Vasilis and Kostas are two Cops working for the Homicide Division. They are inseparable,immoral and keep crossing the line. When a Minister is murdered,they 'll do anything to solve the case.
Η Άννα, μια νεαρή ιστορικός τέχνης, ετοιμάζει μια έκθεση για τη ζωγράφο Μαρία Δήμου, το θάνατο της οποίας καλύπτει βαθύ μυστήριο. Αντλώντας πληροφορίες από τον σύντροφο της Δήμου, τον Άγγελο, θα αρχίσει σιγά σιγά να ανακαλύπτει ότι τόσο εκείνος όσο και η ζωή της Μαρίας κρύβουν πολλές σκοτεινές πλευρές.
A brief encounter causes one man to reflect on the monumental impact that an 'ex' has had on his life...but whilst living with a broken heart & a cynical worldview, can the man rediscover his once sentimental soul and reconnect with the notion that “all you need is love”?
A man is imprisoned for a crime he didn't commit. When his wife is murdered and his son kidnapped and taken to Mexico, he devises an elaborate and dangerous plan to rescue his son and avenge the murder.
Ivan sets off on a dangerous mission into Syria to save his ex-commander Grey after his capture by ISIS. With the help of U.S. military patrols, he succeeds in freeing Grey and attempts to escape the country while being hunted by terrorists.
Returning wounded from the war Maksym was overcome by self-doubt, in his physiological state. He is undergoing rehabilitation. He loses contact with his wife. He is tormented by dreams. In one of his dreams Maksym goes to the island to catch a lot of fish, as the paramedic advised him. Maksym takes a boat, net, dynamite from the best man and sails to the island.
Elsa and Franck used to be close siblings, but everything changed when Franck’s space mission went awry. 3 years have passed since his mysterious disappearance, and 23-year-old Elsa is having trouble moving on with her life. One day, an unidentified life form contacts her, offering to bring her big brother back to Earth. But there is a price to pay…
Donya, a lonely Afghan refugee and former translator, spends her twenties drifting through a meager existence in Fremont, California. Shuttling between her job writing fortunes for a fortune cookie factory and sessions with her eccentric therapist, Donya suffers from insomnia and survivor's guilt over those still left behind in Kabul as she desperately searches for love.
Having taken control of a maximum security prison, a criminal mastermind faces off against a retired Black Ops agent who had been visiting his incarcerated son.
Angèle, a thirty-something from Ivory Coast, always cope thanks to the gift of gab and audacity. To escape from a bunch of dangerous criminals, she becomes a nanny in the uptown Paris, hired by Hélène, the single mom of eight years old Arthur. Discovering the work conditions of her colleagues, she decides to stand up for their rights, thanks to a young lawyer who will quickly fall for her.
François Marsault, a war veteran, makes the most of his retirement alongside his wife Annie. Authoritarian and ruthless, François rules his family with an iron fist — but when he discovers that his esteemed wife cheated on him 40 years ago, he files for divorce and confronts her former lover, who lives in the French Riviera.
Award-winning French writer Christine Angot goes on a business trip to Strasbourg where her father lived before dying several years ago. It is the city where she met him for the first time at the age of 13, and where he sexually abused her over the following years. His wife and children still live there. Angot takes a camera and knocks on the doors of her family to push them to clarify their attitudes to her father’s crime that stretched over so many years. A cinematographic journey that challenges social norms and family perspectives in dealing with incest.
Inspired by the true events of one of France's most notorious non-violent robbers, Bruno Sulak, in the 1980s. He led multiple heists, then captured public attention for his many daring escapes from police custody...always to reunite with his beloved lover and accomplice Annie, becoming both France's Public Enemy #1 and an icon of Freedom.
In the days leading up to a possibly career-changing exhibition, a sculptor navigates her relationships with family, friends, and colleagues.
San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.
A once-esteemed psychiatrist helplessly watches her life spiral into a nightmarish maelstrom of supernatural hysteria and gruesome deaths, all linked to a seemingly unstoppable ancient curse.
Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.