Alex
A trans lesbian has a Zoom date during the pandemic.
2020-09-17
0
Love in a hopeless place.
Focuses on three very different siblings, all searching for happiness. Hans-Jörg is a sex addicted librarian, who is interested in young students. Werner is a successful politician with a dysfunctional family. Agnes, a trans woman, works as a table dancer in a night club. The three brothers just have one thing in common: their longing for a happy life.
In 1943, while the Allies are bombing Berlin and the Gestapo is purging the capital of Jews, a dangerous love affair blossoms between two women – one a Jewish member of the underground, the other an exemplar of Nazi motherhood.
Holden and Banky are comic book artists. Everything is going good for them until they meet Alyssa, also a comic book artist. Holden falls for her, but his hopes are crushed when he finds out she's a lesbian.
After a terrible date set up from her roommate, June is focused on enjoying her commutes around the city and beating the NYC summer heat. Although she's determined, one day June finds herself needing a helping hand from a familiar face in a city of millions. When her roommate follows up with another date idea, June already has plans.
While Thomas and Oscar are very much in love, after their first foster child returns to his birth mother, they find that they have different ideas about what making a family actually means.
Helen's mundane life at the chicken factory takes an unexpected turn with Joanne's return. They were each other's secret teenage passion. As they fall in love, Helen's zest for life returns but Joanne faces something darker from her past.
Gay, alienated Los Angeles teens have a hard time as their parents kick them out of their homes, they don’t have money, their lovers cheat, and they are harassed by gay-bashers.
Two young men and two girls on a moonlit night confess to each other in their strange fantasies and loves that go beyond the usual standards.. The impetus to making the film was the book of the same name by the Russian religious philosopher Vasily Rozanov, who died 100 years ago. His treatise was devoted to the study of sexuality and its denial in Christianity. The film was made in the style of experimental films of the 1920s with a non-linear narration full of strange surrealistic images. He is black and white and devoid of dialogue. Filmed on film 16 mm of firm "Svema", released in the USSR. This added to his exoticism. The image was put to the music of Alexander Scriabin “The Poem of Ecstasy” (1907).
Presenting a woman, a female statue, a breathing tree, and a fish out of water, an unorthodox love story unfolds with the growth of limbs and expressive gestures. Accompanied by desire discovered and lost, erotic femininity disfigured in a domestic space, and physical forms fragmented, two women steep in their reticent intimacy.
Nothing - not her father, not the church - can stop unruly Angela from being with her childhood best friend turned great love, Sara. Based on a true story, Viola di Mare, presents a uniquely engaging portrait of family, community and gender roles in a 19th century Italian village.
A trans man wants to use the men’s bathroom for the first time, however, he’s hindered by his own fears and insecurities. He shares these fears to his friend shown through imaginary scenarios.
Scattered memories of love and loss are relived in the rooms of the apartment where they were first experienced.
Jude wants top surgery, Mom wants an “old lady pass” on the whole pronouns thing. As the two butt heads about gender, language, and body image at Monsieur le Butch’s al fresco salon, they both must navigate the hairiness of being seen.
After spending the night together, two women decide to prolong their amorous encounter into the warm summer day in New York City.
Corrupt Colour follows childhood friends and self-proclaimed internet pop-stars, Emily and Gia as they set up their first live concert but their delusions of grandeur are compromised when the live show of their dreams becomes a nightmare. The show must go on and with the help of their closest friends, irreverent leads Emily and Gia are forced to reckon with their true place in the public eye. With poignant lyrics, loud personalities, and unique creative decisions, Emily and Gia take us on a hilarious and melancholy journey through identity in the digital age that leaves us all asking "who am I trying to be?"
A dethroned queen bee at a posh private high school strikes a secret deal with an unassuming new student to enact revenge on one another’s enemies.
Declan Flynn, a man struggling for self-acceptance, is preyed upon by a gang of self-described ‘Queer-bashers’ in Dublin, 1982. Based on the true story seen as a major catalyst for Ireland’s LGBTQ Pride movement.
It's July 4th at Dawson's Beach, and Jesse shows Hank an ominous note he received from someone who knows their romantic secret. The Southport Slasher Ben Willis sent a similar note to Julie James 25 years ago before wreaking havoc on the town, but that's just an old story. Is this some anniversary prank, or are they really in trouble? They and their girlfriends realize too late that they're in the wrong place at the wrong time... A queer horror fan film celebrating the 25th anniversary of the I Know What You Did Last Summer franchise, following the events of the original 1997 film (with a nod to the 1998 sequel).
When Emilý, a twenty-five year old content creator, learns that her long-distance girlfriend wants to move to Iceland and make their open relationship exclusive, she must face her anxieties about the future. All the while trying to support her teenaged co-worker and battle financial difficulties.
Created in response to a traumatic hate crime, artist, Venus Patel, explores her emotional journey through several archetypes, each of whom perform with an egg. Using the weapon of the assailant, the egg itself becomes a tool with many psychological and symbolic meanings within it. The power of reincarnation, birth, nature, hope while also pointing to the power it has to utterly humiliate and embarrass if used in a certain way. There is an embrace of the absurdity of these performances while still speaking to the deeper subject matter. By placing the outlandish characters into public spaces, they confront a preconceived notion of pushing true queer expression into only hidden spaces or only at night, into the daylight and into the normal everyday experience.