MISTER MOTO - THE J. B. EXPERIENCE(2021)

Music(en)

Zu, a free spirit estranged from her family, suddenly finds herself the sole guardian of her half-sister, Music, a teenager on the autism spectrum whose whole world order has been beautifully crafted by her late grandmother. The film soon challenges whether it is Zu or Music who has a better view of the world, and that love, trust, and being able to be there for each other is everything.

Filhos do caos(pt)

Two Trains Runnin'(en)

The search of several young, white men for blues singers who have been missing for decades coincides with the Civil Rights Movement in Mississippi in the 1960s.

Begin Again(en)

Gretta, a budding songwriter, finds herself alone after her boyfriend Dave ditches her. Her life gains purpose when Dan, a record label executive, notices her talent.

Family Band: The Cowsills Story(en)

The story of the Cowsills, an American band consisting of family members who rose to fame in the 1960s and served as the real-life inspiration for the “The Partridge Family” TV series.

Waikiki Brothers(ko)

Waikiki Brothers is a band going nowhere. After another depressing gig, the saxophonist quits, leaving the three remaining members to continue on the road. The band ends up at the lead singer's hometown, which was a popular hot spring resort in the '80s, but the return home is filled with reservations of previous and past disappointments, a lost love, unemployment and tragedy.

Venom: Live in London(en)

Recorded Live at the Hammersmith Odeon Theatre, London, 8 October 1985. Can the bombast and fury of one of Extreme Metal's founders truly be captured on video? Turn it up and find out! Touring supporting 1985's POSSESSED, this would become one of the last documents of the original lineup, as guitarist Mantas would depart not long after. Songs: 01 - Too Loud (For the Crowd) - 02 - Black Metal - 03 - Nightmare - 04 - Countess Bathory - 05 - The Seven Gates of Hell (Bass Solo) - 06 - Buried Alive - 07 - Don't Burn The Witch - 08 - In Nomine Satanas - 09 - Welcome To Hell - 10 - Warhead (Guitar Solo) - 11 - Schizo - 12 - Satanachist - 13 - Bloodlust - 14 - Witching Hour

Honey 3: Dare to Dance(en)

While attending college in Cape Town, Melea Martin feels constrained by the school's strict policies, and decides to set out on her own. Searching for a way to use her talents as a dancer and inspire the community around her, Melea rents a failing theater in order to put on a Hip-Hop Romeo and Juliet performance. But much like the Capulets and Montagues, conflicts between cast members threaten to bring the whole performance to a halt...

Garbage: One Mile High... Live(en)

After a five year break, 2012 saw Garbage back in the spotlight with a new studio album Not Your Kind Of People followed by their first world tour for seven years. Filmed on this tour at the Ogden Theatre in Denver, Colorado on October 6, One Mile High...Live is the first ever Blu-ray release of a full Garbage live concert. Charismatic singer Shirley Manson leads from the front propelled by the twin guitars of Steve Marker and Duke Erikson and the powerhouse drumming of Butch Vig with Eric Avery providing bass guitar for the live shows. The band mix highlights from the new album with classic tracks from across their career to produce the ultimate Garbage live experience.

We're So Young(pt)

The life of Renato Russo, from his first involvement with music, to his years in the punk rock band Aborto Alétrico, to the formation of Legião Urbana, in the Brasília rock scene of 1970s and 1980s.

Waterboys(nl)

Both newly single, a Dutch crime author and his cellist son attempt to rekindle their feeble bond as the latter joins the former on a publicity trip to Scotland.

Non Plus One(en)

A young writer struggling to create a good story meets a cute waitress and imagination and fantasy blossom.

RuPaul's Drag Race Holi-Slay Spectacular(en)

In this musical extravaganza, RuPaul's Drag Race favorites like Trixie Mattel, Latrice Royale and Shangela return home for the holidays to compete for Christmas Queen.

Ariana Grande at the BBC(en)

Davina McCall chats to Ariana Grande in this musical extravaganza. Ariana performs songs from her latest album Sweetener and some of her biggest hits accompanied by her band and an all-female orchestra.

ReMastered: Devil at the Crossroads(en)

Robert Johnson was one of the most influential blues guitarists ever. Even before his early death, fans wondered if he'd made a pact with the Devil.

ReMastered: Who Killed Jam Master Jay?(en)

Run-D.M.C. DJ Jam Master Jay made a huge impact in music and his community. But friends and family still seek closure years after his unsolved murder.

ReMastered: Tricky Dick & The Man in Black(en)

This documentary chronicles Johnny Cash's 1970 visit to the White House, where Cash's emerging liberal ideals clashed with Richard Nixon's policies.

Zertarako Amestu(eu)

After recording their album 'Jaio.Musika.Hil' in 2005, Berri Txarrak embarked on a worldwide tour of almost 200 concerts with which they opened the international path of their career: Nicaragua, Mexico, USA, Japan, Taiwan, Ireland, Germany, Switzerland, England... The band was recording images with a handycam, material with which they shaped this documentary in 2007. In its 70 minutes of black and white footage, one can enter into the sensations of a rock band on the road, see the curious recording of the album (outside of a conventional studio, in a farmhouse in Eraso) and its subsequent mixing in Kansas (USA)... In addition to the members of BTX, you can also see testimonies of Marino Goñi (GOR DISCOS), Karlos Osinaga (Lisabö), Tim McIlrath (Rise Against), Ryan Pope (The Get Up Kids), Ed Rose (Black Lodge Studios), etc. can be seen. The documentary was screened at several film festivals such as the Portobello Film Festival in England or the Zinemastea in Gasteiz.

Meet Me in the Bathroom(en)

Set against the backdrop of 9/11, this documentary tells the story of how a new generation kickstarted a musical rebirth for New York City that reverberated around the world.

Nothing Compares(en)

Since the beginning of her career, Sinéad O’Connor has used her powerful voice to challenge the narratives she was surrounded by while growing up in predominantly Roman Catholic Ireland. Despite her agency, depth and perspective, O’Connor’s unflinching refusal to conform means that she has often been patronized and unfairly dismissed as an attention-seeking pop star.