Recorded live at the storied Antone's in January 2006, this special package delivers a powerful set that reunites this Austin-based supergroup from the prior decade. Storyville is led by the soulful vocals of Malford Milligan, with masterful guitarwork from David Grissom and David Holt, and all driven by the Double Trouble rhythms of Chris Layton and Tommy Shannon.
Himself
Himself
Himself
Anderson Bruford Wakeman Howe live performance documentary
Minor Threat played one of its last shows at Washington DC's 930 Club in June of 1983; they would only play once more in DC. Two years later, the tapes from the 930 show were edited together and Dischord Records released them as the Minor Threat Live VHS video in 1986. Along with the 40 minute 930 performance, the DVD includes a 1982 Minor Threat show in Camden, NJ, a clip of Minor Threat's 2nd ever show at DC Space in December 1980, and excerpts from a 1983 interview with vocalist, Ian MacKaye.
Delve into the musical influences of iconic rockers Led Zeppelin, whose epic brand of arena rock grew out of a deep love of the blues, the skiffle and folk rock. Music historians and authors join producers Joe Boyd and Larry Cohn, as well as performers John Renbourn, Chas McDevitt and Davey Graham, in their analysis of the band's musical roots. An enthralling section also explores Zeppelin's fascination with the occult.
The 1920s saw a revolution in technology, the advent of the recording industry, that created the first class of African-American women to sing their way to fame and fortune. Blues divas such as Bessie Smith, Ma Rainey, and Alberta Hunter created and promoted a working-class vision of blues life that provided an alternative to the Victorian gentility of middle-class manners. In their lives and music, blues women presented themselves as strong, independent women who lived hard lives and were unapologetic about their unconventional choices in clothes, recreational activities, and bed partners. Blues singers disseminated a Black feminism that celebrated emotional resilience and sexual pleasure, no matter the source.
On May 31, 2003, Trey Anastasio played the second of two sold-out shows at San Francisco’s Warfield Theatre. On that night, Carlos Santana dropped by to say hello to Trey, ended up joining the ten-piece band on stage halfway through the first set, and continued to play with the group for the remainder of the night. The results were electric, suffused with spontaneous energy and exuberant interplay between the two guitarists.
The AC/DC Plug Me In DVD collection brings together for the very first time an astonishing five hours of definitive live concert and television performances -- many of them previously unavailable -- chronicling the on- going career (now in its fourth decade!) of a groundbreaking rock & roll powerhouse whose music transcends the test of time.
Set I: The Music Never Stopped > Easy Answers > The Music Never Stopped, Row Jimmy, Friend of the Devil, Cumberland Blues, Cassidy > Mississippi Half-Step Set II: St. Stephen > William Tell Bridge > The Eleven > He's Gone > New Speedway Boogie > Drums > Space > I Need a Miracle > Death Don't Have No Mercy, Good Lovin Encore: Black Muddy River
Set I: Good Times, Shakedown Street, Bertha, Minglewood Blues, It Hurts Me Too, Tennessee Jed, Bird Song Set II: Jack Straw, Sugaree, China Cat Sunflower > I Know You Rider, Drums > Space > Throwing Stones > Days Between, One More Saturday Night, Not Fade Away Encore: U.S. Blues
Set I: Althea, Uncle John's Band > He's Gone, Brown-Eyed Women, Little Red Rooster, Jack Straw, One More Saturday Night Set II: China Cat Sunflower > I Know You Rider, Estimated Prophet > Eyes of the World > Drums > Space > Milestones > Days Between > Help on the Way > Slipknot! > Franklin's Tower Encore: Brokedown Palace, Touch of Grey
Arguably second only to Muddy Waters among the Mississippi Delta singers who traveled north and pioneered urban electric blues (their supposed rivalry is the subject of one of this DVD's bonus features), Wolf was a big, imposing man with an inimitable, booming voice and a lasting influence on generations of rock & rollers--all of which comes across in the 90-minute film.
At the twenty-year apex of their career, the Japanese quartet add another captivating live release to their extensive catalog. Shot ‘in the round’ at le Poisson Rouge in NYC, DOKU-EN-KAI delivers the band completely absorbed by their element in a kinetic, impassioned and frenzied set that brings toe's renown and allure into sharp, unmistakable focus.
Live performance of Beth Hart at the Crossroads Festival. Recorded in Bonn, Germany on March 24th, 2011.
MTV Unplugged offered an unusual opportunity to showcase Katy Perry's work in an exposed, undercooked way and to reveal just how much of the real her had been part of that flashy presentation. Recorded in New York on July 22, 2009, Katy picked five cuts from One Of The Boys, an unreleased song, and a cover of 2003’s “Hackensack,” by Fountains Of Wayne, to perform in front of a small studio audience.
The Weeknd had a good weekend. As he sort-of-promised by retweeting a fan several days ago, the Weeknd turned up at Coachella on Friday night during producer Metro Boomin’s set. For the live debut, Dean’s saxophone rumbled through the Sahara Tent while the crowd was blinded by The Weeknd’s fluorescent, all-white ensemble, along with the lights. The Weeknd first performed his solo songs “Faith,” “Escape from LA,” and “Heartless” before Future joined the artists for “Low Life.” From there, Abel Tesfaye debuted “Double Fantasy,” a song from his upcoming HBO series The Idol. The artists closed the set with “Creepin,” which also featured 21 Savage and Diddy.
A wanna-be blues guitar virtuoso seeks a long-lost song by legendary musician, Robert Johnson.
When it was announced in May of 2016 that lead singer Gord Downie had been diagnosed with terminal brain cancer, the band decided that they would do one final run of 15 dates across Canada. A National Celebration was the final show of the Tragically Hip's Man Machine Poem Tour recorded on August 20th, 2016 at the K-Rock Centre in their home town of Kingston Ontario. Originally aired live by CBC across all platforms, the concert was experienced by an estimated one-third of Canadians, among the biggest events in the country's broadcast history.