Les Autres - Les immigrants peuvent-ils sauver Huntingdon?(2013)

Jean Carignan, Fiddler(fr)

Man of the people, taxi driver, Jean Carignan is above all else one of the world's greatest violinists. In his hands reels become complex, intelligent creations, played with a virtuosity worthy of Paganni, and which continue the traditions of a genre passed on orally. A genre which has retained its popularity, and whose giants include Skinner, Coleman, Allard. Jean Carignan tackles their repertoire, as well as reaping the harvest of his exploration of Irish and Scottish musical traditions, which has made of him an internationally renowned specialist in Celtic music. This film is also a love story between an impoverished child and his violin, and provide a unique window into a remarkable era.

A Europa é um Jardim(pt)

Anticosti: La chasse au pétrole extrême(fr)

Cop Class(fr)

First look inside the walls of Quebec police’s training grounds and the realities of our next generation of police officers.

J'me marie, j'me marie pas(fr)

México, México: Mexique en mouvement(fr)

"Mexico begins where the roads end ”. Mexican writer Carlos Fuentes tells us about the history of Mexico: its invasions, its revolutions, its sacred lands, its forgotten legends, its religious rituals and this frightening misery. François Reichenbach and his camera sink into the dust, on this sacred land, where "the land never ends."

Ice Birds(fr)

Crystal Pillar, White Lady, The Whale—these are the names given by ice-climbing enthusiasts to the spectacular ice formations surrounding Quebec's Montmorency Falls. Ice Birds shows two experienced climbers scaling the breathtaking wall of the Crystal Pillar with precision and considerable daring, appearing from below as black spots on the vast landscape of one of nature's masterpieces.

À force d'homme(fr)

Resources(fr)

Co-directors Hubert Caron-Guay and Serge-Olivier Rondeau follow migrant workers through the steps in the hiring process of a community-based employment assistance organization. The filmmakers highlight the migrants’ difficult path by capturing conversations between the future employees and the recruiters. Through images shot on a body camera and a minimalist observational approach, the film exposes harsh and poignant realities. It draws parallels between the changing of the seasons and the cycle of the cattle industry that begins with animals being raised and cared for at a ranch and ends with them being sent to the abattoir grimly looming in the background. Ressources is a sobering and thought-provoking work that gives a voice to those who are at the heart of the food system that sustains this country.

A Tent on Mars(fr)

Three decades after the shuttering of the mining town of Schefferville, the Innu people, who moved in after the non-natives abandoned the town, are facing a new challenge: the iron mines are about to be reopened. Land, identity and legitimacy are central to the dialogue between peoples locked in parallel struggles, the Québécois and the First Nations.

Paper Dolls(en)

Paper Dolls follows the lives of transgender migrant workers from the Philippines who work as health care providers for elderly Orthodox Jewish men and perform as drag queens during their spare time. It also delves into the lives of societal outcasts who search for freedom and acceptance.

Harmonium in California(fr)

Through concerts and interviews, folk-progressive group Harmonium takes Quebec culture to California. This documentary full of colour and sound, filmed in California in 1978, recounts the ups and downs of the journey of the Quebec musical group Harmonium, who came to feel the pulse of Americans and see if culture, their culture, can succeed in crossing borders.

I speak français(fr)

Passages(fr)

Five women from the North to the South of Quebec embark on a multisport expedition following the Koroc river in Nunavik. Travelling together against adversity, this journey soon becomes one of self-discovery for each participant.

After the Ballot(fr)

After the Ballot is a full-length documentary portraying the gruelling everyday life of two Members of Quebec's National Assembly who, although at opposite ends of the political spectrum, share the fact that their sole power lies in their convictions. One is Daniel Turp, the PQ Member for Mercier. The other is Charlotte L'Écuyer, Liberal MNA for Pontiac. The film aptly illustrates that ordinary MNAs have very little authority since the real power is held by ministers who are subject to the ups and downs of a globalized economy. Meanwhile, their fellow citizens keep asking for the impossible…

A Day in June(en)

This short documentary profiles Saint-Jean-Baptiste Day parade in Montreal in 1959. The annual parade takes place every June 24th in memory of Saint-Jean-Baptiste, the patron saint of Québec. Candid shots of youngsters preparing their costumes for the festivities are partnered with a lively jazz soundtrack. All the Montrealers and out-of-town tourists featured in this film avidly participate in a public festivity that is dear to their hearts.

La couleur du temps(fr)

Montreal and India(en)

The Taj Mahal and shots of Jalandhar nestle between footage from Canada and Africa.

Musician(en)

Common sense says you can't make a living in America playing avant-garde improvisational jazz. But Ken Vandermark does it anyway. Among musicians, Vandermark's work ethic is almost mythic. The Chicago reed player has released over 100 albums with nearly 40 ensembles, spends over eight months per year on the road, and lives every other waking moment composing, arranging, performing—and trying to discipline his two hyperactive canines. Though Vandermark was the recipient of a 1999 MacArthur genius grant, he still spends most of his life in smoky clubs and low-budget recording studios, hoping people will plunk down hard-earned cash to hear his wholly non-commercial music. Following the artful cinéma vérité style of the internationally acclaimed Sheriff (Work Series #1), Musician (Work Series #2) forgoes all interviews and voice-overs. It is a fly-on-the-wall time capsule that expertly captures every subtle sound and texture of this most American of art forms.

A Decent Home(en)

Mobile homes have long been an affordable option for people who struggle with the cost of other housing in the United States. But now the economy of mobile home parks is under threat as private equity firms are buying up properties and looking to squeeze more money out of mobile home owners. Filmmaker Sara Terry uses this backdrop to explore urgent class issues that resonate across America, and especially in the high-priced rental market of New York City.