An emancipated young woman has a string of one-night stands, out of fear of commitment. Until the day she meets Eduardo... She confides her feelings to her grandmother in the greatest secrecy, but, by mistake, the latter reveals the love relationship that her granddaughter has with her new lover. The situation suddenly becomes complicated.
An emancipated young woman has a string of one-night stands, out of fear of commitment. Until the day she meets Eduardo... She confides her feelings to her grandmother in the greatest secrecy, but, by mistake, the latter reveals the love relationship that her granddaughter has with her new lover. The situation suddenly becomes complicated.
2004-01-21
5.5
Directed by Rémi Waterhouse, Mille Millièmes is centered around an eccentric ensemble of apartment residents. Kindness is noticeably absent among their quarters, as demonstrated by a dating pair of neighbors whose request to have their apartments connected was flatly denied. To make matters worse, beggars gathering at a charity event are cruelly tormented by various tenants during the Christmas season. Last but not least is the Portuguese concierge whose services are in danger of being replaced by a more cost-effective alternative, and a widow whose recent loss earns her no sympathy from the rent-demanding landlords.
About small-time gangster Asakichi's chaotic life in the 1930s. His gambling addiction means that he must not continue working in the family business. Instead he supports himself by arranging cockfights. He becomes ex-geisha Okinu's patron and lover, and falls directly into disfavor with the yakuza.
Pivoting around a novelist's fascinating story of a magic mirror--the extra-dimensional gate to a haunting realm--a Literature student locates her house, intent on crossing over. Will he ever find out what lurks hidden on the other side?
Earth. Wind. Fire. Water. Sacrifice. In Animal Kingdom a ritual carves a dimension that melds character, object, landscape and the very tactile makeup of the film itself into one mutating, symphonic mass of spell casting, storytelling, living and dying. An explosive account of cinema as witchcraft.
A socially awkward teen gets caught between a changing friendship and a life-altering discovery.
A night watchman is sent to guard the cellar of a museum by its mysterious curator, but once alone in these vaults he starts to hear something. IN EXTREMIS is a short in the mould of classic British horror films of the 1960s and 70s.
As NBC's hit sitcom "Diff'rent Strokes" proves a long-running hit for a network desperately in need of one, its young stars: Gary Coleman, Todd Bridges, and Dana Plato face all sorts of trouble off-camera. Gary battles with his parents over the management of his salary, Todd runs into trouble with the law countless times, and Dana's career after the show meets with despair and tragedy.
Ever been dumped? In front of 20,000 people at a stadium, on live television!? LEWIS BOND, a dashing young executive, decides to get serious after this experience and creates a list (litmus test) that the right woman should match, to avoid another humiliation. However, when he thinks he has found her, she turns out to be not as perfect as he thought, leaving the risk averse Lewis to choose between what his head or heart tells him.
They say good girls go to heaven, and bad girls go wherever they want. Boys have no better options. His wife left Pashka. And he began to suffer selflessly: drunkenness, scandals, fights with the culprit of the breakup, doctors, drunkenness again, pills and even a clinic of neuroses. But he was quickly discharged, they said that he was healthy, and that he needed to continue living alone, if possible. Pashka, however, was very bad at it, until one day he met a beautiful stranger at the pharmacy. Night, wine, her apartment. Will love save this time or can it let go like that?
An old woman begs a young men to carry her heavy bundle of firewood. The man refuses: he rather goes to sleep. The woman, who turns out to be a witch, punishes him with terrible apparitions.
On the night of 18 October 1987, a soldier ran amok with an M16 in the area of Chow Kit, Kuala Lumpur. Due to the thorny circumstances of the time and place, his amok triggered a citywide panic and rumours of racial riots. Why did he do it? Why were Malaysians so jittery at the time? And what happened next? "The Big Durian" speaks to 23 Malaysians (some real, some fictional) to find out.
The year is 1933. Ruby Rose (Melita Jurisic) is an Australian woman living with her Welsh immigrant husband Henry (Chris Haywood) in the Tasmanian highlands. Cut off from her superjudgmental family, for whom Henry had once worked as a humble farm hand, Ruby remains isolated in her tiny house. Superstitiously terrified of the dark, she begins developing her own folklore about the inky blackness that surrounds her each night; this folklore eventually develops into Ruby's own personal religion, created to ward off the evils that she imagines lurk in every corner. Only by venturing out of her house and rekindling her relationship with her embittered father is Ruby able to exorcise her fears. Almost hypnotic in its stark beauty, Tale of Ruby Rose is proof enough that writer/director Roger Scholes deserves to be far better known.
"El campo para el hombre" was a politically militant documentary about the small holdings of land in the north of Spain and the large estates in the south of the country. This film portrays the exploitation and misery of the Spanish peasants, but also their class-consciousness and their will to fight for their rights and freedom. The film was shot in the late years of Franco's dictatorship, so it was made in secrecy (the directors were connected to the Spanish Communist Party).
Sixteen-year-old Lola is studying for her resits when the possibility of a semester in Germany comes up. Lola wants to go, but her family, bogged down by her elder sister's psychiatric problems, don't want her to make the trip. The lack of stability and exhaustion in the ties with her family prompt Lola to go ahead with her idea and set out to find new experiences that make her see both herself and the circumstances that surround her with different eyes.