A Cuban-American director travels to his exiled parents' homeland to mount a stage production of the musical, RENT, where he discovers an inspiring artistic family and embarks on a personal journey to reclaim his complicated heritage.
This documentary follows the journey of beloved Spanish musician Bebe as she embarks on a tour to celebrate her first album's 10-year anniversary.
15 years after they first took the world by storm, a new musical about the girls called Viva Forever! is about to hit the West End. The programme looks at the creative process behind the show that is produced by Judy Craymer and written by Jennifer Saunders in collaboration with the Spice Girls themselves.
Jump Cut Jukebox is a highly stylized semi-fictional fly-on-the-wall documentary which was cobbled together from random bits of footage collected over a span of 10 months.
RHYTHM IS IT! records the first big educational project of the Berlin Philharmonic Orchestra under Sir Simon Rattle. The orchestra ventured out of the ivory tower of high culture into boroughs of low life for the sake of 250 youngsters. They had been strangers to classical music, but after arduous but thrilling preparation they danced to Stravinsky's 'Le Sacre du Printemps' ('The Rite of Spring'). Recorded with a breathtaking fidelity of sound, this film from Thomas Grube and Enrique Sánchez Lansch documents the stages of the Sacre project and offers deep insights into the rehearsals of the Berlin Philharmonic Orchestra.
Atmospheric soundtrack follows this compilation of nature footage that focuses on the ocean and various life forms that live, mate and die in it.
A film about Chess - from reading to first night
Documentary on roots rocker Ben Harper and his band, the Innocent Criminals - featuring music from his album "Pleasure and Pain".
Recorded live at Warner Brothers Studios in Burbank, over May 22-24 of 1997, Fleetwood Mac performs their greatest hits – including the classics 'Rhiannon', 'Everywhere', 'Dreams', 'Don't Stop' and 'Landslide' – and several new songs.
Neil Diamond performing his greatest hits at the Aquarius Theatre in Los Angeles, California.
A behind-the-scenes look at Céline Dion's opening night in Las Vegas.
Black and white footage of performances, interviews, and conversations at the Newport Folk Festival, from 1963 to 1966. The headliners are Peter, Paul and Mary, Joan Baez, Pete Seeger, and Bob Dylan, who's acoustic and electric. Son House and Mike Bloomfield talk about the blues; John Hurt, Howlin' Wolf, and Sonny Terry and Brownie McGhee show its range. The Osborne Brothers perform bluegrass. Donovan, Johnny Cash, Judy Collins, Mimi and Dick Farina, and others less well known also perform. Several talk musical philosophy, and there's a running commentary about the nature and appeal of folk music. The crowd looks clean cut.
A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."
Coffee Masters is a documentary by Miguel Kohan, produced by Lita Stantic, Gustavo Santaolalla and Walter Salles. It tells the story of great tango of the old guard who, summoned by a rock musician, proposing a record to demonstrate its validity. This adventure, full of memories, humor and poignant moments, culminating with a presentation of the Masters at the Teatro Colon.
Pop king Michael Jackson solidifies his title with this release of fifteen past number one hits. Songs include "Don't Stop 'Til You Get Enough," "Thriller," "Black or White," and "Blood on the Dancefloor."
Originally released in 2001, director Bob Smeaton’s 80 minute Classic Albums: Transformer was universally praised for its well-constructed anatomy of a touchstone album. Now expanded to interweave the original broadcast version with the bonus features on the original disc, the story appropriately begins with Reed remembering his days with the Velvet Underground and the importance of Andy Warhol in making them a New York-based phenomenon. These discussions provide more than the historical context for Transformer. For one matter, that album had many nods to and inspirations from Warhol beyond the cast of characters in “Walk on the Wild Side.”
When the silent cinema learned to speak, the audience was surprised not only by the voices of the actors and the sound effects, but also by a new element, the music, which, combined with the dance and an unprejudiced imagination, gave rise to a new genre, as important to Hollywood cinema as the western was: the musical. A journey through the history of this genre, from its beginnings to the present day.
The definitive Rudy Giuliani documentary, charting his fall from the cover of Time Magazine to the parking lot of Four Seasons Total Landscaping.
In the last five years of his life, David Bowie ended nearly a decade of silence to engage in an extraordinary burst of activity, producing two groundbreaking albums and a musical. David Bowie: The Last Five Years explores this unexpected end to a remarkable career. Made with remarkable access, Francis Whately’s documentary is a revelatory follow-up to his acclaimed 2013 documentary David Bowie: Five Years, which chronicled Bowie’s golden ‘70s and early-‘80s period.