A 12-year-old boy tries everything to join a music lovers club.
Dramatic, moving and deeply human, ARMSTRONG offers the definitive life story of Neil Armstrong: from his childhood in Ohio to his first steps on the Moon, and beyond.
Featuring unseen letters, photos, and insights, this in-depth exploration reveals the King’s life, from his early years to the challenges he faces today.
In this documentary, Marie-Claire Rubinstein reveals to us, through the testimonies of the inhabitants who live there, the architectural achievements of the French urban planner Fernand Pouillon in Algiers. In particular the vast complexes of hundreds of social housing units, including the most famous Diar E Saâd (1953), Diar El Mahçoul (1954) and Climat de France (1957). The historical context, during the war of independence is related by the historian Benjamin Stora and Nadir Boumaza. This documentary also evokes the personality of Fernand Pouillon in a post-colonial context.
The story of Queen Elizabeth II in her own words, featuring never-before-seen home movies.
This is a lonely New Year's Eve for Hank Williams as he spends it en route to a huge New Years Day concert in Ohio. Hank Williams died that night on the road. A fictional biography is shown in flashback.
A musical based on the life and music of Johann Strauss, Jr.
Biographical account of the brilliant painter, featuring talks with Leonora Carrington during the later stage of her life in her home in Mexico.
A production of Mozart's opera recorded live at Zurich Opera House in 2000. Cecilia Bartoli leads an all-star cast including Roberto Saccà, Liliana Nikiteanu, and Agnes Baltsa. The conductor is Nikolaus Harnoncourt. Filmed live at the Zurich Opera House in February 2000 on a set which visualises the subtitle "The School for Lovers", the plot revolves around two army officers arguing about the fidelity of their brides, then setting out to test their chastity. Despite the often playful humour, this is not only psychologically telling music-making, but reveals Mozart exploring the structure of opera, discarding convention to mix large ensemble sections with arias for as many different combinations of singers as possible. With Liliana Nikiteanu attractively contrasted with Bartoli, and thoroughly convincing performances by Roberto Sacca (Ferrando) and Oliver Widmer (Guilelmo), this Così has a freshness and flow which, coupled with the timeless romantic themes, feels very contemporary.
At the end of the seventies the Red Brigades are plotting a new target to hit, the president of the Christian Democrats Aldo Moro. On 16 March 1978, the band of the Red Brigades went on the attack. The terrorists kidnap Aldo Moro and kill all the men in his escort.
The life and career of an actor, artist, and icon. His own journey through his own camera.
A portrait of American actress Uma Thurman, muse of legendary filmmaker Quentin Tarantino and courageous voice for the many victims of despotic producer Harvey Weinstein.
A portrait of French filmmaker Michel Gondry, creator, for three decades, of an imperfect, astonishing, fascinating, damaged and poetic work.
Jamaican singer-songwriter Bob Marley overcomes adversity to become the most famous reggae musician in the world.
A documentary that focuses on Hayao Miyazaki’s deep connection to nature and the environmental themes expressed through his films.
A portrait of the legendary actor Jean-Pierre Léaud, icon of the French New Wave and closely linked to the work of François Truffaut and Jean-Luc Goddard.
Harvey Milk was an outspoken human rights activist and one of the first openly gay U.S. politicians elected to public office; even after his assassination in 1978, he continues to inspire disenfranchised people around the world.
The origin story of one of Italy's greatest rock stars, Gianna Nannini, who chased her dream despite obstacles from her family and the music industry.
Although Domingo was younger and Banackova looked more like the sweet and innocent young Madalena than the one played by Tomowa-Sintow in the ROH production, this production was not as good. It was not as tight and neat. The tempo set was far too slow for the time-period of the story. The stage setting was distracting. The lighting was too dark. Except Domingo, a natural actor who was always into his role and sings and acts with passion, none of the other performers came up with a convincing portrayal of the role he/she played.