The Story Of An Encounter(2016)

Back To Africa(en)

Thunder Over Mexico(en)

As was common in Diaz's Mexico, a young hacienda worker finds his betrothed imprisoned and his life threatened by his master for confronting a hacienda guest for raping the girl. This film is the first of several attempts to make a feature-length motion picture out of the 200,000-plus feet of film shot by Sergei Eisenstein, on photographic expedition in Mexico during 1931-32 for Upton Sinclair and a cadre of private American producer-investors. Silent with music and English intertitles.

Muerte es Vida (Death is Life)(en)

Monarch butterflies have brought hope to the darkest times of people's lives. In Mexico, when they arrive for Day of the Dead, they are thought to be souls of the departed. Coincidence?

Circus Kid(en)

The Pickle Family Circus was founded by Lorenzo Pisoni's parents in 1974. The film documents the spirit, the lunacy, the daring, the danger and the dynamics of growing up in a circus family.

Prater(de)

Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.

Takeda(es)

Takeda is a film about the universality of the human being seen thru the eyes of a Japanese painter that has adopted the Mexican culture.

American Ocelot(en)

American Ocelot tells the story of one of the most endangered and beautiful wild cats in the United States — a species so elusive that high-quality images and video have never been captured until now. With fewer than 100 individuals remaining in the US, the ocelot is critically endangered, genetically isolated, and only exists in Texas.

Ammunition Smuggling on the Mexican Border: Incidents of the Mexican Revolution(en)

Around the film hang fascinating questions about border politics, which I’ll touch on in an introduction before the screening. One of Eugene Buck’s motivations for making the film may have been his rough cross-examination during his kidnappers’ first trials, in October 1913, when defense attorneys cast him as a confused and unreliable witness against idealistic freedom fighters. On film he could reproduce the pursuit, the shootouts, his kidnapping, and his friend’s murder just as he had testified. Reenacting the crime on film may have been the best revenge—and a way to honor the sacrifice of Deputy Ortiz, a twenty-year police veteran and, for the era, a rare Mexican American lawman.

Arkhé(es)

“Archeology” and “Archive” share the same roots. Both words come from “Arkhé”, the Greek word for “origin”. In the ruins of buildings, lost forever by earthquakes, as in the depth of the archives, we dig. What happened the morning of the big earthquake? The morning of September 19th 1985 is fading away in our memories. These recordings have never been seen. Unedited images of the catastrophe dug out by the archaeological adventure of an archivist that suffered with them. He dug and suffered until he could no longer see.

Oaxaca - Zwischen Rebellion und Utopie(en)

Borderland Blues(en)

„The Frontier“ or „La Frontera“ is the undulating landscape of the Sonora Desert in Arizona, which once was a symbol of freedom on the horizon of the American West – and also a region plagued by recurrent territorial struggles. Currently, a high steel fence stretches over several miles strictly separating the USA and Mexico into two territories. Every year, the remains of hundreds of migrants are retrieved from the area. The tense situation in Arizona’s borderland has split the locals into two groups: one demanding a more technically advanced border control system, the other requesting more humanitarian help. Accompanying various locals, NGO workers and self-proclaimed border guards from the region, filmmaker Gudrun Gruber raises the question of whether the latest border control technology will finally bring peace to the area, or rather merely increase the number of deaths.

An Apology to Elephants(en)

Elephants are among the most majestic and intelligent creatures on Earth--but for hundreds of years, they have suffered at the hands of humans. Narrated by Lily Tomlin, this documentary short traces our long history with elephants and explores the many problems that arise when they are brought to live in captivity in zoos and circuses.

Land of Orizaba(en)

This Traveltalk series short chronicles the sights and sounds on a train ride from Veracruz to Mexico City.

The Meeting of President Taft and President Díaz at El Paso, Texas(es)

The first meeting of a U.S. president and a Mexican president took place when William Howard Taft met Porfirio Díaz on 16 October 1909, in El Paso. The meeting was celebrated in both El Paso and Juárez with parades, elaborate receptions, lavish gifts and large crowds. Shot by the pioneers of Mexican Cinema the brothers Alva. This is a typical example of newsreel material prior to the Mexican revolution. By hemerographical references we know that this footage was presented to the then president of Mexico General Porfirio Díaz in the Castle of Chapultepec, then residence of the president.

Cirque du Soleil: Quidam(en)

A young girl has already seen everything there is to see and her world has lost all meaning. Her anger shatters her world and she finds herself in the universe of QUIDAM, where she is joined by a playful companion, as well as another mysterious character who attempts to seduce her with the marvelous, the unsettling and the terrifying.

Cirque du Soleil: Alegria(en)

Alegría is a mood, a state of mind. The themes of the show, whose name means "jubilation" in Spanish, are many. Power and the handing down of power over time, the evolution from ancient monarchies to modern democracies, old age, youth - it is against this backdrop that the characters of Alegría play out their lives. Kings' fools, minstrels, beggars, old aristocrats and children make up its universe, along with the clowns, who alone are able to resist the passing of time and the social transformations that accompany it.

Cirque du Soleil: Saltimbanco(en)

From the Italian 'saltare in banco' – which literally means 'to jump on a bench' – Saltimbanco explores the urban experience in all its myriad forms. Between whirlwind and lull, prowess and poetry, it takes spectators on an allegorical and acrobatic journey into the heart and soul of the modern city.

Cirque du Soleil: Corteo(fr)

Corteo, which means "cortege" in Italian, is a joyous procession, a festive parade imagined by a clown. The show brings together the passion of the actor with the grace and power of the acrobat to plunge the audience into a theatrical world of fun, comedy and spontaneity situated in a mysterious space between heaven and earth.

Cirque du Soleil: Varekai(en)

Icarus is the main character of Varekai, who falls to the ground, breaking his legs as he does. He is suddenly in a strange, new world full of creatures he has never seen before. Parachuted into the shadows of a magical forest, a kaleidoscopic world populated by fantastical creatures, this young man sets off on an adventure both absurd and extraordinary.

Mexican Police on Parade(en)

This Traveltalk series short showcases the Mexico City police department's various units as they participate in a yearly festival. Included are a marching band, a parade of patrol cars, the motorcycle unit, equestrian unit, and the department's pistol team.