Pavarotti, Birth of a Pop Star(2017)

Last Straw(en)

A rural roadside diner becomes the host of a maniacal killing spree – leaving a young waitress to clean up the mess. After hard-headed Nancy fires the staff at her dad’s diner, she decides to cover the last shift of the night by herself. Little does she know, she is far from alone. The day is coming back to haunt her and when things begin to spiral out of control, she must fight for her life over the course of one long night.

Lulli(pt)

After getting electrocuted by an MRI machine, an ambitious young medical student begins to hear the thoughts of others.

A(en)

In a close-knit community, imagine a teenager’s struggle with asexuality, where faith clashes with personal discovery.

4x4(es)

Buenos Aires, Argentina. A luxurious van is parked on the sidewalk. A man enters with the purpose of stealing whatever he can find, but when he wants to leave, he cannot. The doors do not open, the control panel does not respond: the van has become an armored box and he is trapped like a mouse.

SS Experiment Love Camp(it)

Near the end of WW2, prisoners of war are used in experiments to perfect the Arian race.

Godzilla vs. Gigan(ja)

Manga artist Gengo Odaka lands a job with the World Children's Land amusement park only to become suspicious of the organization when a garbled message is discovered on tapes. As Gengo and his team investigate, Godzilla and Anguirus quickly decipher the message and begin their own plan of action.

Re/cycle(en)

With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.

Selfie(fr)

In a world where digital technology has invaded our lives, some of us end up cracking. Addict or technophobe, with family or at school, at work or in love, SELFIE tells the comic and wild destinies of Homo Numericus on the verge of a nervous breakdown.

Yu Yu Hakusho: Eizou Hakusho(ja)

Two recap specials that focus on Team Urameshi's matches in the Dark Tournament and four separate volumes focusing around one of the main characters; Yusuke, Kurama, Hiei, or Kuwabara.

Being the Ricardos(en)

Lucille Ball and Desi Arnaz face a crisis that could end their careers and another that could end their marriage.

Piece by Piece(en)

A unique cinematic experience that invites audiences on a vibrant journey through the life of cultural icon Pharrell Williams. Told through the lens of LEGO® animation, turn up the volume on your imagination and witness the evolution of one of music's most innovative minds.

Bhool Bhulaiyaa(hi)

NRI Siddharth Chaturvedi and his wife Avni return to Siddharth's family's ancestral Varanasi palace while disregarding warnings of a curse and paranormal phenomena. Soon enough, inexplicable events begin occuring, which forces Siddharth to consult the eccentric psychiatrist Aditya Shrivastav to help solve the mystery.

Survive(fr)

A couple celebrates their son’s birthday in the middle of the ocean on their boat. A violent storm hits and it brings up hungry creatures from the depths and they fight for their survival.

Mírame(es)

Lalo is a teenager tormented by the recent death of his dad, and being forced to move to an old house with his grandmother Elena. After taking his dad's old wristwatch, the ghost of a young girl begins to haunt him. Now, Lalo's life is in danger as he tries to unfold the mysterious ghost who keeps frightening him, hoping to stop her from dragging him for good.

Cyrano(en)

A man ahead of his time, Cyrano de Bergerac dazzles whether with ferocious wordplay at a verbal joust or with brilliant swordplay in a duel. But, convinced that his appearance renders him unworthy of the love of a devoted friend, the luminous Roxanne, Cyrano has yet to declare his feelings for her—and Roxanne has fallen in love, at first sight, with Christian.

Amina(en)

In 16th-century Zazzau, now Zaria, Nigeria, Amina must utilize her military skills and tactics to defend her family's kingdom. Based on a true story.

Elevation(en)

A single father and two women venture from the safety of their homes to face monstrous creatures to save the life of a young boy.

Forky Asks a Question: What Is Time?(en)

Rex uses the age of dinosaurs as an example to give Forky an understanding of the concept of time.

È nata una star?(it)

Marco, a shy teenager, learns that he has... what it takes to be a great porn star, but he doesn't know how to tell his parents. Hell breaks loose when a neighbor finds a porn video of him and leaves it in his parents' mailbox.

Spider-Man(en)

When an extortionist threatens to force a multi-suicide unless a huge ransom is paid, only Peter Parker can stop him with his new powers as Spider-Man.

Beethoven - Symphonies 1-9 (Berliner Philharmoniker, Sir Simon Rattle)(de)

Recordings of all the Beethoven symphonies with their chief conductor are always a milestone in the artistic work of the Berliner Philharmoniker. So it was with Herbert von Karajan and Claudio Abbado, and expectations are correspondingly high for this cycle conducted by Sir Simon Rattle. Where does the special status of these symphonies come from? Simon Rattle has an explanation: “One of the things Beethoven does is to give you a mirror into yourself – where you are now as a musician.” In fact, this music contains such a wealth of extreme emotions and brilliant compositional ideas that reveal the qualities of the orchestra and its conductor as if under a magnifying glass.

Opus pro smrtihlava(cs)

André Rieu - My African Dream(nl)

The story of Andre Rieu's first journey to Africa, the discovery of soloist Kimmi Skota and the sheer emotional impact of the concerts on the South African audiences.

Andre Rieu - New Year's Eve Punch(en)

What would you say to an evening of partying with music, song and above all, lots of fun, leaving you shaking with laughter? This scintillating New Year’s Eve concert was recorded in December 2003 in Hanover, Germany, with André Rieu and his orchestra accompanied by special guests such as Otto Waalkes and BOND, showing what partying should be all about! It’s really André at his best!

Lisa Limone and Maroc Orange: A Rapid Love Story(et)

Main hero is a singing boat refugee – orange boy Maroc. He dreams about freedom. Lemon girl Lisa collects singing seashells and dreams about love. Lisa’s father is a businessman, owner of a ketchup factory and tomato plantation. He loves money. And so the opera begins: Poor Maroc escapes from his homeland and defying stormy waters take a boat across the sea to the “promised land”. Upon arrival he is forced into being a slave worker in a tomato plantation instead of freedom, democracy, wealth and parties he had hoped for. Despite the initial let down our orange boy is destined to gain happiness – selfish Lisa falls in love with him and sets him free. We see an orange revolution – houses are blown up and tomatoes are made from ketchup, all in the name of democracy! Movie that is full of rebellion and love has happy ending – we will see sour-sweet culmination of lemon girl’s and orange boy’s love.

Super Frenchie(en)

From humble beginnings to becoming the top athlete in his field, extreme athlete Matthias Giraud weighs his passion for skiing and BASE jumping against the grounding effects of raising a young family.

Interviews with Abdelkrim Baba Aïssa(fr)

In 2024, Abdelkrim Baba Aissa, aged 75, engages in a series of filmed interviews with Algerian journalist Thoria Smati. They address the chronology of the rich and committed career of this self-taught Algerian actor, director, producer and screenwriter, who made his debut on Algerian television as an assistant director then at ONCIC as a director in the years 70.

Offenbach: The Tales of Hoffmann (Bregenz Festival)(fr)

Bregenzs Tales of Hoffmann is different from everything you saw before. The New York Times praised the thoughtfulness and creativity of Stefan Herheims new production, devised by the director as a search for ones own self in a sparkling drag show. A shining-toned (NYT) Hoffmann is embodied by tenor Daniel Johansson in the title role. He is supported by a fantastic cast: Rachel Frenkel is positively ideal as Muse and Niklausse (Kurier), Kerstin Avemo as Olympia is endowed with brilliant, cheekily extemporized coloraturas (Neue Zürcher Zeitung), Michael Volle sings the parts of Lindorf, Coppelius, Dr. Miracle and Dappertutto, the works four villains, with warmth and intensity (NYT) and Mandy Fredrich is a finelyphrased Antonia (Kurier).

The Real Nolly(en)

Helena Bonham-Carter narrates this explorative doc about Noele Gordon. Witness the rise & fall of a soapland queen with access to personal papers and never-before-seen pictures.

العنقة (El Anka)(ar)

1/4 - In 1925, the young M’hamed El Anka replaced his master Nador at short notice. He realizes that he is far from mastering all the instruments of his art and begins a self-taught training program in Oud, the Arabic language, and religious singing in the hadra of Sidi Abderrahmane. 2/4 - In 1932, the young El Anka released 10 45 rpm records in Paris, including the first song from his composition "L'Exil". He is gradually “lightening” the Andalusian heritage. He made the pilgrimage to Mecca and wrote the famous song "El Mendouza". 3/4 - The 40s and 50s will confirm the maturity of the master, who consolidates the constituent elements of what is today called Chaâbi music. In the midst of the national liberation struggle, El Hadj M'hamed El Anka triumphs with the song "Youm El Djemâa". 4/4 - In 1962, El Anka sang of independence: "El hamdou lilah, mabqach listaâmar fi bledna". Activist, poet and musicologist Bachir Hadj Ali explains the artist’s exceptional style.

Mustafa Kemal Atatürk - From Revolutionary to Statesman.(en)

Mustafa Kemal Atatürk was an Ottoman and Turkish army officer, revolutionary statesman, writer, and the first President of Turkey. He is credited with being the founder of the Republic of Turkey. His surname, Atatürk (meaning "Father of the Turks"), was granted to him in 1934 and forbidden to any other person by the Turkish parliament.

Puccini La Rondine(en)

La Rondine (The Swallow) is possibly the least performed of Giacomo Puccinis later operas, but is still just as much a masterwork as its more performed counterparts. Originally conceived as the composers first operetta, the work is an artful blend of opera and operetta, with a lighter mood than Puccinis other works. This live production filmed at the Deutsche Oper Berlin stars Dinara Alieva and Charles Castronovo in the lead roles. Renowned stage director Rolando Villazon sets this rendition, and the Orchestra and Chorus of the Deutsche Oper Berlin is conducted here by acclaimed Maestro Roberto Rizzi Brignoli.

Zwischenmusik(de)

Wolfgang Sawallisch conducts Hans Werner Henze's opera "Der Prinz von Homburg".

JFK: Seven Days That Made a President(en)

'JFK: Seven Days That Made a President' investigates the seven key days in JFK's life that helped shape his character and have come to define him.

WARM PLACE LIVE AT GULLIVERS, 22/02/24(en)

Documentary featuring the debut performance of WARM PLACE, the Manchester based four piece. Feature also contains samples of spoken word poetry by Lara Morton.

Misha(en)

The tragic story of the greatest soccer player the most have never heard of.

Mel Brooks: Unwrapped(en)

At the age of 91, Mel Brooks is unstoppable, with his musical "Young Frankenstein" opening to great critical acclaim in London in late 2017. Alan Yentob visits Mel at home in Hollywood, at work and at play.

Don Carlo(en)

Ghiaurov, Freni, and Bumbry were great voices in their time, and they are still effective here -- good enough musicians to put over the quite heavy vocal and expressive demands of their roles. Louis Quilico was never quite in that league, and he sounds a bit spread and woofy in places here, but he works hard and effectively to bring Rodrigo to life. Placido Domingo recorded his first Don Carlo, for EMI with Giulini, about 15 years before this production, but he looks and sounds fine here -- in the early 1980's he was doing very good Otellos and Lohengrins too, and Furlanetto, still in his 30's, brings a rich, young voice to an old part and succeeds in making the Grand Inquisitor vocally as well as expressively formidable. Levine brings both weight and energy to the score, and that reading fits well with the overall "traditional" design and production -- the Met's wardrobe budget must have been severely taxed, but everybody looks splendid.

Verdi Ernani(en)

It truly is an historic performance. Domingo looking and singing like a god pouring out golden tones; Renato Bruson sounds, like the sublime Verdian Baritone that he was at that time; Nicolai Ghiaurov proves again that he was one of the greatest "Verdi Basses"; Mirella Freni shows that there was more to her than just being Mimi and Susannah-in fact I can remember reading that at the time of the premiere of this production that there were fist fights (not unusual in La Scala's gallery) between Mirella's many fans--between those fans that just wanting her to continue singing the light lyric repertoire that they were use to her singing and those that felt she should and could sing the lyric-spinto repertoire which, of course, she proved that,indeed, she could (She's still singing more than twenty years later). This performance captures some of the best Verdi singers of the time doing dear ole wonderful Giuseppi proud.

Gustav Mahler: Symphony No. 2 Resurrection(en)

In 2005, the Staatsoper Berlin and its orchestra, the Staatskapelle Berlin under musical director Daniel Barenboim, celebrated a series of events to celebrate the 80th birthday of French conductor and composer Pierre Boulez. Artistically associated for decades with Barenboim and Berlin, Pierre Boulez is one of today's most distinguished composers and conductors. As part of the celebration, Boulez conducted a performance of Mahler's "Resurrection" Symphony at the Berlin Philharmonie. With his uncompromising approach to the score, Pierre Boulez's Mahler readings have long fascinated critics and audiences alike. Boulez eschews the romanticized readings common in performance tradition and, instead, reveals the real joy and terror in Mahler's large-scale symphonies.