2018-05-29
0
After being dumped by her live-in boyfriend, an unemployed dancer and her 10-year-old daughter are reluctantly forced to live with a struggling off-Broadway actor.
"Pensées d'Alexandrie", "Bises du Caire" ... It's summer. They took their car, drove in coaches, flew in planes and visited camera in shoulder strap some distant country bristling with monuments and other "things to see", such as Egypt, Greece, India or Bordeaux. So as they are bored a bit far from their home sweet home, the Rouchon write to Brochon and vice versa - we are polite all the same! They send postcards not stung from the beetles. In these letters from the front of the leisure society, François Morel as a "melancholy mocker" has fun with often tender humor, sometimes biting, of this irrepressible need to change scenery to finally eye with a weary eye the pyramids and all those centuries that contemplate you while thinking of the evening meal (wine is free and at will) and the friends who have stayed in the country.
Hired to helm an Americanized take on a British play, director Lloyd Fellowes does his best to control an eccentric group of stage actors. With a star actress quickly passing her prime, a male lead with no confidence, and a bit actor that's rarely sober, chaos ensues in the lead up to a Broadway premiere.
The King of Far Far Away has died and Shrek and Fiona are to become King & Queen. However, Shrek wants to return to his cozy swamp and live in peace and quiet, so when he finds out there is another heir to the throne, they set off to bring him back to rule the kingdom.
Marcelline is an actress. Forty, single and childless, she begins rehearsals for Turgenev’s A Month in the Country. Denis, the director, admires her greatly and promises he’ll make her happy on stage — she will shine. But things don’t go to plan.
A boy who was once a perpetual outcast finds friends in a new boarding school. United with his new peers, he gets involved in a heated rivalry with a group of students from a neighboring school.
Henry de Sacy, inveterate Don Juan, learns that he will inherit a million euros from his old aunt, on condition that he gets married within the year. As he refuses to depart from his love of women, his friend Norbert, a lawyer, offers him to marry a man. Thus he would respect his aunt's last wishes without losing his freedom. Seduced, Henri offers this unusual contract to his friend Dodo who is single and unemployed. But this marriage for the better will quickly turn into a nightmare...
Praised at the Théâtre du Rond-Point, dedicated to Molières 2019 by Molière for directing for Mathilda May, and for female revelation with Ariane Mourier, Le Banquet is a singular, strong, surprising and universal show. A wedding where everything goes wrong, a banquet where everything suddenly shatters. Without words but in a universal language, the characters love each other, confront each other, meet again, and get lost in a funny and hectic whirlwind. After the immense success of Open Space and when Mr. X was created with Pierre Richard, Mathilda May continues to make us dream and presents us here with a unique fresco. An exceptional spectacle.
When Berke Landers, a popular high school basketball star, gets dumped by his life-long girlfriend, Allison, he soon begins to lose it. But with the help of his best friend Felix's sister Kelly, he follows his ex into the school's spring musical. Thus ensues a love triangle loosely based upon Shakespeare's "A Midsummer Night's Dream", where Berke is only to find himself getting over Allison and beginning to fall for Kelly.
When a beautiful first-grade teacher arrives at a prep school, she soon attracts the attention of an ambitious teenager named Max, who quickly falls in love with her. Max turns to the father of two of his schoolmates for advice on how to woo the teacher. However, the situation soon gets complicated when Max's new friend becomes involved with her, setting the two pals against one another in a war for her attention.
Unpolished and ultra-pragmatic industrialist Jean-Jacques Castella reluctantly attends Racine's tragedy "Berenice" in order to see his niece play a bit part. He is taken with the play's strangely familiar-looking leading lady Clara Devaux. During the course of the show, Castella soon remembers that he once hired and then promptly fired the actress as an English language tutor. He immediately goes out and signs up for language lessons. Thinking that he is nothing but an ill-tempered philistine with bad taste, Clara rejects him until Castella charms her off her feet.
It's the story Hollywood has glamorized, publicized, and bombarded us with--how it all began for the two young men, now famous for the tabloid coverage of ther on-again-off-again romances, their big budget smashes and flops, and their "Project Greenlight." It started with a script for the film that became Good Will Hunting, slaved over by the bright young dreamers (portrayed in this play's permier by the female playwrights) in their run-down apartment in Somerville, Massachusetts, in 1996. Or was it This hilarious, scathing play takes us back to the pivotal moment when the finished script that would change their lives...fell from the ceiling while they were working on something else. The laughs come at a manic pace, in this delightfully venomous play that has taken off-Broadway by storm.