The Mejia family emigrated from Oaxaca to Fresno, California 40 years ago. Filmmaker Trisha ZIff filmed the family in 1996, and returns now to see the changes that have settled over them, and follows the family on their return to Mexico.
Documentary that focus on the lives of three Ecuadorian migrants. It is a portrait of the suffering, the effort and nostalgia of the Ecuadorians who arrived in Spain during the migratory wave of 1999 and 2000.
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
In the remote village of El Echo that exists outside of time, the children care for the sheep and their elders. While the frost and drought punish the land, they learn to understand death, illness and love with each act, word and silence of their parents. A story about the echo of what clings to the soul, about the certainty of shelter provided by those around us, about rebellion and vertigo in the face of life. About growing up.
Gregorio, Dolores and Zoila are three elders excited about the arrival of a new member to the family; Esteban, their great-grandson. Through the memories of their ancestors, they narrate themes of loneliness, love, union, loss, and hope. They search through their belongings for a special gift to leave to a future Esteban, who may never know them as an adult. The short film itself is a gift that will make them endure in their family history.
In an early work, video artist Dara Birnbaum records a cross section of fellow passengers aboard the Staten Island Ferry while en route to the Statue of Liberty. Asking subjects to use her video camera to capture their own views of the iconic monument, Birnbaum creates an homage to the immigrant experience.
Supper club restaurants were the hot dinning trend in the mid twentieth century. They provided a place for people to spend their evenings enjoying cocktails, home cooked, high quality food and entertainment. The supper club scene slowly faded from the rest of the country, but kept a strong hold in Wisconsin due to a culture that allowed it to thrive. Around for decades, supper clubs in Wisconsin have been able to hold their own style and traditions. While chain restaurants continue to expand and threaten their future, supper clubs are fighting to survive while continuing to offer the same exceptional dinning experience and a personal touch that is not seen in the modern lifestyle of dine and dash. Old Fashioned: The Story of the Wisconsin Supper Club takes you into this uniquely Wisconsin institution.
After the earthquake, my grandmother is facing the loss of her apartment.
Hotel Coolgardie is a portrait of outback Australia, as experienced by two backpackers who find themselves the latest batch of “fresh meat” to work as barmaids in a remote mining town.
In a small and conservative city in Jalisco, Alex builds his identity and defends his dreams: fatherhood, music, being a man.
Two elderly sisters share the delicate art of making traditional Hungarian strudel and reveal a deeply personal family story about their mother, who taught them everything they know.
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.
Twenty-five years after she moved away, Canadian filmmaker Kristina Wagenbauer (a participant in the 2019 Talent Lab) returns to her native Russia to visit her grandmother – her Babushka – with whom she spent part of her childhood, in this film brimming with tenderness and humour. The two women reflected in the mirror bear an undeniable resemblance, and each seeks to recognize herself in the other. Plumbing her memories, Wagenbauer hopes to re-establish a lost bond of intimacy and to confront the wounds of the past. Babushka has survived the Second World War, the break-up of the Soviet Union, the void that her daughter and granddaughter left behind when they moved abroad, and, more recently, the death of the love of her life. Despite all of this, she holds to life with a strong spirit of resilience.
In the wake of one of the worst social experiments in the history of mankind, 'I'm not Black, I'm Coloured' is one of the first documentary films to look at the legacy of Apartheid from the viewpoint of the Cape Coloured. A people who in 1994, embraced the concept of Desmond Tutu's all encompassing 'rainbow nation', but soon thereafter realized that freedom, privilege, economic growth and equality would not include them. A people who for more than 350 years has been disregarded, ignored, belittled, and stripped of anything they can call their own enduring a complex psychological oppression and identity crisis unparalleled in South African history.
During his stay in Cape Town as a film student, Shatho Tibone was inspired by an initial casual trip he took to the scenic but informal settlement of Hangberg. This film focuses on the uncertainties and inhumane acts of police and state brutality faced by the predominantly Rastafarian, KhoiSan identifying community of Hangberg in Cape Town, South Africa. So, through the participatory collective effort of a few journalists, filmmaker and community leaders Shatho went on a 5 year journey to document the story of this community which has become an enigma in South African imagination,
Mobile homes have long been an affordable option for people who struggle with the cost of other housing in the United States. But now the economy of mobile home parks is under threat as private equity firms are buying up properties and looking to squeeze more money out of mobile home owners. Filmmaker Sara Terry uses this backdrop to explore urgent class issues that resonate across America, and especially in the high-priced rental market of New York City.
A meeting between two strangers sparks the desire to understand each other through the medium of cinema. They both simultaneously start recording their surroundings on camera and crafting the resulting footage. They, Elettra from Italy and Hazem from Gaza, become the subjects of this film that documents their first moments together. It depicts a multi-faceted reality in which North and South confront each other in a discussion on rights and inequalities, a reality in which we witness a migration towards one another, while capturing an intimate way of making a film together.
Using nature shots with narration and a musical score, this documentary tells the story about the Moken, Myanmar's last sea nomads.