking about the girl heroine. In his dream, he sees the girl pass by and decides to pick a couple of flowers for her. But the stems are impossibly long, and no matter how much he pulls, they just get longer and longer. Meanwhile, a wolf, craving the girl's basket of goodies, pulls the wool off a nearby sheep and disguises himself in it. As a bogus sheep, he asks questions of the girl. She reveals she is going to grandma's house. Soon, the wolf is at grandma's door. The old woman is so frightened, she swallows her harmonica. The wolf stores her in the icebox, promising to eat her later. By the time the girl arrives, the wolf has disguised himself as the old woman. Oswald eventually comes to the rescue. But the wolf finds a magic wand inside the basket of goodies and uses it to put Oswald on top of a construction site.
Lovable Sulley and his wisecracking sidekick Mike Wazowski are the top scare team at Monsters, Inc., the scream-processing factory in Monstropolis. When a little girl named Boo wanders into their world, it's the monsters who are scared silly, and it's up to Sulley and Mike to keep her out of sight and get her back home.
Noah was a faithful man who walked with God. But why did Jehovah favor Noah? What was it that made him special? See how Noah’s actions benefited him and his family as well as all of us today.
This short tells the story of a mythical Norse warrior hero who in myth, gains an accursed hoard of gold.
On stage before a show, a trumpet player dives back into his memories of a sinking during which he was saved by Jazz.
The magic started when power was shaped into a gemstone by her scientist father. His goal to make the world a better place was realised with his little girl being transformed by his discovery into Gemphora, the protector of humans and animals.
In 1869, a woman whose "can-do" attitude had shaped her life was instrumental in making Wyoming the first state to allow women to vote, then became the first woman to hold public office in the United States.
A goldfish happily lives happily along with his owner until a strange event turns his everyday life upside down, making him adapt to his uncertain new life and ponder about friendship, grief and absence.
As a single parent in an unfamiliar country, Ma’s entire life centers around raising Luan, her rambunctious young daughter. Likewise, Luan spends her childhood indulging in endless quality time with her playful, loving mother. However, as Luan grows up, it isn’t long before daily life interferes and causes mother and daughter to grow apart. By channeling their feelings into cooking, the two strive to find their way back to each other, one homemade meal at a time.
Three housemates recount an unspeakable event that took place in their home.
John, unable to understand the illness that drives his grandfather between past and present states, stumbles into an old album full of photographs. The images guide his imagination, transforming his grandfather’s memories into drawings that shape their relationship into a history of memory-building and remembrance.