A Portrait of Esbjörn Svensson(2016)

The Stranger on the Bridge(en)

The documentary follows 26 year old Jonny Benjamin as he tries to find the man who dissuaded him from taking his own life by jumping from Waterloo Bridge in London in 2008.

Pat Metheny: Secret Story(en)

Pat Metheny took his 1992 album Secret Story on a concert tour, and a video recording of a live performance at New Brunswick, New Jersey, was issued. This film, also called Secret Story, was re-released on DVD in 2001.

The Man Who Killed James Bond(it)

Fabrizio, a poor thief from the Roman suburbs, finally has in his hands the man who ruined his life: James Bond.

WWE Survivor Series Showdown '89(en)

In the led-up to the 1989 WWE Survivor Series, top WWE Superstars strive to Survive!

Ensamrummet(sv)

Emma's parents are going to divorce, but before that the family goes on holiday to the countryside. Emma is left alone when the parents just arguing and moving to another room. Soon she discovers that there is something mysterious about the room when a typewriter starts writing a message by itself...

Outer Reaches(en)

When two explorers crash-land on an alien-infested planet, a grim decision arises: as one is infected by the microorganism menace, the other must choose between containment and cataclysmic consequences.

Blood & Orchids(en)

Hester Murdoch is found naked and nearly beaten to death by four young Hawaiian men on the beach and taken to the hospital. Some of the men didn't want to get involved, fearing they might be blamed, because she was white, but do so anyway. Almost immediately everyone suspects they are to blame. When Hester's politically influential mother Doris finds out what really happened, she fearing a scandal, forces her daughter to blame the men who rescued her, of raping and beating her. It's up to detective Curt Maddox, to find out what really happened, and their Hawaiian lawyer to do the impossible. Convince a white court of law, that they are innocent.

El Faro(es)

Kairos Dirt and the Errant Vacuum(en)

A series of collective dreams of a transworldly being visits a myriad of characters, revealing their subconscious desires.

Fascination(en)

Young Scott Doherty (Adam Garcia) gets suspicious when his mother (Jacqueline Bisset) plans to wed Oliver Vance (Stuart Wilson) soon after her husband's untimely death. Scott investigates with Oliver's pretty daughter, Kelly (Alice Evans), who shared Scott's doubts about the upcoming nuptials. Along the way, he falls in love with Kelly, but a fatal explosion turns Scott's life upside down - and the evidence points to him as the murderer. Has he been framed?

el árbol ( the tree)(en)

Maria steps into her mother's apartment, a bittersweet journey down memory lane. The rooms echo with the echoes of her childhood, as she spots the familiar furniture and treasured trinkets. Loneliness settles in, a quiet companion. She recalls the days when her mother's voice would call out her name, back by their favorite tree, in simpler times.

Buffalo Police on Parade(en)

A street scene showing parade of the entire Buffalo Police Department, 16 men abreast, with military band.

Dream Girl(en)

A young woman spends much of her time fantasizing about what might be, but a realistic admirer tries to convince her to live the life she has.

Vaada(ta)

Vaada film Sundar C and Sheryl Brindo in lead. Sundar C is essaying the role of a person who avenges the person who has spoilt his life. Sheryl Pinto acts as an ardent fan of MGR and she feels her husband Sundar C should also be like him. Both of them dance for the song Enakku Needhan MGR Unakku Naan Dhan Saroja Devi.

Escape to Passion(en)

Leo is a small time crook on the road to redemption. The age old story of a broken man trying to change himself. Escape to Passion is a sleazy action-packed classic.

Gay ?(fr)

"I'm gay, I'm a fag, I'm proud and I really love sex."

Arabic Numeral Series 13(en)

“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set against darkness, or occasionally against white, these momentary flickers that materialize tenuously out of emptiness. But the darkness is not ‘night,’ or even simply some more abstract absence of light, but a more profound vacuum: it represents a world stripped of all the coordinates of the known, an unmeasurable absence. […] These lushly sensual, pleasurable-to-view films are also terrifying: their unpredictability, continually enacting new dramas of surprise, alternatively swamps the viewer in light and leaves him adrift in darkness.”