Because My Bike Was There...(1966)

Safe Place(en)

A Southern Indiana man endures a fatal night of torture after being arrested for a routine traffic stop.

O.J.: Made in America(en)

A chronicle of the rise and fall of O.J. Simpson, whose high-profile murder trial exposed the extent of American racial tensions, revealing a fractured and divided nation.

Folkbildningsterror(sv)

We follow the timid Theo, whose mother stands to lose her disability benefits. Help comes from the effortlessly flamboyant trans woman Kleopatra, a militant animal-identified posthumanist (a.k.a. Rabbit), and their fearless comrades. Together they reclaim social security for Theo’s mother, with the help of black magic and a comic shoot-out with the police. But fear not: “In order to break the symbolic connection between masculinity and power, everyone carrying a gun must wear a dress.” Then there’s the release of the animals from the Götenborg zoo, and much dancing and singing in between the organizing.

Khamsin(fr)

Lebanon today. The traces of the civil war are all too tangible as government corruption becomes unbearable. In a country where conflict and peace are caught in an endless cycle, musicians from different backgrounds pool their talents to create an underground music scene. Each evokes his or her representation of Lebanon: its shifting geographical, political, historical and social borders, its painful passage through conflict and instability. A touching portrait of a young generation trying to build an oasis in a hostile environment where the forces of destruction continue to wreak havoc.

The Whole World is Watching(en)

This color educational film is about Anti-Vietnam Protestors in Washington D.C. during late April/Early May 1971. The 1971 May Day Protests were a series of large-scale civil disobedience actions in Washington, D.C., in protest against the Vietnam War. This was made in 1971 by the Metropolitan Police Department.

Crossfire(en)

Crossfire is Lauren Southern's third documentary film project focusing on the issues surrounding policing, brutality, race, law and order. A heated debate today which has led to a massive political divide between those supporting officers, those defending reform and even many rioting violently in the streets.

Disturbing the Peace(en)

Disturbing the Peace follows a group of former enemy combatants - Israeli soldiers from the most elite units, and Palestinian fighters, many of whom served years in prison - who have come together to challenge the status quo and and say “enough". The film traces their transformational journeys from soldiers committed to armed battle to non-violent peace activists. It is a story of the human potential unleashed when we stop participating in a story that no longer serves us, and with the power of our convictions take action to create a new possibility.

In Delusion: Trump and the American Catastrophe(de)

In 2020, the USA experienced a multiple catastrophe: No other country in the world was hit so badly by the coronavirus pandemic, the economic slump was dramatic, and so was the rise in unemployment. A rift ran through society. In the streets there were protests of both camps with violent riots, authoritarian traits were evident in the actions of the leader of the nation. And all of this in the middle of the election year, when the self-centered president fought vehemently for his re-election. From the start of his presidency, Donald Trump had divided American society, incited individual sections of the population against one another, fueled racism, hatred, xenophobia and prejudice, insulted competitors and denigrated critical journalists as enemies of the people. The documentary shows how this could happen and what role the targeted disinformation of certain sections of the population through manipulative media played.

The Big One(en)

The Big One is an investigative documentary from director Michael Moore who goes around the country asking why big American corporations produce their product abroad where labor is cheaper while so many Americans are unemployed, losing their jobs, and would happily be hired by such companies as Nike.

Bus 174(pt)

Documentary depicts what happened in Rio de Janeiro on June 12th 2000, when bus 174 was taken by an armed young man, threatening to shoot all the passengers. Transmitted live on all Brazilian TV networks, this shocking and tragic-ending event became one of violence's most shocking portraits, and one of the scariest examples of police incompetence and abuse in recent years.

How Many Horses Does One Man Need?(en)

Documentary about the CUGWU strike of 2022.

The Killing of a Journalist(sk)

A young investigative journalist and his fiancée are brutally murdered in their home in Slovakia. Their deaths inspire the biggest protests in Slovakia since the fall of communism. The story takes an unexpected turn when a source leaks the secret murder case file to the murdered journalist’s colleagues. It includes the computers and encrypted communications of the assassination’s alleged mastermind, a businessman closely connected to the country’s ruling party. Trawling these encrypted messages, journalists discover that their country has been captured by corrupt oligarchs, judges and law enforcement officials. A reckoning awaits.

White Out, Black In(pt)

Shots fired inside a club frequented by black Brazilians in the outskirts of Brasilia leave two men wounded. A third man arrives from the future in order to investigate the incident and prove that the fault lies in the repressive society.

Like a Mighty Wave(en)

On Wednesday, July 17th 2019, a heavily armed police force arrested 36 Native Hawaiian kūpuna peacefully protecting Maunakea from desecration. The actions from that day sparked an international outcry and brought new life to the ongoing movement for Native Hawaiians’ rights for self-determination.

Witches, Faggots, Dykes and Poofters(en)

In 1978 the police attacked demonstrators at the Sydney (Australia) Mardi Gras celebrations. This film details the communities' responses.

No Measure of Health(en)

No Measure of Health profiles Kyle Magee, an anti-advertising activist from Melbourne, Australia, who for the past 10 years has been going out into public spaces and covering over for-profit advertising in various ways. The film is a snapshot of his latest approach, which is to black-out advertising panels in protest of the way the media system, which is funded by advertising, is dominated by for-profit interests that have taken over public spaces and discourse. Kyle’s view is that real democracy requires a democratic media system, not one funded and controlled by the rich. As this film follows Kyle on a regular day of action, he reflects on fatherhood, democracy, what drives the protest, and his struggle with depression, as we learn that “it is no measure of health to be well adjusted to a profoundly sick society.”

À l'horizon des événements(fr)

Uprising!(pt)

"Levante" won Canal Futura's annual documentary competition in 2014 and was filmed in Brazil, Mexico, Japan, Gaza and Hong Kong. It first aired at 22pm on the 25th June on Canal Futura. The film is about inspiring people around the world who use technology to speak out against injustice such as Filipe Peçanha from Midia Ninja who used the Japanese Twitcasting app to broadcast the Brazilian protests of 2013 from his smartphone, Noor Harazeen from Palestine who created the first English-speaking youtube news channel in Gaza, and Howard Kong from the Apple Daily newspaper in Hong Kong who used a drone to film the conflicts between police and protesters in 2014.

Dixie Chicks: Shut Up and Sing(en)

Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how one tiny comment against President Bush dropped their number one hit off the charts and caused fans to hate them, destroy their CD’s, and protest at their concerts. A film about freedom of speech gone out of control and the three girls lives that were forever changed by a small anti-Bush comment

Not Done: Women Remaking America(en)

"Not Done: Women Remaking America" chronicles the seismic eruption of women's organizing from the 2016 election through today, and the intersectional fight for equality that has now gone mainstream. Like the movement it documents, this story is told collectively: through the firsthand experiences and narratives of frontline activists, writers, celebrities, artists, and politicians who are remaking culture, policy, and most radically, our notions about gender. Premiering against the backdrop of an unprecedented pandemic and widespread social upheaval, "Not Done" shines a light on the next generation of feminists who are unafraid to take on complex problems and are leading the way to true equality.