
In the estuaries and lagoons of the Northern Territory, freshwater and saltwater crocodile are hunted for their hides by both Indigenous and non-Indigenous hunters. This film shows Aboriginal people using age-old hunting techniques to land crocs either for food or for skins. The methods employed by the professional hunters, who earn as much as 3000 pounds during the season, are also depicted, followed by a brief look at how the hides are skinned and prepared before being transported to the leather factories of Sydney and Melbourne.
Narrator (voice)

In the estuaries and lagoons of the Northern Territory, freshwater and saltwater crocodile are hunted for their hides by both Indigenous and non-Indigenous hunters. This film shows Aboriginal people using age-old hunting techniques to land crocs either for food or for skins. The methods employed by the professional hunters, who earn as much as 3000 pounds during the season, are also depicted, followed by a brief look at how the hides are skinned and prepared before being transported to the leather factories of Sydney and Melbourne.
1949-01-01
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0.0Essie Coffey gives the children lessons on Aboriginal culture. She speaks of the importance of teaching these kids about their traditions. Aboriginal kids are forgetting about their Aboriginal heritage because they are being taught white culture instead.
0.050 years on, the Aboriginal Tent Embassy is the oldest continuing protest occupation site in the world. Taking a fresh lens this is a bold dive into a year of protest and revolutionary change for First Nations people.
0.0From the remote Australian desert to the opulence of Buckingham Palace - Namatjira Project is the iconic story of the Namatjira family, tracing their quest for justice.
1.0An observational documentary which looks at Sydney’s first community Aboriginal radio station, 88.9 Radio Redfern. Set against a backdrop of contemporary Aboriginal music, 88.9 Radio Redfern offers a special and rare exploration of the people, attitudes and philosophies behind the lead up to a different type of celebration of Australia’s Bicentennial Year. Throughout 1988, 88.9 Radio Redfern became an important focal point for communication and solidarity within the Aboriginal community. The film reveals how urban blacks are adapting social structures such as the mass media to serve their needs.
0.0An examination of the connection between relentless government intervention since colonisation to the trauma and disadvantage experiences by Indigenous Australians - the two key drivers of incarceration.
7.0Lazy relatives. Jealous neighbors. Runaway kids. The everyday troubles of one family - except this family is a pride of lions. Shot over three years during the most extreme seasonal changes in Africa, the film follows Mfumu - the pride's leader - as he struggles to defend his turf, and his mate Chipazuwa as she tries to produce offspring. Among the threats: a river infested with crocodiles that have taken every litter of cubs -- and a rival male, bent on taking over the pride.
0.0Young Aboriginal people who are traditional custodians in Victoria explore the Treaty process with questions, concerns and their opinions. Sharing their insights into what has been happening and what needs to happen.
0.0Drawing on original footage from National Geographic, Etched in Bone explores the impact of one notorious bone theft by a member of the 1948 American-Australian Scientific Expedition to Arnhem Land. Hundred of bones were stolen and deposited in the Smithsonian Institution in Washington DC, until it became known to Arnhem elders in the late 1990s. The return of the sacred artefacts was called for, resulting in a tense standoff between indigenous tribespeople and the Department of Anthropology at the Smithsonian.
6.6An hour-long documentary on the life and career of actor David Gulpilil.
0.0In her second film, MY LIFE AS I LIVE IT (1993), Essie Coffey returns to her home in Dodge City where she and the A-Team are running in the shire elections. Inter-cutting between 1993 and 1978, the film presents the fascinating contrasts of a society in transition. Some of the kids we met in the earlier film now have families of their own and are involved in education, art and sports. Others are drifting, trying to cope with alcohol and depression. Most significantly, community programs offer the possibility of dignity and self-determination. In this film, Essie shows us the Community Development Employment Program (CDEP) making a real difference. Although the CDEP has now come under attack from the Federal government, MY LIFE AS I LIVE IT portrays the CDEP as providing meaningful work and services to an impoverished remote community.
8.0A caving expedition recently discovered a community of dwarf crocodiles living in the Abanda Caves, Gabon. The crocs are living in pitch darkness, hunt bats and some have bright-orange skin. Part of the original team returns to find out more about this bizarre phenomenon. It's mission impossible to access the crocs world and there's no way of knowing what they might find.
0.0The most isolated metal band in the world, Southeast Desert Metal, and their Aunty Kathleen, share ancient Arrernte culture with the world through song and painting.
0.0Africa is a land of giants. Its mighty rivers sculpt the earth and form impressive valleys and waterways home to many imposing and powerful inhabitants. These are the rivers where massive elephants and hippos live, feed and drink and where ancient crocodiles hunt and breed. They share the rivers with other creatures of their kind, such as porcupines - the giant rodents in Africa, the martial eagle - the biggest of its kind on the continent, and the leopard - a giant among the spotted cats
7.0Blind from birth, Dr G Yunupingu found his identity through song and the haunting voice that has already become legend. His debut album introduced Australia to the Songlines and culture of his Elcho Island community, but now Dr G Yunupingu finds himself increasingly torn between city and country, present and past, self and the community to which he owes so much.
10.0Not only has she got pink extensions, painted on eyebrows, glitter stockings and superman hotpants, Starlady’s a youth worker in some of Australia’s most remote and challenging places. And she reckons that hairdressing can improve people’s lives. Like a real life Priscilla, Starlady takes us on a Queen of the Desert journey to Areyonga, an indigenous community in Central Australia, where she’ll work with a group of curious and cheeky young people.
0.0In Sekenani River in Maasai Mara Park, a pod of hippopotamuses and a bask of crocodiles keep a cautious truce.
0.0Get ready to rock with the animals and explore the world of reptiles, including crocodiles, alligators and all the other animals that share this planet!
8.0Taking us through Bangarra Dance Theatre’s spectacular growth, we follow the story of how three young Aboriginal brothers — Stephen, David and Russell Page — turned the newly born dance group into a First Nations cultural powerhouse.
5.3A new songline for 21st century Australia - a fresh look at the Cook legend from a First Nations' perspective - the songline tells of connection to country, resistance and survival and features the cheeky, acerbic and heartfelt showman - Steven Oliver and a host of outstanding, political Indigenous singer/songwriters.