Shirish and Geeta run a rickshaw driver over and have dramatically opposing reactions to the tragedy. Shirish moves on, hiding behind the invisible protections afforded to him by class structure, and the visible walls and locked gates of his home. In parallel, Geeta’s guilt drives her to surreptitiously employ Manoj, the victim’s younger brother, intertwining two lives otherwise separated by class and power. The small collision quickly turns into a dramatic suspense, spurred by greed, betrayal, guilt, as the nocuous effects of grave inequality threaten to unwind the very fabric of each of their lives.
Rekha is in love with Shankar since childhood. But Rekha's adopted sister, Lata, has an affair with Shankar and breaks their union with the help of her maid.
Gorgeous looking Anju Khanna lives in a palatial home with her dad, and mom. Her dad, R.K.Khanna has been having labor problems at his workplace, due to a headstrong union leader named Shanker, who wants better housing and benefits for all workers, and failing which, he has declared an indefinite strike. Her dad would like her to marry Laxmikant alias Lucky Gupta, but Anju does not like him. She has met and has fallen in love with a dashing young man named Raja Singh Rathod. Although Khanna is upset with her for falling in love, he would like to meet him, to which Anju agrees to and brings Raja along to introduce him to her dad. It is then that Khanna finds out that Raja is a poor motor mechanic, and is the brother of union leader, Shanker. He asks Raja to leave, and warns Anju that if she ever sees him again, he will arrange to have Raja killed. Anju must now decide to carry on with her love-life, or obey her father and save her lover's life.
Years after a corrupt police inspector committed crimes against their families, two young men (Dharmendra, Jeetendra) meet and plot their revenge.
Zooni Ali Beg is a blind Kashmiri girl who travels without her parents for the first time with a dance troupe to Delhi to perform in a ceremony for independence day. On her journey, she meets Rehan Khan, a casanova and tour guide who flirts with her. Although her friends warn Zooni about him, she cannot resist falling in love with him and he takes her on a private tour of New Delhi. But there is more to Rehan than meets the eye and Zooni will have to make a heartbreaking decision.
A hit and run of an 18-year-old girl becomes the hub of a wheel that sets into motion many a spoke - a journalist, a raging mother, a cop and a system all caught in an ethical dilemma. Questions are raised only to realize that the truth is rarely pure and never simple.
A fearless woman fights social injustice; creating a sanctuary for abused women and battling a crooked politician.
Ishaan Awasthi is an eight-year-old whose world is filled with wonders that no one else seems to appreciate. Colours, fish, dogs, and kites don't seem important to the adults, who are much more interested in things like homework, marks, and neatness. Ishaan cannot seem to get anything right in class; he is then sent to boarding school, where his life changes forever.
The year is 1938, and Mahatma Gandhi's groundbreaking philosophies are sweeping across India, but 8-year-old Chuyia, newly widowed, must go to live with other outcast widows on an ashram. Her presence transforms the ashram as she befriends two of her compatriots.
After a group of friends graduate from Delhi University, they listlessly haunt their old campus, until a British filmmaker casts them in a film she's making about freedom fighters under British rule. Although the group is largely apolitical, the tragic death of a friend owing to local government corruption awakens their patriotism. Inspired by the freedom fighters they represent in the film, the friends collectively decide to avenge the killing.
In his debut feature film, Kumar Shahani employs highly innovative forms for depicting the conflict between oppressive feudal norms and a changing industrial landscape while making female sexuality and its complex mindscape the focus. The protagonist, Taran, the younger daughter of a Rajasthani zamindar revolts against the social code set by the class system by a sexual encounter with an engineer. This film was one of the earlier and successful examples experimentation in colour during the advent of New Indian cinema.
A newly married meat-eating couple encounter problems after moving into a purely vegetarian society.
The idea behind Ya Rab is to show how Islam has been used as a tool to propagate terrorism. The film focuses on issues where so called self proclaimed Maulanas (Islamic Preachers) misinterpret The Quran and its real meaning to breed terrorists and terrorist activity. Ya Rab is a genuine effort to show the right face of Islam and to guide the misguided on the right path.
Once upon a time in a village a dacoit named Daku Mangal Singh (Ranjeet) harasses the villagers for lagaan, When Inspector-in-charge Vijay (Girish Karnad) gets transferred to that village he encounters Daku Mangal Singh (Ranjeet) and makes a plan to set the village free of the menace. This story is about five criminals who were taken by the inspector-in-charge Vijay for help to the village. Inspector Vijay take those criminals at his own risk as the higher authority denies his approval. Daku Mangal Singh also exploits women in the village. Does Vijay succeed in his mission.
Maamar (Sid Ali Kouiret), a young fisherman working in a small port in western Algeria, is forced to sell his goods at a discount every day to Si Khelifa (Abdelhalim Rais), owner of many trucks and a cannery where the wives work fishermen. He has a strange encounter. As he returns from fishing, bassinet in hand, he witnesses a car accident. Indeed, a car hits a tree with a beautiful girl “Hayat” on board who has lost consciousness. Maamar pulls her out of the car and saves her. It is at this precise moment that he realizes the existence of another world. As if awakened from a long sleep, he realizes that this exploitation can no longer continue. He leaves his village and his wife Laâlia (Fatima Belhadj) on a whim for three years. He finds himself in the capital which he leaves to return to his village and carry out a saving action...
The story revolves around a humble, divorced Indian woman named Ananya and amidst her mundane-routine life, she finds herself on a secret intelligence duty in Pakistan. But her love for Urdu literature will have her falling in love that will eventually put them in a tug of war with each other.
Heart surgeon Dr. Viren Goenka, his wife Sanjana and their seven-year-old daughter Anishka live in Mumbai. Their joys have just multiplied with Viren being honored with a prestigious award for his contribution to the medical world. Viren is all set to visit New Delhi to receive this award. He promises to celebrate his daughter's birthday once he returns. But fate has something else planned for Viren and his family: Anishka is kidnapped under Sanjana's nose. She is startled with the presence of a creepy man named Krish in her house. Krish tells her that Anishka will be fine as long as Sanjana and Dr. Goenka follow his instructions.
Uttar Pradesh-based Vishal gets a telegram from Santa Cruz Police Station that his younger collegian brother, Arjun, is dead. Distraught he travels to Bombay, collects his brothers ashes, and finds out that Arjun met a violent death. With the aid of a street-smart con-woman and her mentor, Babu Kasai Hyderabadi, he then sets out to find who killed his brother - not knowing that soon he will be drawn into the dark world of Godha and Vishwaraj.
Taking an experimental approach to the relationship between the written text and moving image, Mani Kaul has a series of texts read aloud in voice-overs (poetry, essays, and stories), while the characters within the texts walk through real or imaginary landscapes.
This is the story of Amit and Samara - two souls in Mumbai, a city of millions and how the universe conspires to bring them together. This is a coming of age film about how two people are destined to meet but only when their individual lives are ready for each other. Through a chance encounter, a series of coincidences and fates helping hand, Amit and Samaras lives intersect and affect each other. Whether they can find their true paths or not, only time will tell.