10 year anniversary revue for the Knäppupp company, performances of both old and new material.
1964-10-03
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In 1950s America, protests for racial equality erupt in the face of voter suppression. On Broadway, Wiletta Mayer, a talented black actress, begins rehearsals for a new play about racism – written and directed by two white men. When Wiletta finds that her arguments to tell the truth of the story are dismissed, she decides to take action. First staged over 60 years ago, Trouble in Mind is widely considered the masterpiece of actress and playwright Alice Childress - a wry and radical satire of racism in theatre.
First staged at Lyric Hammersmith in 2018 and freshly updated for 2020, Ned Bennett directs this wild and inventive production and explores what it is like to come from a small town and arrive in a big city today. With a host of colourful characters, irreverent jokes, talking animals and popular songs this is Dick Whittington as never seen before.
National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.
In 1853 Japan, the story follows the Westernization of Japan, mainly through the story of Kayama, a samurai, and Manjiro, a fisherman. The lives of both men are radically changed by the coming of American ships to Japan.
A dance and music film tailored completely for Marika Rokk: After her divorce, the wife of a composer uses her wit and charm to engage Marika as a singer and dancer on the stage. This manages to give life once again to the extinguished love between her and her former husband.
Inspired by the true-life experience of its star George Takei, Allegiance follows one family's extraordinary journey in this untold American story following the events of Pearl Harbor. Their loyalty was questioned, their freedom taken away, but their spirit could never be broken.
A production of Shakespeare's "As You Like It" filmed for television. After the overthrowing of the old duke by his tyrannical brother, the duke's daughter Rosalind disguises herself as a man and sets out to find her banished father while also counselling her clumsy suitor Orlando in the art of wooing.
Bear's hat is gone. He loves his hat. He wants it back. He asks all the animals in the forest, but no one has seen it. WAIT. He has seen it somewhere.
The ghost of the King of Denmark tells his son Hamlet to avenge his murder by killing the new king, Hamlet's uncle. Hamlet feigns madness, contemplates life and death, and seeks revenge. His uncle, fearing for his life, also devises plots to kill Hamlet. An historic BBC production taped on location in and around Kronborg castle in Elsinore (Denmark), in which the play is set.
Set in New York City's gritty East Village, the revolutionary rock opera RENT tells the story of a group of bohemians struggling to live and pay their rent. "Measuring their lives in love," these starving artists strive for success and acceptance while enduring the obstacles of poverty, illness and the AIDS epidemic.
Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.
This delightful pairing of one-act musicals, one classic and one modern, takes a comical and moving look at the mysteries of love. Act I, based on Schnitzler's The Little Comedy, is a delightful romp through the sexual ennui of turn-of-the-century Vienna, as two wealthy but bored socialites masquerade as impoverished bohemians seeking romance. Act II, based on the Jules Renard play Summer Share, explores modern affection and disaffection as two married couples share a summer house in the Hamptons. An Off-Off-Broadway sensation that successfully moved to Broadway, Romance/Romance is a charming and tuneful small-cast gem, here filmed live for television.
A proper local legend. Married five times. Mother. Lover. Aunt. Friend. Alvita will tell her life story to anyone in the pub – there’s no shame in her game. The question is: are you ready to hear it? Because this woman’s got the gift of the gab: she can rewrite mistakes into triumphs, turn pain into parables, and her love life’s an epic poem. They call her The Wife of Willesden... A play that celebrates the human knack for telling elaborate tales, especially about our own lives. Zadie Smith transports Chaucer’s The Wife of Bath to 21st Century North West London, directed by Kiln Theatre Artistic Director Indhu Rubasingh. A production from Kiln Theatre
Separated at birth, two sets of twins collide in the same city for one crazy day, as multiple mistaken identities lead to confusion on a grand scale.
In a remote village in Eastern Europe, around 1900, the young Motl Mendl is entranced by the flickering silent images on his father's cinematograph.
In a castle high on a hill lives Edward; a boy created by an eccentric inventor. When his creator dies he is left alone and unfinished with only scissors for hands until a kindly townswoman invites him to live with her suburban family. Can Edward find his place in the well-meaning community which struggles to see past his curious appearance to the innocence and gentleness within?
In June 2009, a group Britain's leading actors gathered for one night only to perform a celebration of the work of Harold Pinter at the National Theatre, directed by Ian Rickson. The team who made the acclaimed Harold Pinter documentaries for BBC's Arena was there to record this unique performance.