This Is the Way We Rise(2021)

The Three Friends(ar)

Three friends are arrested after committing an accident with their car. After finishing their sentence, they become partners with the owner of a decoration workshop. But he deceives them and spends the money in gambling. They force him to sign a waiver of his workshop but he wants to get it back.

Friends Jokes(ar)

The film tells a story speaks of "Yusuf ", a plumbing Man, who is exposed to many pranks by his friends.

Inside Asda: Bigger, Better, Cheaper?(en)

The supermarket giant that rose high by taking prices low.

Fight Club(ta)

A young boy Selva chasing his football sports dreams suffers a major setback, grows into an angry young man who is drawn into conflicts by evil forces involving him and his family, which he must navigate and reform

Asdrúbal, O que há com seu peru?(en)

Asdrúbal is the zoo sweeper, the handyman. One day, when he was feeding the turkeys, he noticed that one of them was talking.

Gasping for Air(tl)

When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.

1-2-3(es)

How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.

Zombie Fight Club(zh)

It's the end of the century at a corner of the city in a building riddled with crime - Everyone in the building has turned into zombies. After Jenny's boyfriend is killed in a zombie attack, she faces the challenge of surviving in the face of adversity. In order to stay alive, she struggles with Andy to flee danger.

Vampiros DF(en)

A director attempts to understand why he does what he does.

Kill Shot(en)

Posing as hunters, a group of terrorists are in search of $100 million that was stolen and lost in a plane crash en route from Afghanistan.

Flow(en)

Box(fr)

Dune(hu)

Sounds as witnesses. They blurr into memories, half-dreams, it is undecided if they are real or not. A fluctuation between imagination and reality.

Fight Club (Russian version)(ru)

The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people

Pound x Pound: The History of Juan Manuel Márquez(en)

Pound x Pound introduces you to the world of boxing elite through the eyes of Juan Manuel Marquez, four-time world champion. It is a ringside ticket to the professional and personal life of Juan Manuel. An unique access to the truth behind the rivalry with Manny Pacquiao. Read the story behind the Mexican idol, who through work, effort, sacrifices and frustrations, has established itself as one of the best pound for pound fighters in the world.

Return(en)

Static images of an old country house are combined with voices of the past to evocative effect. Haunting and nostalgic, 'Return' conveys the life that exists in old, abandoned places.

Asdrúbal Trouxe o Trombone(pt)

Diva Futura(it)

In 1980s Italy, Riccardo Schicchi's agency Diva Futura turns free love into porn, making stars of Ilona Staller, Moana Pozzi and others.

Express 'Moscow-Russia'(ru)

This is a story about a guy who is willing to sell the soul, just to dial million views for your videos on YouTube. On the way to his goal, he turns into a fast train "Moscow - Vladivostok», where faced with an American actress, suffering aerophobia. On the way strangers expect such adventures that they lag behind the train that trying to catch up, moving our unpredictable and fabulous Mother Russia - After each of them need to be in Vladivostok exactly 7 days - for reasons which they carefully conceal from each other.

Lipstick(en)

With an off beat sense of humour, the film looks at the politics and glamour of lipstick and the dilemmas of the modern woman in a marketed world.

Catalan Poets(ca)

At underground film of the 1st Popular Festival of Catalan Poetry filmed in the Proce Theater in Barcelona on May 25, 1970, in solidarity with political prisoners. The participating poets were: Agustí Bartra, Joan Oliver (Pere IV), Salvador Espriu, Joan Brossa, Francesc Vallverdú and Gabriel Ferrater.

Vivants parmi les vivants(fr)

Cyberworld - The future is now(en)

Documentary and reflection about the effects of technology.

Ante Meridiem(es)

Ante Meridiem is a sensory journey through the first hours of dawn. Kind but vehement, he explores the dichotomy between silence and bustle, patience and haste, taking both to their ultimate consequences.

Cowboys: A Documentary Portrait(en)

Told in the cinematic tradition of classic westerns, “COWBOYS - A Documentary Portrait” is a feature-length film that gives viewers the opportunity to ride alongside modern working cowboys on some of America's largest and most remote cattle ranches. The movie documents the lives of the men and women working on these "big outfit" ranches - some of which are over one million acres - and still require full crews of horseback mounted workers to tend large herds of cattle. Narrated through first-hand accounts from the cowboys themselves, the story is steeped in authenticity and explores the rewards and hardships of a celebrated but misunderstood way of life, including the challenges that lie ahead for the cowboys critical to providing the world's supply of beef. “COWBOYS” was filmed on eight of the nation’s largest cattle ranches across ten states in the American West.

Eatnameamet – Our Silent Struggle(fi)

The AssimiNation is a political pamphlet portraying the indigenous Sámi people fighting for their existence. The film follows the on going cultural genocide of the Sámi which the current Governmental politics allow. This film is a cry for help for the last indigenous people living in the EU.

The MacArthur Facade(en)

An amateur documentary crew dive into a growing opioid epidemic within Australia's Capital only to discover horrifying truths.

Numéro zéro(fr)

A family portrait in which the director profiles his grandmother, Odette Robert. Eustache includes in the film the conditions of its production — he is seated at the table with her, pours her some whiskey, speaks with the camera operator, manipulates the clapboard at the head and tail of the reels, and even takes a phone call. Robert, who was seventy-one, speaks rapidly and tells the story of her life, starting from her early childhood in villages in the Bordeaux region of France. A shorter version of the film ("Odette Robert") was edited in 1980 to be broadcast on television on TF1. The complete film only gained exposure in 2002, when it was salvaged by Boris Eustache, Thierry Lounas, João Bénard da Costa, Jean-Marie Straub, and Pedro Costa.

The Sound of Identity(en)

In the spotlight of global media coverage, the first transgender woman ever to perform as Don Giovanni in a professional opera, makes her historic debut in one of the reddest states in the U.S.

Cry Rock(en)

The wild beauty of the Bella Coola Valley blends with vivid watercolor animation illuminating the role of the Nuxalk oral tradition and the intersection of story, place and culture.

Second Class(sv)

'Do you feel cheaper?' We are filming young Lithuanian men working in Sweden. They do not want to be caught on camera, they do not want to participate in creating yet another media image of guilt and pity. They film us. We empty a bottle of moonshine, we dance on their porch. They might let us film them tomorrow. Second Class is a time document about class, respect, the value of work and human being.

Svonni vs the Swedish Tax Agency(sv)

A Sámi woman fights for her right to claim a tax deduction against the purchase of a dog. Why the Swedish authorities fail to recognize the dog's use as a reindeer herding tool versus a pet opens up a larger discussion about Indigenous rights and economic discrimination in this humorous takedown of the Swedish government's ignorance of Sámi culture.

Through the Repellent Fence: A Land Art Film(en)

The film follows Postcommodity, an interdisciplinary arts collective comprised of Raven Chacon, Cristóbal Martinez and Kade L. Twist, who put land art in a tribal context. The group bring together a community to construct the Repellent Fence, a two-mile long ephemeral monument “stitching” together the US and Mexico.

L'Âge d'or de la pub(fr)

Heavy Agger(da)

A portrait of a group of youngsters in Agger at the west coast of Jutland. They listen to the raw metalrock. They dress in leather and rivets. And that doesn't exactly lessen the generational divide.

Giiwe: Returning Home(en)

Following filmmaker Taye Alvis as he looks to reconnect to his community of Walpole Island First Nation. Taye will explore his relationship to Walpole Island, and how one can reconnect to their traditions and culture by way of conversation, arts, and recreation.

The Aryans(de)

THE ARYANS is Mo Asumang's personal journey into the madness of racism during which she meets German neo-Nazis, the US leading racist, the notorious Tom Metzger and Ku Klux Klan members in the alarming twilight of the Midwest. In The ARYANS Mo questions the completely wrong interpretation of "Aryanism" - a phenomenon of the tall, blond and blue-eyed master race.

Taromenani(es)

In May 2003, around 30 women and children were murdered in the Ecuadorian jungle. The victims belonged to the Taromenani clan, an uncontacted indigenous group in Ecuador. The massacre was left in impunity and oblivion. This documentary explores the history of contact with the Huaorani decades ago, the death of Alejandro Labaka in 1987 and recent attacks on loggers in the area, to discover that these events are linked to the history of uncontacted peoples in Ecuador.

Kumu Hina(en)

A transgender Native Hawaiian teacher inspires a young girl to fulfill her destiny of leading the school's male hula troupe, even as she struggles to find love and a committed relationship in her own life.