A young samurai defends townsfolk from evil forces.
An early ninkyo film from before the genre had truly established its form. Koji Tsuruta plays an honourable outlaw who saves an older man from an ambush. It turns out the man is the head of a hard working clan appointed to a railway construction project. A ruthless yakuza gang is also trying to get their share of the project and attempts to sabotage the work. After the old man dies, his son (Sonny Chiba) and daughter (Junko Fuji) try to complete the project. Tsuruta joins them while also falling in love with a local woman working in a bar (after all, Tsuruta always was more of a lover than his stoic colleague Takakura).
A shooting incident occurs at the Asahina family gambling hall in Tokyo's Joto district. It is the work of Gaijin boss Brown and his henchman Yamaoka, whose territory is in the Jonan district, in response to Kikuya, the head of the Asahina family, refusing to join the Syndicate. Yamaoka relentlessly pursues the Asahina family and uses his brother Komatsu to kill Shibaki, Kikuya's brother, who owns Nagoya territory. When Kikuya receives information that a general meeting of the Brown and Yamaoka Syndicate is to be held in Nagoya, he is determined to root out the syndicate and rushes to Nagoya, ready to die...
Aiba is a gang boss who has just got out of jail, and finds everything has changed. His old gang has broken up, and only a few people still respect him. So he becomes a consultant to another gang who are about to be clobbered by a much larger gang moving in from out of town. Aiba proves a crafty tactician, and does very well at playing gangs off against each other in order to save the smaller gang. His advice is not always taken by those he tries to help, but he is generally proved right.
Hubert is a French policeman with very sharp methods. After being forced to take 2 months off by his boss, who doesn't share his view on working methods, he goes back to Japan, where he used to work 19 years ago, to settle the probate of his girlfriend who left him shortly after marriage without a trace.
A Japanese Yakuza gangster's deadly existence in his homeland gets him exiled to Los Angeles, where he is taken in by his little brother and his brother's gang.
Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan. However, in Japan he manages to escape, and as they try to track him down, they get deeper and deeper into the Japanese Mafia scene and they have to learn that they can only win by playing the game—the Japanese way.
Detective Nishi is relieved from a stakeout to visit his sick wife in hospital. He is informed that she is terminally ill, and is advised to take her home. During his visit, a suspect shoots one detective dead and leaves Nishi's partner, Horibe, paralyzed. Nishi leaves the police force to spend time with his wife at home, and must find a way to pay off his debts to the yakuza.
Marc Schrader, a rookie cop caught red-handed with drugs in a police raid of an illegal rave, joins a homicide investigation conducted by Chief Inspector Minks. The victim is a naked young woman with the skin stripped off her back, killed as she staggered into traffic. As Schrader and Minks investigate the murder, the case is complicated by a finger found in the stomach of the victim. Forensic examination proves the finger belongs to Nobert Günzel, who was previously convicted of rape and assault. The police raid Günzel’s residence, and discover a blood-stained table with restraints and bits of human flesh in his basement. They also find video equipment and preserved, tattooed skin from the victim’s back. Soon, they found dead bodies buried in the garden. Günzel then goes missing.
The film is inspired by Miyamoto Musashi who was one of the most famous Japanese ronin and warrior philosophers. This very alternate and visual interpretation of the fate of Miyamoto is brought into a mixture of contemporary Yakuza underworld and a hypnotic Samurai after-life. We flow seamlessly between through life, death, rebirth and the afterlife and challenge our traditional definition of the past, present and future. The film explores the agonizing and painful processes that go through the shattered mind of Miyamoto, as he desperately tries to hold on to the only thing he has left - The rapidly fading memories of his undying love for a woman named, Otsu. A love that for a Yakuza-Samurai is strictly forbidden and which will prove to have catastrophic consequences.
Seijiro and Shizue meet in Niigata and fall in love. Seijiro has to go back to Tokyo soon after, and they promise each other to meet again a year later. However, Seijiro gets jailed for five years. Unable to find him, Shizue gets married to a yakuza boss who can help her family business.
The eighth installment in the popular film series starring Tomisaburo Wakayama. Embarrassed by the chairman of the Seiyu-kai for not having a family crest, Seikichi Shimamura sets out with his henchmen on a journey to acquire the crest of a local bankrupt family. The local Iwahashi clan and the fishermen fought over the construction of the industrial complex, but when Seikichi learned that the Seiyu-kai was behind the Iwahashi clan, he sided with the fishermen...
Set in Osaka, during the devastated time of post-war Japan, this is a tale of the yakuza who set about rebuilding after the death of their Oyabun (big boss). Battles erupt as tempers explode as someone seeks to fill the seat of power.
Bungo is released from prison to find his son Kenichi in the care of strangers. Teruko, the woman originally looking after the boy, was forced to leave town and sell herself into prostitution. Bungo and Kenichi, in their search for Teruko, arrive in a new place and find work running a peddling stall for the upright Tatsumaki family. However, the drifting father and son soon find themselves caught up in a struggle for territory. Boss Negishi, the head of the yakuza family responsible for the death of the former Tatsumaki leader, will stop at nothing to take over the marketplace. Sickened by the injustice, Bungo takes on the rival boss knowing it might cost him his newly acquired freedom..
A young yakuza who respects obligation and humanity must face cruel and heartless turf wars leading to a fight to the death with his own brother.
In an alternate Japan, territorial street gangs form opposing factions collectively known as the Tokyo Tribes. The simmering tension between them is about to boil over into all-out war.
In 1947, in Kobe, Japan, a local street gang fights for their survival when its turf is overrun by United States occupation forces and international gangs.
A young leader of the Yamazaki family of Nagasaki, Takida (Ken Takakura) is an A-bomb survivor. He fiercely battles violent elements in southern Japan like there is no tomorrow.
Two contract killers cross paths in the middle of the same job and realize they are childhood friends. Together they take a break from killing and visit the small island they once called home. After reflecting on their past lives they decided to team up and use their talents in killing for good... much to the upset of the crime syndicates.
Since they were both five, Ryosuke has been stalked by Momoko - the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste - but still he wants nothing to do with her. Ryosuke goes in for fleeting romance - for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke's little finger hacked off. Magically, the finger falls into Momoko's hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba's short-but-powerful feature debut. Just like in her previous short films, the director - who cut her teeth in the advertising world and as the writer of a video game - throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR