The communities of San Martin Tilcajete and San Antonio Arrazola in Oaxaca, Mexico are best known for being the main source of the "Alebrijes" (wood carving) in the state; a relatively new but powerful tradition in mexican folklore. In both communities, there is a family that claims they're father started this tradition in all the state of Oaxaca.
Art is a freedom for those who make it and for those who look at it. A freedom that ends when the violence starts. In Mexico, every day eleven women are murdered and in more than ninety percent of the cases impunity prevails. Through the testimony of seven women, this documentary essay reflects on femicide and the destruction that this leaves a country and its culture. Because in times of horror, art cannot be the same, every time a woman is murdered, a museum or a library collapses in the world.
In this documentary, we learn about five stories that converge at the same point, the bathroom. Each bathroom tells the story of its inhabitant.
April 1994 in the Lacandona Jungle, Chiapas, México. The Zapatista women talk about the living conditions of Mexican indigenous populations and the life of peasant women. They explain the reasons for their struggle and their uprising.
The hope of a young historian to corroborate the existence of Pascual Vázquez, a supposed general of the Mexican revolution, materializes in Ms. Hilda, Pascual's granddaughter, who offers to tell the stories of her grandfather.
The voices of the 2013 Generation of the now extinct CUEC, talk about issues such as loneliness, growing up and decisions about the uncertain future they face when leaving to study Cinematography.
Africa, a trans woman dedicated to musical representation and comic entertainment on Facebook exhibits her daily life through live broadcasts, having success and a large influx of viewers. This while she is getting ready for her special program in honor of her best friend Vicenta de Loris, since a year has passed since her life was taken from her.
Is the story of a generation of thieves who achieved their greatest victories in the sixties; their distinctive code of ethics, the various categories of delinquents inhabiting the citys streets, their alliances with high ranking police officials that allowed them to operate, the betrayals that followed, and the price they ended up paying.
Rosa is a Mexican woman who, at the age of 17, migrated illegally to Austin, Texas. Some years later, she was jailed under suspicion of murder and then taken to trial. This film demonstrates how the judicial process, the verdict, the separation from her family, and the helplessness of being imprisoned in a foreign country make Rosa’s story an example of the hard life of Mexican migrants in the United States.
The film portraits the stage previous to the outbreak of the Mexican Revolution, from the end of Porfirio Díaz´ government, the social volatility, the ephemeral government of Madero and the presence of the working class in the figures of Villa and Zapata, until the signing if the Constitution of 1917. All of this through moving images, filmed during those events mainly by the Alva brothers, filmmakers of that time. Those images let us perceive the contradictory and shuddered glance of the people of that period.
Inspired by an exclusive interview and performance footage of Chavela Vargas shot in 1991 and guided by her unique voice, the film weaves an arresting portrait of a woman who dared to dress, speak, sing, and dream her unique life into being.
“Aguas Negras” is an experimental documentary about the Cuautitlán River. The film examines the passage of time and the pollution of the river by focusing on conversations with multiple generations of women in the filmmaker's family that have grown up by the river in a municipality identified as having the highest perception of insecurity in the State of Mexico.
Diana Mariscal reached a moment of fame in the sixties, when at just 18 years of age she was the lead actress of the movie Fando and Lis by Alejandro Jodorowsky. The moment seemed to trigger a promising career, but her public image faded little by little until disappearing. Forty years later the traces of her existence have not been entirely erased.
This Traveltalk series short visits an array of locations associated with England's heritage. Included are Runnymede, Windsor, Ascot, Lincoln, Wells, Salisbury, Glastonbury, and the ancient Stonehenge site.
This documentary rescues the valuable work of Martha Colmenares, an indigenous woman from the Zapotec highlands, who in the 1980s filmed the life and customs of her own community, becoming a pioneer of indigenous documentaries. And for the first time, her forgotten story, for forty years, will no longer be invisible.
Academy Award®-winning filmmaker Errol Morris confronts one of the darkest chapters in recent American history: family separations. Based on NBC News Political and National Correspondent Jacob Soboroff’s book, Separated: Inside an American Tragedy, Morris merges bombshell interviews with government officials and artful narrative vignettes tracing one migrant family’s plight. Together they show that the cruelty at the heart of this policy was its very purpose. Against this backdrop, audiences can begin to absorb the U.S. government’s role in developing and implementing policies that have kept over 1300 children without confirmed reunifications years later, according to the Department of Homeland Security.
Bejeweled Fishes captures the spectacular beauty of the myriad fishes inhabiting coral reefs of the Tropical and Eastern Pacific. This Wild Window was captured in the Maldives Islands, Fiji, the Philippines, Mexico, California, and Indonesia.
Noemí, an Ayuukjä'äy woman reflects on the loss of her native tongue with a voice that blends into day to day life in Cerro Costoche community located in the Mixe mountain rage of Oaxaca.
A group of African American students at the University of Arizona reveals the importance of political spaces within Universities in times of intolerance.