The recovery of family videos is the resumption of a path: the massification of VHS brought new levels to family recordings. With the incorporation of sound, home videos gave way to commentaries, speeches and the filtering of sounds, giving rise to a documentation of the sounds of each era. In this first-person film, Juliana Antunes revisits, reframes and recombines the discordances between norm and desire in the memories of an LGBT girl in a Brazilian suburb.
Self
The recovery of family videos is the resumption of a path: the massification of VHS brought new levels to family recordings. With the incorporation of sound, home videos gave way to commentaries, speeches and the filtering of sounds, giving rise to a documentation of the sounds of each era. In this first-person film, Juliana Antunes revisits, reframes and recombines the discordances between norm and desire in the memories of an LGBT girl in a Brazilian suburb.
2020-11-06
0
Just after Isidore moves to France to study filmmaking, his best friend dies back in the US. Through documentary, performance, and animation, a ghostly portrait emerges, prompting Isidore to question his relationships with his parents and his boyfriend in Paris.
Presented by Rebecca Loos, this documentary uncovers the power lesbian scene in Hollywood. Loos checks out the LA club scene & big Palm Springs event 'Dinah Shore Weekend'.
The diaspora of Filipinos around the globe is driven mostly by the economics of supply and demand. The yearning for something better, stability, and self-validation leads a handful of sojourners from the provinces of the Philippines into the arms of one of its former colonial masters — the USA. But what happens when they finally get what they want? And how? Filmmaker Dennis Empalmado explores the musings of Filipino expatriates and hopeful immigrants in "Naglalakbay" (Travelers).
SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
A childhood story is narrated while home movie footage is displayed. The narrator recounts her assimilation experience: moving to America, learning English, giving up your culture and a part of yourself.
Gay women living in the Deep South of the United States share stories of the bigotry, sexism, intimidation, and racism that confronts them in a part of the country known for its culture of Christian conservatism.
Memory mechanisms are mysterious: we only see the stories we choose in order to construct our own reality. Every mark is a message in time, the invocation of an absence. To travel in the memory is to walk in time, zigzagging, a long road permeated by a dark, indecipherable logic… if we could choose seven moments to sum up our entire life, which ones would they be? The Dance of the Memory is a documentary-essay that guides us in that autobiographical search, where image and memory intertwine. It mixes archive material with an aesthetic and subjective tone.
After finding some videos she uploaded to YouTube when she was a child, Manuela attempts to follow the trail she herself has left on the Internet. A search that looks into all that things that won't never die and that, especially, thinks about the way we look at ourselves.
Follows filmmaker and actress, Maryam Zaree, on her quest to find out the violent circumstances surrounding her birth inside one of the most notorious political prisons in the world.
Filmed in the city of Memphis, Tennessee, this documentary tells the stories of four twentysomethings who are living their lives under the scrutiny and judgment often faced by those who clash with mainstream gender norms. Lizzy G, Kyta, and Yella Man are lesbian studs, and Ashton is an out trans man. While Lizzy G struggles to overcome abuse from her past, Kyta wants to free herself from her Asian family's expectations about her future. Ashton is navigating the tribulations of transition. And Yella Man? She's just trying to have a good time.
Through the footage from his family's Handycam, the director creates a portrait of his family that is falling apart.
Few amateur films with sound were produced in the 1930s and fewer remain extant. A charming artifact that demonstrates the expressive possibilities and technical limitations of amateur talkies, "The Spider and the Fly" includes a backyard Labor Day gathering, a trip to the Riverview Amusement Park, and a homemade Halloween parade of witches and ghouls.
Offers a candid portrait of four French Canadian women who adopt surprising new roles as they approach their 50s. Leaving behind husbands and children, these women discuss the courage it took to embark on their quests for lesbian lifestyles.
The director Andrés Kaiser combines hundreds of amateur films and photographs from the treasure trove of images belonging to his migrant grandparents creating a cinematic firework of analogies.
A short documentary exploring the ways LGBT couples show affection, and how small interactions like holding hands in public can carry, not only huge personal significance, but also the power to create social change.
The story of how Sicilian Mafia boss Tommaso Buscetta (1928-2000), the Godfather of Two Worlds, revealed, starting in 1984, the deepest secrets of the organization, thus helping to convict the hundreds of mafiosi who were tried in the trial held in Palermo between 1986 and 1987.
A love letter to Mar del Plata made of images, times and a road trip. "The Happy Ones" is an experimental short documentary composed of past and present family footage. It portrays a place in the summer, the city of Mar del Plata, with a span of 20 years between past and present images (January 2000 and 2020). Despite the time that passed by, it's beaches, essence and people remain, always willing to keep dancing.
This documentary is a record of moments with family, friends, travels, outings, and a passion that Carla inherited from her father. The need to encapsulate time led her to film her daily life with Bahian friends in Barcelona, a city where she lived the best of her youth for eight years. When she decided to return to Brazil, everything took on new significance. It was then that she began the project of making a documentary to immortalize that period. The casual recordings turned into an obsession, and her friends were interviewed, totaling more than 50 hours of filmed memories and a year of editing in Brazil. This process was a painful stagnation in the past, an effort to make sense of material that fed a difficult feeling to overcome: longing. The result is a delicate film that reflects on exile, memory, time, family, change, and life.
In this home movie collection of gay men, memory serves as an act of hope, power, and above all, resilience.
In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Until 1982, he will shoot hours of footage, his filmed diary. Wherever he goes, he carries his camera with him. He films his life and lives as he films: places, moments, friends, loves, misfortunes.