Rock, Paper, Scissors.(2020)

María(es)

The Madness of King George(en)

Aging King George III of England is exhibiting signs of madness, a problem little understood in 1788. As the monarch alternates between bouts of confusion and near-violent outbursts of temper, his hapless doctors attempt the ineffectual cures of the day. Meanwhile, Queen Charlotte and Prime Minister William Pitt the Younger attempt to prevent the king's political enemies, led by the Prince of Wales, from usurping the throne.

Nirmala(hi)

Nirmala (Devika Rani) is a modern girl - young, beautiful, dressed in the latest fashions, attends college, and is even the only female in an all-male class. She doesn't take second place to the men, besting all but one in the annual exams. She tied with Ramdas (Ashok Kumar). But, at the same time she is tied to the age-old culture, traditions and religion. She yearns for a husband and for motherhood. And this conflict forms the crux of the story.

El folklore de las bestias(es)

A woman is forced to continue working while one of her colleagues lies unconscious on the floor due to the long, hot work days. This fact causes insomnia problems and the suspicion that something is happening at night.

He Was a Quiet Man(en)

An unhinged office worker who planned to go on a shooting spree at his workplace struggles with his newfound status as a hero after he ends up stopping a shooting spree instead.

Fearless(en)

After a terrible air disaster, survivor Max Klein emerges a changed person. Unable to connect to his former life or to wife Laura, he feels godlike and invulnerable. When psychologist Bill Perlman is unable to help Max, he has Max meet another survivor, Carla Rodrigo, who is wracked with grief and guilt since her baby died in the crash which she and Max survived.

Broken People(en)

Brett and Jake meet in a bar and decide to drown their sorrows in whiskey, forgetting the past, ignoring the future, and exploring life, love, and tragedy together for one fateful night.

Exergo(eu)

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

Lipstick Under My Burkha(hi)

Four ordinary women, inflicted by silly societal norms, have to steal, lie, cheat and hide in order to lead the lives that they rightfully deserve.

Cohabitation(en)

While former paramedic Emily tries to live a low-key life to cope with her PTSD, her new roommate has other plans, and a long-held vendetta against medical personnel.

A l'Aube d'un Renouveau(fr)

In this farewell letter to Ana (aka Anorexia), I reveal the suffering associated with this illness. I express my desire to regain my freedom and vitality by sharing not only my progress but also my relapses. Through the interweaving of drawings and poetry, I share this quest for reconstruction, which I hope will help raise awareness of this mental illness and bring a little hope to people affected by it and those around them.

Pupa(en)

Pupa symbolises a dark room; a room that contains the mental conflicts of human identity. Our protagonist is an artist who is left alone in that chaotic space. His disturbed mind undergoes a drastic change when he is exposed to a metaphoric memory.

ME!(en)

Jack recounts his latest filmmaking failure in a way that blurs the line of fiction and non-fiction...

My First Year(en)

Four students from different backgrounds face new realities of a new life at university. They must adapt to the environment dictated to them in their course in the first year.

Juan(es)

Nightmares(en)

Women on the Verge of a Nervous Breakdown(es)

Pepa resolves to kill herself with a batch of sleeping-pill-laced gazpacho after her lover leaves her. Fortunately, she is interrupted by a deliciously chaotic series of events.

On the Green Carpet(ko)

Pyongyang, DPRK: Two ex-child gymnasts find themselves working together as directors in charge of the production of "mass games" (aka mass gymnastics, a North Korean specialty). Their joint area of responsibility is the youngest children's performance. However the two directors have different personalities and priorities. Their co-operation is less than friction-free as the pressure leading up to the performance increases. The two find that they work no better together as adults than they did as children. However there is still a bit of a spark between them. Will they manage to finish the production in time for the grand opening in front of the country's Leader? Are the children up for the challenge? Will any romance come out of all this....

Barefoot(de)

A hedonistic bachelor - he is his rich family's black sheep - falls for a suicidal mental patient.

Dunduriņš(lv)