Luis García Berlanga: pasado, presente y futuro del cine español(2021)

Mario Camus según el cine(es)

A look at the life and work of Spanish filmmaker Mario Camus (1935-2021).

Barefoot in the Kitchen(es)

What was the role of women in Spanish cinema from the 1930s to the present explained through fragments of different films, both fiction and non-fiction. (Followed by “Manda huevos,” 2016.)

Penélope Cruz: Diva in the Mirror(fr)

An account of the life and work of Spanish actress Penélope Cruz: a long journey that began in the working-class neighborhoods of Madrid and ended in the hills of Hollywood.

Maria and the Lost Movie(ca)

The pianist Miguel Ángel Lozano embarks on a personal and artistic journey with the purpose of reconstructing the life of his grandmother, Maria Forteza (1910-60), singer and pioneer of Spanish sound films.

Berlanga, fanáticamente contradictorio(es)

Journey to Somewhere(es)

A young woman, who has inherited her grandparents' huge house, a fascinating place full of amazing objects, feels overwhelmed by the weight of memories and her new responsibilities. Fortunately, the former inhabitants of the house soon come to her aid. (An account of the life and work of Fernando Fernán Gómez [1921-2007] and his wife Emma Cohen [1946-2016], two singular artists and fundamental figures of contemporary Spanish culture.)

The Memory of Cinema: A Film About Fernando Méndez-Leite(es)

A look at the life and work of Spanish filmmaker and film critic Fernando Méndez-Leite, as he writes his memoirs and a novel with autobiographical resonances.

FFG, el último gran conversador(es)

Fernando Fernán Gómez (1921-2007), actor, writer, playwright and film director, was for decades one of the most important figures in Spanish culture. His close friends and relatives reveal another facet in which he stood out above all: that of being an excellent conversationalist, capable of hypnotizing and seducing those who listened to him.

Uncensored Women(es)

The story of a group of actresses who, in the Spain of the seventies, and in the midst of the democratic Transition, decided to appear nude in the films of that time of radical political change, defying the rigid and deeply rooted social rules.

The First Look(es)

In Spain, a poor country ruined by the recent Civil War (1936-39), and in the midst of Franco's dictatorship, a film school was created in Madrid in 1947, which became, almost unintentionally, a space of freedom and pure experimentation until its closure in 1976.

¡Ay, Carmen!(es)

The personal and professional story, told in first person, of Spanish actress Carmen Maura, director Pedro Almodóvar's first muse and a brilliant artist in her own right.

FFG: un retrato(es)

An experimental portrait of Fernando Fernán Gómez, one of the most renowned Spanish artists of all time.

Florián Rey: Of Light and Shadow(es)

The life and professional career of the Spanish filmmaker Florián Rey (1894-1962), a brilliant artist who began his career in silent films and had great commercial success during the Second Republic (1931-1936): a journey to the early days of Spanish cinema.

Yo quise hacer Los bingueros 2(es)

Narciso Ibáñez Serrador: historias para recordar(es)

How the Uruguayan-Spanish actor, writer, producer and director Narciso «Chicho» Ibáñez Serrador changed forever the way of producing programs for Spanish television.

The Voice of Thaïs(es)

Clara Mingueza, an actress from Barcelona, sets out to move the mortal remains of Elena Jordi (1882-1945), vaudeville star, actress and the first woman director of Spanish cinema, to her hometown, while trying to find a copy of Thaïs, the only film she directed.

El joven Berlanga(es)

The early days of the future genius of Spanish cinema Luis García Berlanga, from his birth in Valencia in 1921 to his departure to Madrid in 1947 to become a filmmaker.

[REC]: Horror Without Pause(es)

The horror film [REC] — directed by Jaume Balagueró and Paco Plaza, and released in 2007 — was an unprecedented triumph for Spanish fantasy cinema. Fifteen years later, those responsible for the creation and worldwide success of this cinematic milestone decode its keys and resurrect the myth.

The Critic(es)

A portrait of film critic Carlos Boyero, one of the most followed and feared figures in Spanish cinema, surrounded by controversy and both love and hate.

Mi adorado Monster(en)

With humor, prolific director Víctor Matellano tells the story of one of the most iconic and problematic cult films of Spain's "fantaterror": Los resucitados by Arturo de Bobadilla. A story of ambition, frustration and the everlasting will of the most passionate cinephiles.