Between 1879 and 1986, upwards of 100,000 children in Canada were forcibly removed and placed into Indian Industrial Residential Schools. Their unique culture was stripped away to be replaced with a foreign European identity. Their family ties were cut, parents were forbidden to visit their children, and the children were prevented from returning home.
Host
The Fallen Feather: Indian Industrial Residential Schools and Canadian Confederation
Between 1879 and 1986, upwards of 100,000 children in Canada were forcibly removed and placed into Indian Industrial Residential Schools. Their unique culture was stripped away to be replaced with a foreign European identity. Their family ties were cut, parents were forbidden to visit their children, and the children were prevented from returning home.
2007-01-01
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A study of life at Christmastime in Moose Factory, an old settlement mainly composed of Cree families on the shore of James Bay, composed entirely of children's crayon drawings and narrated by children.
“Kill the Indian to save the man” was the catchphrase of The Carlisle Indian Industrial School, a boarding school opened in Pennsylvania in 1879. It became a grim epitaph for numerous native children who died there. In 2017, a delegation from the Wind River Indian Reservation in Wyoming attempts to retrieve the remains of three Northern Arapaho children buried far from home in the school cemetery, on a journey to recast the troubled legacy of Indian boarding schools, and heal historic wounds. This documentary film is produced by The Content Lab LLC, with support from The Wyoming Cultural Trust Fund, The Wyoming Humanities Council, and Wyoming PBS.
In this layered short film, filmmaker Janine Windolph takes her young sons fishing with their kokum (grandmother), a residential school survivor who retains a deep knowledge and memory of the land. The act of reconnecting with their homeland is a cultural and familial healing journey for the boys, who are growing up in the city. It’s also a powerful form of resistance for the women.
The story of the 1773 highland migrants who left Scotland to settle in Nova Scotia.
Christmastime at the Roman Catholic-run Kamloops Indian Residential School in British Columbia.
Filmed on location in Saskatchewan from the Qu'Appelle Valley to Hudson Bay, the documentary traces the filmmaker's quest for her Native foremothers in spite of the reluctance to speak about Native roots on the part of her relatives. The film articulates Métis women's experience with racism in both current and historical context, and examines the forces that pushed them into the shadows.
The Élan School was a for-profit, residential behavior modification program and therapeutic boarding school located deep within the woods of Maine. Delinquent teenagers who failed to comply with other treatment programs were referred to the school as a last resort. Treatment entailed harsh discipline, surveillance, degradation, and downright abuse. Years later, the patients who were institutionalized in this facility still carry the trauma they endured, with mixed opinions on the impact of their experience.
Presents the history of the conflict between the Canadian government and the Kwakiutl Indians of the Northwest Pacific over the ritual of the Potlatch. Archival photographs and films, wax roll sound recordings, police reports, the original potlatch files, and correspondence of agents form the basis of the reconstruction of period events, while the film centres on a Potlatch given today by the Cranmer family of Alert Bay.
Amidst a mostly Catholic community, a small tiny Anglican church offers more to the community of Placentia than people may think, and holds many connections and history to the rest of the world.
Documentary on BC coal miner and labor activist Ginger Goodwin, his career as a striker, anti-war efforts, persecution and assassination by a hired gun of the RCMP. Explores locations around Cumberland and the West Kootenays in present day.
Documentary on the Canadian career of train robber Billy Miner, who became a folk hero in British Columbia. Locations near Kamloops and Mission are explored in present day.
For over 130 years till 1996, more than 100,000 of Canada's First Nations children were legally required to attend government-funded schools run by various Christian faiths. There were 80 of these 'residential schools' across the country. Most children were sent to faraway schools that separated them from their families and traditional land. These children endured brutality, physical hardship, mental degradation, and the complete erasure of their culture. The schools were part of a wider program of assimilation designed to integrate the native population into 'Canadian society.' These schools were established with the express purpose 'To kill the Indian in the child.' Told through their own voices, 'We Were Children' is the shocking true story of two such children: Glen Anaquod and Lyna Hart.
An expedition to climb British Columbia's highest mountain goes awry in the face of bad weather, a series of comic mishaps and the stubborn insistence of its leader on using antique climbing equipment.
A long and thoughtful look at those desperate days of October 1970, when Montréal awaited the outcome of FLQ terrorist acts. This film puts the October Crisis in the long perspective of history. Compiled from news and other films, it shows independence movements past and present, and their leaders; it reflects the mingled relief, dismay, defiance, when the Canadian army came to Montréal; and it shows how political leaders viewed the intervention.
The story of Morris Saxe, one man whose actions left their mark not only on the business and agricultural life of Ontario, but on the conscience of Canada. The determination and generosity that made Saxe "a man of conscience" are examined through the eyes of his grandson. Born in 1878, Saxe founded the Federated Jewish Farmers of Ontario. He rescued 79 Jewish orphans from Europe and brought them to Canada.
A poetic exploration of the multi-generational affects of Canada's Indian Residential School system, based on the personal trials of Aboriginal playwright Yvette Nolan.
In Japanese, “shi kata ga nai” means “it can't be helped”. As a phrase, it represents the philosophical basis of the Japanese cultural reserve, through which adversity is never acknowledged. Nancy Okura is a Canadian of Japanese decent. During the Second World War, she was involuntarily removed from her home and relocated to an internment camp by the Government of Canada. Shi kata ga nai prevented Nancy Okura from ever speaking about her internment.
Phil Comeau shines a spotlight on the Ordre de Jacques-Cartier, a powerful secret society that operated from 1926 to 1965, infiltrating every sector of Canadian society and forging the fate of French-language communities. Through never-before-heard testimony from former members of the Order, along with historically accurate dramatic reconstructions, this film paints a gripping portrait of the social and political struggles of Canadian francophone-minority communities.
The Algonquin once lived in harmony with the vast territory they occupied. This balance was upset when the Europeans arrived in the 16th century. Gradually, their Aboriginal traditions were undermined and their natural resources plundered. Today, barely 9,000 Algonquin are left. They live in about 10 communities, often enduring abject poverty and human rights abuses. These Aboriginal people are suffering the threat to their very existence in silence. Richard Desjardins and Robert Monderie have decided to sound the alarm before it's too late.
A 15 minute documentary utilizing archival Super 8 film footage and original animation about a father fulfilling his dream of reconnecting his 5 small children to the steps of his own father when he fought for the Canadian military in WW2 through a trip to Europe in 1973.