A look back at the life and career of Japanese guitarist hide, who died under questionable circumstances in 1998.
X Japan's very last live concert on December 31, 1997 at Tokyo Dome. The show was important in two ways, since it marked the end of a band but it became the starting point for some outstanding solo careers.
As glam rock's most flamboyant survivors, X Japan ignited a musical revolution in Japan during the late '80s with their melodic metal. Twenty years after their tragic dissolution, X Japan’s leader, Yoshiki, battles with physical and spiritual demons alongside prejudices of the West to bring their music to the world.
live broadcast x japan japan tour 2015 in nagoya
DVD edition of "DAHLIA TOUR FINAL 1996" filmed on December 31, 1996 at Tokyo Dome, originally released on video in 1997. A 2-disc set. On Vocal - Toshi On Bass - Heath On Guitar - Pata On Guitar - Hide On Drums & Piano - Yoshiki
On May 2, 1998, Hide, a leading Japanese rock musician who had been active as a guitarist for X JAPAN and as a solo artist (hide with Spread Beaver/zilch), suddenly passed away. His funeral was attended by about 50,000 people and became a social phenomenon as all of Japan wept at his untimely farewell. His younger brother, Hiroshi Matsumoto, who was Hide's manager, started to work with Hide's co-producer I.N.A., who had been working on a song with Hide, and his friends to make his brother's will come true. Yuji and I.N.A. struggle under the unusual circumstance that Hide himself is not present, but they are confronted with various difficulties.
X Japan Returns 1993.12.31 is an X Japan live DVD, released on February 29, 2008. It contains the band's performance at the Tokyo Dome on December 31, 1993.
In this MGM Miniature Musical, Harry Owens and his orchestra perform several song numbers.
The story of The Boomtown Rats, who fought a conservative Ireland, broke through the UK punk scene, scored global No 1 hits and revolutionised the world with Bob Geldof’s Live Aid.
Gala (1961), a more polished version of Pourvu, set in a black cha-cha nightclub. Relying more upon looks, faces, and unease, rather than gags or dialogue, Pollet sets the cool elegance of the club's manager against the decidedly uncool Melki and his sartorial inadequacies. - Village Voice