A young man experiences his last few minutes of singular consciousness while examining a wild falcon he has studied for months.
Ian
The Bird
A young man experiences his last few minutes of singular consciousness while examining a wild falcon he has studied for months.
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There is unity between all beings.
A self-portrait short film on 16mm from a trans male perspective.
This is the only feature directed by the famed French painter and sculptor Martial Raysse. In keeping with the revolutionary spirit of the time, the movie has no plot to speak of and appears to have been largely made up on the spot. We follow the cat man into a bizarre fantasy universe presented in negative exposure that reverses color values (black is white and vice versa) and written words. The cat man steals a car and then picks up a young girl he promises to take to “Heaven.” Heaven turns out to be a country chateau inhabited by several more animal mask wearing weirdoes...
Avant garde/experimental film. A mesmerizing trip through the psychedelic vastness of space.
Time-Consciousness offers four mutually contradictory versions of a series of events. The constant factors are a middle-aged poet with a gammy leg, a prostitute who may or may not be dead, and the woman’s humble room (which may or may not be tidy), where the poet does his writing. Asking "What did happen at 9:20 that evening?," the film underlines the unreliability of memory and the impossibility of objectivity.
Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.
Poppy Valentine, a young circus performer who has grown up in her family's traveling circus, has never dreamed of what life would be like outside of its fences. However, now in her mid-20s and with more unwelcomed responsibility weighing her down, she's desperate to figure out if this life is for her.
A meditation on freedom and technological approaches to manifest destiny.
Gulosus (the glutton), is an alluring yet disturbing view of gluttony in contemporary culture. The film is in stop motion, with one photo being taken every 6 seconds, and contains over 130 individual sound effects and foley sounds. The piece draws from the compositions of traditional vanitas paintings and photography. It was also heavily influenced by a genre of youtube called 'Mukbang' (korean for 'eating show'), where people consume mass amounts of unhealthy and idealistic foods for viewers to watch. All of these elements came together to form an opinion on greed and vanity through a relatable but confronting menu. Influencing artists: PES Jan Svankmajer Reynold Reynolds Chen Fei Achievements: BUFTA Bond University awards - nominated best overall film - nominated best director - winner best experimental - winner best sound design Artexpress exhibitions at - Margaret Whitlam gallery - virtual gallery VX - Maitland regional art gallery
Originally edited in two versions. Version I, 70 minutes; version II, 90 minutes. (The only known existing version is not Markopoulos’s edit and contains additional titles, music and voice-over added later than 1961. 65 minutes.) Filmed in Mytilene and Annavysos, Greece, 1958. Existing copy on video, J. and M. Paris Films, Athens.
An experimental movie based on a poem of the French writer and director Jean Cocteau about a servant who fantasises about killing the lady of the house.
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
The true story of Marine Corporal Megan Leavey, who forms a powerful bond with an aggressive combat dog, Rex. While deployed in Iraq, the two complete more than 100 missions and save countless lives, until an IED explosion puts their faithfulness to the test.
Two women – one passive and resigned, the other aggressive and domineering – interact in various locations in New York city. The film explores the dynamic between them before ending with a showdown at the roller-coaster on Coney Island.
A short film about the meeting of a Trappist monk and a Zen Buddhist master.
From resting trees, to violent waters, to blood splattered in the dirt. A wanderer searches for tranquility in 13th century Japan during the Mongol invasion or a collection of 48 moving images captured entirely within the virtual world of Ghost of Tsushima.
The Focus is the film about easy death on the Mediterranean sun.
Colossal explores the complexities of grief and the process of grieving as understood through the myth of a Man as he ventures through shifting landscapes ruminating.
ISLANDS explores a cinematic journey of two astronauts. As they enter Earth’s atmosphere the structure transforms. The spacecraft becomes the meteor from a myth of a tribesman; it triggers an old lady’s memory of a lover from her past. As these diverse characters converge in a plane of reality, we confront a particular form of gravity we covertly feel—falling in love.
At first, there was Tagalog, Gym Lumbera’s short and, to his mind, unfinished narrative about the infidelity that comes between a husband and wife in their twilight years, shot on film and reflecting his own real-life infidelity.. And then there was a storm, a real storm and not a metaphorical one, that flooded his house and submerged, and subsequently damaged, the only copy of Tagalog. This damaged version, entitled English, became the missing piece that completed the film. The new work is named after Taglish, the bastard hybrid, some say corruption, of Tagalog and English, and has become a meditation on love and language and the ways in which we betray and destroy them.
In the future, a second great flood covers most of the known world. Country borders collapse and language barrier disappear. All salvageable books are taken to a deep underground vault facility for protection. Run by priests, the facility is called The Stacks. As Olivia wanders the facility she discovers that she may not be alone and that a dark part of her past may have followed her into the narrow corridors of this inescapable purgatory.