1951-01-01
0
An environmental account of Henry Ford’s Amazon experience decades after its failure. The story addressed by the film begins in 1927, when the Ford Motor Company attempted to establish rubber plantations on the Tapajós River, a primary tributary of the Amazon. This film addresses the recent transition from failed rubber to successful soybean cultivation for export, and its implication for land usage.
“Shows how a full carload of coal is loaded onto a vessel every thirty seconds at the great Erie Railroad Docks, Cleveland, Ohio. Great clouds of coal dust rise as each car is unloaded.”
Manoel de Oliveira's final work revisits one of his earliest films and celebrates a century of industrialization in Portugal.
The United Nations Food and Agriculture Organization, along with other international organizations, is leading efforts to increase aquaculture by encouraging countries around the world to invest in its development. However, local communities strongly oppose the expansion of fish farms due to resource depletion and water pollution concerns. From Italy to Greece, Spain to Senegal, and all the way to Patagonia in Chile, their journey to uncover the truth extends to the ends of the earth.
Under the sun, the heavenly beauty of grasslands will soon be covered by the raging dust of mines. Facing the ashes and noises caused by heavy mining , the herdsmen have no choice but to leave as the meadow areas dwindle. In the moonlight, iron mines are brightly lit throughout the night. Workers who operate the drilling machines must stay awake. The fight is tortuous, against the machine and against themselves. Meanwhile, coal miners are busy filling trucks with coals. Wearing a coal-dust mask, they become ghostlike creatures. An endless line of trucks will transport all the coals and iron ores to the iron works. There traps another crowd of souls, being baked in hell. In the hospital, time hangs heavy on miners' hands. After decades of breathing coal dust, death is just around the corner. They are living the reality of purgatory, but there will be no paradise.
A look at typical activities taking place in the Peek Frean factory: First, the workers get up steam, as supplies of milk and flour arrive. Sheets of dough are rolled, then cut, shaped, and readied for baking. The camera then continues to show further events throughout the work day.
Bustling scenes show Edwardian Derry-Londonderry before industrialisation took hold.
Fordlandia is a small settlement on the River Tapajos in the Brazilian part of the Amazon, where Henry Ford set up a rubber industry in the 1920s. Mainly due to the resistance of nature, the project failed and was abandoned some 20 years later. Fordlandia is a voyage of (de)colonisation whereby the drifts and detours of modernity in uncertain places are highlighted, turning away from whatever their historical imaginaries were. The tensions between industrial and natural landscape are levelled off in a certain horizontality of hierarchies between form and content, and at the same time the animal resignifies possibilities of the community of the living.
Halla declares a one-woman-war on the local aluminium industry. She is prepared to risk everything to protect the pristine Icelandic Highlands she loves… Until an orphan unexpectedly enters her life.
After the death of her daughter at the hand of her boyfriend, Marisela Escobedo began to fight for justice not only against the murderer but also against the corrupt Mexican judicial system.
Acclaimed writer, Shelby Steele, has long argued that systemic racism is more a strategy than a truth, and that the universal oppression of black Americans is largely over with. But the 2014 shooting of a black teen, Michael Brown, in Ferguson, Missouri by a white policeman shook the nation to its core. During Steele’s investigation of Ferguson, America was once again rocked by the brutal killing of George Floyd. Didn’t these killings, and the long list of others like them, put the lie to Steele’s argument?
A documentary about the impacts of climate change on the Republic of the Marshall Islands and its people. Most parts of the Marshall Islands are less than 5.9 feet above sea level. Forecasts predict the uninhabitability of the country by 2050.
When Csilla was 22, she was kidnapped from a pub in Hungary and sold to a group of Israelis who trafficked for prostitution. Today, twenty years later, Csilla is a different woman, one who has managed to get out of the drug abuse cycle, celebrating 10 years of sobriety, and volunteering at the Levinsky Clinic to try and help women on the street.
In rural India, a child with hydrocephalus gets a chance at life-changing surgery after her photos go viral. This documentary charts her journey.
Jean-Paul Gaultier's job is not to make a show or a perfume, nor to speak to the media or to present shows on MTV, it is to make clothes. He draws them, but above all, he creates them by draping them, by building them on the body of a cabin mannequin. Gaultier recreates in front of the camera twelve of his most emblematic creations. The dresses appear before our eyes and we follow the thought of Jean-Paul Gaultier walking between ideas and matter. The work of Gaultier, told by himself, as a lasting creative testament.
For early aviators, conquering the forces of gravity was a daunting challenge. But black aviators had an additional challenge - conquering the forces of racism. Meet the men and women who took to the skies throughout the 20th century, proving to a segregated nation that skin color doesn't determine skill level. From biplanes to commercial jets, and from barnstormers to war fighters, meet the path-breaking pilots who opened the skies for all -- and contributed in countless ways to the development of aviation.