The "Great Sichuan Earthquake" took place at 14:28 on May 12, 2008. In the days after, ordinary people salvage destroyed pig farms in the mountains, collect cheap scrapped metals, or pillaging other victims' homes. Behind the media circus of official visits is an inconsolable grief of families searching for loved ones. As the Lunar New Year approaches, vagabonds and family tell of the ill-handling of rebuilding schemes and misuse relief funds. As they prepare for another visit from a high official, the refugees are swept out of the town and into tent cities. The promise to put a roof over their heads before winter seems impossible to keep.
The "Great Sichuan Earthquake" took place at 14:28 on May 12, 2008. In the days after, ordinary people salvage destroyed pig farms in the mountains, collect cheap scrapped metals, or pillaging other victims' homes. Behind the media circus of official visits is an inconsolable grief of families searching for loved ones. As the Lunar New Year approaches, vagabonds and family tell of the ill-handling of rebuilding schemes and misuse relief funds. As they prepare for another visit from a high official, the refugees are swept out of the town and into tent cities. The promise to put a roof over their heads before winter seems impossible to keep.
2009-06-01
5.6
A voyage through modern day Beijing in the taxi of the womanising Dezi. His aimless drifting between destinations and women is much like Beijing's own search for identity between perishing ancient values and an uncertain future.
This important, patient documentary follows a year in the life of the sidings dwellers who eke out a living, begging, foraging, stealing and sleeping rough near the Baoji railway station in Shaanxi.
A story of the Second Punic Wars, beginning with Scipio's futile pleas to the Roman Senate to build an army to battle Hannibal, that climaxes with the battle of Zama.
Made-for-tv movie, the pilot for a "Brady Bunch" revival series, "The Brady Brides." Jan and Marcia have met the men of their dreams and decide to tie the knot. They agree to hold the weddings together in the family's back yard, but fight over whether to have a modern ceremony or a traditional one. Can the marriages be saved? All of the original cast members (except cousin Oliver) put in a return appearance.
A story inspired by the original RAMAYANA, retold in a futuristic universe, involving brave warriors who possess ancient powers from another dimension.
An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.
After two young elves give Santa and the North Pole food poisoning they must redeem their Naughty List status by finding a way to save Christmas.
Live at the Utilita Arena in Birmingham, Cockney comic Micky Flanagan is back for an hour of old-school jokes about energy bills, retro telly and marital disputes.
Oliver's Divine Delivery Theory is put to the test when he and the POstables seem to be unable to deliver a damaged letter from a military veteran that's a matter of life and death.
A young photographer's home is haunted by it's former residents.
Short - This delightful adaptation follows Gertrude and George the Dancing Frog on a whirlwind theatrical tour. - Amanda Plummer, Heidi Stallings, Edna Harris
Metal Gear Saga Vol. 1 features an in-depth documentary-style video feature that details the Metal Gear series' epic narrative, from beginning to end. Spanning five games and just as many decades of fictional history, Metal Gear Saga ties together the game's complex narrative in chronological order, from the 1960's-with the heroic origins of Big Boss in Metal Gear Solid 3: Snake Eater-to the cliffhanger conclusion of Metal Gear Solid 2: Sons of Liberty, set in the early 21st century. Metal Gear series creator Hideo Kojima also appears in a series of candid interviews, recounting the origins of the series and sharing its secrets, such as the original setting of Metal Gear Solid 2: Sons of Liberty, his thoughts on the infamous NES game Snake's Revenge, and what gamers can look forward to in the forthcoming Metal Gear Solid 4.
Before the Flood is a study of the final weeks of a dying city, as thousand-year-old Fengjie on the Yangtze River is reduced to rubble and its inhabitants uprooted to make way for the new Three Gorges Dam that will flood the entire valley.
To commemorate the 70th anniversary of the victory of WWII, this documentary film describes the eight years of dauntless air-force fighting of the republic of China during the Anti-Japanese War, with only 300 combat-capable aircraft from China while Japan had over 2000.
Workers, peasants, soldiers, students and merchants were five groups of Chinese society in the 1950s, after the so-called elimination of the exploited class. Borrowing this concept, the umbrella is taken as the clue to rediscover changes in various social classes after the economic reform, and to analyze the social problems in China. Workers making umbrellas, merchants selling umbrellas, students looking for jobs in the rain. Umbrella is used as a metaphor that can be seen everywhere. As the raindrop, what we see is sometimes clear, sometimes untraceable.
A Yangtze Landscape utilizes a non-narrative style, setting off from the Yangtze's marine port Shanghai, filming all the way to the Yangtze River's source, Qinghai/Tibet - filming a total distance of thousands of kilometers. Experimental music and noise recorded live on scene are used in post-production, painstakingly paired with relatively independent visuals, creating a magically realistic atmosphere contrasted with people seeming to be 'decorative figures' right out of traditional Chinese landscape scrolls.
A microcosm of China past and present flows through Xu Tong’s intimate docu “Shattered,” in which the maverick indie filmmaker continues to refine his techniques and concerns shown in his previous “Wheat Harvest” and “Fortune Teller.”
China marks the beginning of the extensive Asian theme in Ottinger’s filmography and is her first travelogue. Her observant eye is interested in anything from Sichuan opera and the Beijing Film Studio to the production of candy and sounds of bicycle bells.
July 27th, 1976 - a day the people of Tangshan will never forget. When that fateful day ended, tens of thousands had been killed, and the lives of the survivors would be changed forever. No public official, no expert, nor anyone among the seismological personnel - regardless of what they were doing that day - should ever forget. History will always remember the twilight of that day.
"Huangyangchuan, Gansu province, China. It's an arid mountain area with poor roads. Ma Bingcheng is well-respected local doctor, so many patients (most of them farmers) come to see him every day. In his small clinic, people chat with each other about their lives, local conditions, or the people they know. The clinic seems to open up like a microcosm, the information and experiences of different people intertwine, revealing the conditions of typical Chinese farmers, and the typical fates of both young and old--"
Filmed over three years on China’s railways, The Iron Ministry traces the vast interiors of a country on the move: flesh and metal, clangs and squeals, light and dark, and language and gesture. Scores of rail journeys come together into one, capturing the thrills and anxieties of social and technological transformation. The Iron Ministry immerses audiences in fleeting relationships and uneasy encounters between humans and machines on what will soon be the world’s largest railway network.
Xu Xin’s film “Dao Lu” (China 2012) offers an exclusive “in camera” encounter with Zheng Yan, an 83 year-old veteran of the Chinese Red Army, who calmly relates how he has navigated his country’s turbulent history over three-quarters of a century.Born to a wealthy family in a foreign concession, Yan joined the Chinese Communist Party (CCP) in 1941 because he sincerely believed in the socialist project, and in its immediate capacity to free China from the Japanese yoke and eradicate deep-rooted corruption.
Follow the lives of the elderly survivors who were forced into sex slavery as “Comfort Women” by the Japanese during World War II. At the time of filming, only 22 of these women were still alive to tell their story. Through their own personal histories and perspectives, they tell a tale that should never be forgotten to generations unaware of the brutalization that occurred.
A documentary chronicling the coming of age of a young chinese man.
Documentary about a tribe of indigenous people in northern China.
A documentary film showing the life of Niu Hongmiao, a 20-year-old country girl who is now a prostitute in Beijing. Around the time of wheat harvesting, she goes back home to Dingxing County, Hebei Province to visit her parents.
This film is a realistic record of a sixty-year-old couple living in a remote village (Gurenay) in the Badain Jaran Desert of Alashan, Inner Mongolia plant thousands of mu of ammodendron and euphratica to fight against expanding deserts.
For Chinese parents, finding out that their kid is gay usually presents a major tragedy, with the big majority utterly unable to accept the homosexuality of their son or daughter. However, during recent years a fresh rainbow wind has been blowing over the Chinese mainland: a pioneer generation of Chinese parents has been stepping up and speaking out on their love for their gay kids. This documentary features 6 mothers from all over China, who talk openly and freely about their experiences with their homosexual children. With their love, they are giving a whole new definition to Chinese-style family bonds.
Over the course of 3 years, Fan Popo visited a bar called “Only-Love” in Nanning, China, getting to know the dancers and drag queens there and discovering who they really were behind their exuberant costumes and personas.
"If the old doesn't go, the new never comes" recites a teenager hanging out near a demolition site in the center of Chengdu, the Sichuan capital in western China. In Demolition, filmmaker J.P. Sniadecki deconstructs the transforming cityscape by befriending the migrant laborers on the site and documenting the honest, often unobserved, human interactions, yielding a wonderfully patient and revealing portrait of work and life in the shadow of progress and economic development.