Colored Rhythm: Study for the Film(1913)

Full Moon(en)

Designed for continuous single or multiple monitor display (as well as video projection), the tape is a collection of computer animated sequences of celestial images spanning time and cultures, moving objects and images in harmonic choreography and spatial play.

Flow(en)

Flash projection from dutch visual artist Han Hoggerbrugge

Don't You Wish You Were Here?(en)

The very first film in which Maya Yonesho tried to show her thoughts. Even just circles may be able to show emotions as a person in animation. The main circle (character) is slightly pinker than the other grey circles (people) and she thought she was very special. But she is very grey in a colourful world. She will find out that grey is not just a boring colour.

No. 11: Mirror Animations(en)

Cut up animation and collage technique by Harry Smith synchronized to the jazz of Thelonious Monk's Mysterioso.

On Generation and Corruption(ja)

Borrowing its title from a treatise by Aristotle, the latest film by Makino Takashi is an abstract work that finds its drive in the clash between light and darkness. Entirely composed of superimposed images of Tokyo’s landscape and water sites, the film takes its rhythm from the cycles of repetition that are the pillars of life and civilisation. As light emerges from the chaos, Jim O’Rourke’s ambient drone sets the tone for what is to come.

Not Even Nothing Can Be Free of Ghosts(de)

Rainer Kohlberger’s abstract film was created entirely without a camera. Through digital algorithms, he precisely arranged a rhythm of light and shadow that pulsates off the screen into our physical space with blinding intensity. The presence of light is almost felt as we are sucked into the image to become its ghostly accomplice. As we leave the theatre, the optical vibrations continue to haunt us.

Enigma: Nazo(ja)

Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.

Rubin's Incorporia(en)

Rubin chats with two friends.

Chase(xx)

An abstract pursuit that leaves you gasping for breath.

Keep on Turning(xx)

In Wiertz and Verbeek's kinetic, kaleidoscopic opus Keep on Turning (1974, 3 min, 16mm, sound) cubes convey, rotate and shift in tandem.

Trans/Figure/Ground(en)

A film about uncanny valleys and the space between. Painted 16mm film undergoes a monstrous transformation becoming neither analog nor digital.

Twilight(en)

An exploration of the relationship between sound and picture inspired by the two lights (twi-light) found inside film projectors.

Gassy's Gas 'n Stuff(en)

Lulu the dog gets a job at the local convenience store and stays up all night cleaning the back room. Short created for Adult Swim Smalls.

Jazzimation(xx)

A jazzy film in which the spectator is forced to look with the ears and listen with the eyes. An abstract film drawn directly on the computer.

Mamori(xx)

Mamori transports us into a black-and-white universe of fluid shapes, dappled and striated with shadows and light, where the texture of the visuals and of the celluloid itself have been transformed through the filmmaker’s artistry. The raw material of images and sounds was captured in the Amazon rainforest by filmmaker Karl Lemieux and avant-garde composer Francisco López, a specialist in field recordings. Re-filming the photographs on 16 mm stock, then developing the film stock itself and digitally editing the whole, Lemieux transmutes the raw images and accompanying sounds into an intense sensory experience at the outer limits of representation and abstraction. Fragmented musical phrases filter through the soundtrack, evoking in our imagination the clamour of the tropical rainforest in this remote Amazonian location called Mamori.

Barcode III.0(en)

A unique journey across a topography created entirely from a form of digital light and shadow—a bristling terrain of poles bending the light in every direction. This film is the remake of Barcode, an abstract road-movie about light and shadows.

All Souls Carnival(en)

Len Lye usually timed his films with great care to match their soundtracks, but for All Souls Carnival, he and composer Henry Brant worked separately, preferring to see if the score and visual track would synchronise by chance. Lye also experimented with a new Direct Film technique, drenching the filmstrip in colourful paint and marker pen.

3/78 (Objects and Transformations)(en)

Sixteen 'objects', each consisting of one hundred points of light, perform a series of precisely choreographed rhythmic transformations. Accompanied by the sound of a Shakuhachi (the Japanese bamboo flute), the film is an exercise in the visual perception of motion and mathematical structure.

Pour ne pas oublier l'invisible(fr)

Third Page from the Sun(fr)

Three books: a film festival catalogue, a dictionary, the Bible. Three works whose materiality has become obsolete by the digital dematerialization. A commentary on the fragility of culture.