1980-01-01
0
Between Munich and Seville, the destinies of sixteen characters intertwine and intersect, missing each other or colliding head-on. They are all, without knowing it, at a pivotal moment in their lives...
Rafael, a Seville citizen who has never left the Spanish region of Andalucia, decides to leave his homeland to follow Amaia, a Basque girl unlike other women he has known.
After dumping a bucket of water on a beautiful young woman from the window of a train car, wealthy Frenchman Mathieu, regales his fellow passengers with the story of the dysfunctional relationship between himself and the young woman in question, a fiery 19-year-old flamenco dancer named Conchita. What follows is a tale of cruelty, depravity and lies -- the very building blocks of love.
The film is a television program from a Ugandan satellite in orbit overlooking the decrepit blue planet, where only Seville has been saved. The report we see is made of it, showing it as a world model of a city to be imitated.
In the sequel to 'The world is ours', 'The world is yours' we have Alfonso Sánchez and Alberto López playing 'Los compadres', men from Seville with a good economic position. Using satire, the two Andalusian comedians caricature these two new characters, through pride and lack of culture, and make comments about the situation of men, women and the differences that Spain has with the rest of the world. Now, with 40 years on, they pose the following situation: you are a man of forty years who laughs at life, without really having a hard because everything you have had you squandered. The vision of the prototypical, casposa and sister in law of Spain.
Count Almaviva lives with his Countess on their estate near Seville. The Count has his eye on his wife’s maid Susanna, who is betrothed to the Count’s servant, Figaro. Much to Figaro’s dismay, the Count plans to seduce Susanna on wedding night. Meanwhile, Cherubino, the Count’s young page, is infatuated with the Countess, but has just been dismissed after being discovered with Barbarina, the gardener Antonio’s daughter.
José has spent the last 8 years preparing the exams to become a civil servant in Spain. After his tests, he celebrates with friends and family, only to receive the news that he did not actually secure a place.
Amaia after breaking up with Rafa, falls in love with a Catalonian. Koldo, her father, goes to Sevilla to persuade Rafa to go to Catalonia and take Amaia's heart back.
Miguel is in love with Rosa, a special woman. The relationship did not work at all and decide to break. Rosa then falls for a Sevillian painter who has returned after forty years of exile.
The story of two young friends, a lawyer, a rich man and a group of kidnappers end up in a series of strange circumstances all to discover; Who Killed Bambi?
Tano is 16-years-old and is already sitting in jail. In 48 hours he’s a free man and off to the wedding of his brother. In the two days he recounts his neighborhood in a section of Sevilla.
"The Holy Spirit will come upon you,and the power of the Most High will overshadow you;” (Lc 1:35) The most important event in the history of the Christian religion occurs beyond the physical plane, when God himself touches humankind for the first time. This event will bring light and shadow together in one place.
This Traveltalk series short looks at four of Spain's most famous cities, Granada, Seville, Toledo, and Madrid, with an emphasis on the Moors and their influence on the country.
Simón is an aspiring novelist who makes a living designing crossword puzzles for a newspaper. One day he receives a threatening message instructing him to include the word "adversary" in a puzzle as Seville gets hit by a series of violent attacks.
"Nueve Sevillas" is a heterodox psycho-geographical profile of the new flamenco in Seville. Nine characters coexist with the great flamenco artists of today.
Álvaro, a man obsessed with the idea of writing what he brands as “high literature,” manipulates the lives and feelings of the people around him to write about the consequences caused by his devious acts.