Examines the practical philosophy, the achievements and frustrations of one of New Zealand's most lively and innovative architects, Ian Athfield. The film provides a portrait of the architect and his work both in New Zealand and his project to design housing for 140,000 squatters from the Tondo area of Manila in the Philippines, for which Athfield won an international competition in 1975.
Examines the practical philosophy, the achievements and frustrations of one of New Zealand's most lively and innovative architects, Ian Athfield. The film provides a portrait of the architect and his work both in New Zealand and his project to design housing for 140,000 squatters from the Tondo area of Manila in the Philippines, for which Athfield won an international competition in 1975.
1977-01-01
0
An intimate portrait of Christopher Alexander, a critic of modern architecture on a lifelong quest to build harmonious, livable places in today’s world. The film tells the story of two projects – a spectacular high school in Japan and an innovative homeless shelter in California. For Alexander, feelings come first, users are deeply engaged and process is paramount. We discover what happens when an architect’s unconventional method collides with standard practices in his profession.
"Hello. I'm Itami Jun. I apologize for my poor Korean." Itami Jun (Yoo Dongryong), a Korean architect who was born in Japan. This film follows his life through heartwarming architectures for people that he had tried for all his life. The architecture of time that exists for the people, space and the story of an architect who walked his own way between Korea and Japan, Shimizu and Jeju.
The director asks straightforward questions in a phone call to the lead architect of the district of Lasnamäe, Malle Meelak. The topics include the bureaucracy, planning and living quality in the brutalist district of panel houses. He gets surprisingly straightforward answers because Meelak doesn't know that the call is being recorded. Later, in a public interview conducted in front of the camera, Meelak's answers are quite different.
Known for his bold, abstract and stark white buildings, American architect Richard Meier now takes on the challenge of building the Jubilee Church in Rome. Holding the location in high regard, Meier praises the vibrant visual layout of the city and tells us, "Rome is a city of architecture; it's a city of walls and columns and spaces and places and defined places and wherever you look there's architecture" (Richard Meier). Staying true to his signature design style, Meier has created a structure resembling grand soaring sails which appear steady and peaceful as they stand in striking opposition to the city's landscape. Three curved walls separate three distinct spaces: the main sanctuary, the weekday chapel and the baptistry, each with its own entrance. As a contrast he shows us his favorite churches in Rome by his famous colleagues from earlier times.
Meier guides the viewer on a retrospective of his white buildings, from private houses of the 1960s to the Frankfurt and Atlanta Museums of the 1980s--all variations on his trademark spatial and planar treatment. His influences from Corbusier, Wright, Mies, and Baroque Germany are shown. Clients and colleagues offer opinions.
The Richardson Olmsted Campus, a former psychiatric center and National Historic Landmark, is seeing new life as it undergoes restoration and adaptation to a modern use.
Schaub and Schindelm’s documentary follows two Swiss star architects, Jacques Herzog and Pierre de Meuron, on two very different projects: the national stadium for the Olympic summer games in Peking 2008 and a city area in the provincial town of Jinhua, China.
A film commissioned by architects Vitangelo Ardito and Nicoletta Faccitondo (Polytechnic University of Bari) as a companion piece to the book 'Umberto Riva. Perciò è sempre una sorpresa - 19 conversazioni'.
A film featuring architect, sculptor, and musician Nobuo Kubota in a sound-sculpture performance. From within a cage-like structure filled with traditional musical instruments and sound-making devices fashioned from ordinary objects and toys, Kubota creates an aural/visual montage of musical notes and noises. Praised by music educators as a valuable tool for teaching creativity in sound exploration and musical innovation, the film reveals the infinite percussion possibilities of simple objects and presents a portrait of a versatile performer whose imagination has led him far beyond the confines of conventional music. Directed by Jonny Silver - 1982 | 20 min
Documentary on the construction of Chandigarh, the new capital of the Indian Punjab region, planned by Albert Mayer and Swiss architect Le Corbusier.
This film was made in the summer of 2015 on the occasion of the exhibition "A Tribute to Le Corbusier" at the Villa "Le Lac" in Corseaux. We have recorded a visit to the Petite Maison of Le Corbusier and Pierre Jeanneret in moving pictures and an audio track but without explanations. The film is patient, calm and curious: we hear the sound of steps, reverberations from the street nearby, doors and cabinets being opened and closed, and we see the flexible ways in which the house and its furnishings might be used. It is an attempt to illuminate and elucidate the lively “jeu, savant, correct et magnifique des volumes sous la lumière”.
Visiting examples of Herzog and de Meurons ground-breaking style, this film reflects their capacity to astonish and explore the way in which they transform what might otherwise be ordinary through new treatments and techniques.
The fifth project of the Living Architectures series, Inside Piano is composed of three films on three symbolic buildings of Renzo Piano's career. A visit throughout the prototype-building of the Centre Pompidou. An immersion in the soundproof world of a submarine floating in the depths of the Parisian underground. A journey aboard a luminous magic carpet of a highly sophisticated architectural machine. A humorous, caustic and quirky point of view.
Gray Matters explores the long, fascinating life and complicated career of architect and designer Eileen Gray, whose uncompromising vision defined and defied the practice of modernism in decoration, design and architecture. Making a reputation with her traditional lacquer work in the first decade of the 20th century, she became a critically acclaimed and sought after designer and decorator in the next before reinventing herself as an architect, a field in which she laboured largely in obscurity. Apart from the accolades that greeted her first building –persistently and perversely credited to her mentor–her pioneering work was done quietly, privately and to her own specifications. But she lived long enough (98) to be re-discovered and acclaimed. Today, with her work commanding extraordinary prices and attention, her legacy, like its creator, remains elusive, contested and compelling.
Catalan architect Antonio Gaudí (1852-1926) designed some of the world's most astonishing buildings, interiors, and parks; Japanese director Hiroshi Teshigahara constructed some of the most aesthetically audacious films ever made. With camera work as bold and sensual as the curves of his subject's organic structures, Teshigahara immortalizes Gaudí on film.
Isamu Noguchi was a sculptor, designer, architect, and craftsman. Throughout his life he struggled to see, alter, and recreate his natural surroundings. His gardens and fountains were transformations meant to bring out the beauty their locations had always possessed.
A documentary essay film about coincidences, shattered lives and posthumous fame. A found footage family film about love and passion, friendship and heartbreak in Berlin between the wars. But a film also about self-sufficiency and recycling, about the green movement and the environment – before these notions had yet been properly invented. And it touches the utopian potential of ideas that have lain buried in the ground of an island for the past 70 years. The film’s protagonist, Martin Elsaesser, was one of the most prominent modernist architects of Weimar Germany.
Behind the iconic Eiffel Tower lies the story of an incredible challenge to erect a thousand-foot tower that went far beyond a design competition, and marked a major turning point in engineering history. It was the beginning of radical transformation where iron was pitted against stone, engineering against architecture, and modern design against ancients. Press campaigns, lobbying, public conferences, denigration of opposing projects, bragging about big names - all participants engaged in a fierce battle without concession. Using 3D recreations, official sources (reports, letters, drawings...) and intimate archives obtained from their descendants, this film will bring to life this vertical race through a fresh and visual way to mark the centenary of Eiffel death.
A poet among architects and an innovator among educators, John Hejduk converses with poet David Shapiro at The Cooper Union about the mystery and spirit of architecture. His own sketches and structures are shown