A moving actor at the rococo era shows the power-hungry-crude minister of a small state prince in the barriers, while he makes use of his resemblance to the sovereign and slips in his role. - Double role for Rudolf Forster who plays his figures very much chilly.
Baronin Denise
Martha, eine Schauspielerin
Peter Tamm, ein Schauspieler
A moving actor at the rococo era shows the power-hungry-crude minister of a small state prince in the barriers, while he makes use of his resemblance to the sovereign and slips in his role. - Double role for Rudolf Forster who plays his figures very much chilly.
1935-09-02
6.5
Alois, Wendelin, Schani and Franz operate an auto repair shop in Vienna. One evening, Alois fishes the suicidal Hannerl out of the Danube and takes her to live with him. The timid and taciturn woman soon disappears however, and with her, a large amount of cash out of the shop's cash register. A disappointed Alois wishes to forget about her, but his three friends look for Hannerl and the money. As it turns out, she's married to the smuggler Kerrylis, who forces her to take part in his business; that's why she tried to kill herself. When Kerrylis is found dead, Alois is suspected of being the murderer.
Axel is courting women in large quantities. He increasingly conscious and excessively uses his innate and viable charm, evolving into a pure Don Juan.
Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.
A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.
A dreamy girl goes through puberty evading the loneliness and pressure of her environment until in just one night, treason and harassment lead her to big disappointments that push her to grow up abruptly.
History of Turkish Horror Cinema tries to take the first step in explaining how horror cinema started in Turkey, what prejudices it strives to break, and how film directors, producers and screenwriters see horror cinema.
Muay Thai. The world’s favorite martial art and the most dangerous sport. ‘5th Round’ follows the story of four boxers at different stages of their life. What they all have in common is that that their whole lives have been dedicated to Muay Thai. They can fight for their area, but they can’t choose their destiny. Born into poverty, boxing is their only means of earning a living, and if they are to find a better life, they must fight right though to the very last round.
A man struggles with his past, in order to find his present, in this 1993 surreal, avant-garde visual-drama. Written and Directed by Jose Pelaez, Photographed and Edited by Carlos Garcia, and Starring Mel Nieves.
From penniless paupers playing to "crowds" of eight people to millionaires performing in front of audiences of 375,000, this documentary traces the meteoric, rockin' rise of Darkness, a band with a chart-topping debut album and a string of awards under their belts. Find out the real story of how Darkness rocked out and injected some much-needed cabaret back into performing. Includes previously unseen footage and in-depth interviews.
Tennessee, 1838. Polly Crockett, the daughter of the legendary hero Davy Crockett of Alamo, and makes a living from hunting in the forests. These forests are still inhabited by the Indians. Most of them live in peace but some of them are negatively affected by white traders. One day Polly, who is accompanied by her faithful Indian friend Neshoba, goes to the town to sell her hides. Polly meets Catawampus Jones. Jones and his father fought in the Alamo too. Indians influenced by Prewitt, an employee of a hide company, and Redbud, are killing settlers and burning down their homes. Polly's house is destroyed too and her maid Birdie, Neshoba's mother, is killed.
Formed in 1967 by Gerardo Masana, during the height of a period of very intense Choral Music activity in Argentina's state universities, Les Luthiers premiered this show on May the 30th, 1985 at the El Círculo Theater in Rosario, Argentina. PROGRAM: 1. Vea esta Noche; 2. Serenata Tímida; 3 . El Zar y un Puñado de Aristócratas Rusos...; 4. Una Canción Regia; 5. Truthful Lulu Pulls thru Zulus; 6. El Valor de la Unidad; 7. Les Nuits de París; 8. Pasión Bucólica; 9. Las Majas del Bergantín; 10. Bolero de los Celos; 11. Marcha de la Conquista and; 12. Cuarteto Opus 44. The 'Mandocleta' instrument was presented for the first time during this show. Recorded live at the Colón Theater in Bogotá, Colombia, on April 12, 1986. Numbers 11 and 12 were recorded earlier at that same theater on November 8, 1981. This is the last recorded appearance by Ernesto Acher with Les Luthiers.
French poet Thierry Metz killed himself in 1997. He'd moved to the country with his wife and 3 kids but after the youngest is struck dead by a car, the sensitive artist sinks into depression and alcohol, leading to time in a facility.
A look into the mind of one of the Hillside Strangler murderers, Kenneth Bianchi.
Lélia was a pioneer in publicly denouncing the situation of black women in Brazilian society. In the 1980s, with the publication of an article in the book O lugar da mulher, she proposed a reinterpretation of the figure of the Black Mother. With new perspectives of analysis, she sought in her performance to reinterpret and reconstruct the history of Brazil from the perspective of black women. In the feminist movement, her contribution was the introduction of the racial issue in their political agendas. Until then, the specificities of black women were not considered. However, her important trajectory is unknown to a large portion of the Brazilian population. Since her death in 1994, scholars and activists have been fighting to rescue her memory and organize her thoughts.