Abstract computer animation by G. G. Aries set to music by Larry Gibbs
Abstract computer animation by G. G. Aries set to music by Larry Gibbs
1985-01-01
7
When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.
A bookshop renowned for its rare works is mysteriously and filled with copies of a book entitled 1, which doesn't appear to have a publisher or author. The strange almanac describes what happens to humanity in a minute. A police investigation begins and the bookshop staff are placed in solitary confinement by the Bureau for Paranormal Research. As the investigation progresses, the situation becomes more complex and the book becomes increasingly well-known, raising numerous controversies. Plagued by doubts, the protagonist has to face facts: reality only exists in the imagination of individuals.
Hüseyin Al Baldawi arrives in Brussels in August 2015. He has traveled thousands of kilometers until he got there from Iraq. A year after his arrival, he receives his residence permit and decides to go to Greece. This journey from Brussels to Athens involves the viewers on the difficulties faced by Hüseyin and thousands of other immigrants. While the story of Hüseyin is taking shape through the countries he travels, the forgotten people he meets and the selfish society of Europe give us many messages, as well.
A 36-year-old meek woman realizes that there’s younger people trying to outpace her doing much less, so she makes a risky change by removing her filter.
Dr. Gero's Androids #13, #14, and #15 are awakened by the laboratory computers and immediately head to the mall where Goku is shopping. After Goku, Trunks, and Vegeta defeat #14 and #15, #13 absorbs their inner computers and becomes a super being greater than the original three separately were. Now it is up to Goku to stop him.
The story focuses on the exploits of rivals Reinhard von Lohengramm and Yang Wen-li, as they rise to power and fame in the Galactic Empire and the Free Planets Alliance, respectively.
Ermus Daglek, retired Empathtek engineer, commandeers a defunct factory where he creates androids based on persons from his past and recreates a dinner party where he lost the love of his life - until they malfunction and escape.
This time around Edmund and Lucy Pevensie, along with their pesky cousin Eustace Scrubb find themselves swallowed into a painting and on to a fantastic Narnian ship headed for the very edges of the world.
Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.
A plane containing a highly classified government project crashes outside of a small town in the US. Realizing the level of danger, the government tries to secretly fix the problem. As tensions grow, the situation gets out of control, and civilians from the town find themselves facing their worst nightmare: a genetically enhanced killing machine that doesn't know how to stop.
The story takes place in St. Petersburg, Russia. Two Russian schoolgirls suffer crash in natural love. Once they've met each other and fall in love. But once they've found that they are sisters...
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.
A collaborative experiment between 14 artists around the globe. Each artist creates a background, All backgrounds are traded randomly, and then animated upon freely.
A 5 minute, 2D, straight-ahead animated film by Bruce Bickford.
This experimental animated short shows the life of a forest through storms, seasons, and a variety of art forms.
This family story contains a private reading of ten years in the history of Spain, from the birth of two brothers of the author until the death of the Spanish dictator in 1975.
A figure known as "The Assassin" descends from the heavens into a nightmarish pit full of monsters, titans, and cruelty.
A blind man accidentally loses his guide-dog. Alone in the dark in a big city, he discovers that his strength lies in recognising his own vulnerability.
Souvenirs, memories, nostalgia, alienation, the ephermal quality of life ...these are the subjects of this animated diary. The film is not made in the usual way (screenplay, storyboard) and was born at the moment when the author sat at his desk and began animating.
Video Weavings is a link between the modern (video) and the ancient (weaving) technologies. Video Weavings are based on poetic mathematical rhymes, or algorithms, visualized in real time on the warp and weft of video's horizontal and vertical scanning electron beams, color phosphors, plasma cells, and LCD pixels.
Barry Doupé's lusty A Boy on a Dock Blowing His Nose features vaguely articulated, quasi-human doodles and Spirographs animated within a bizarre netherworld of its own humid imagination.
An animated exploration of the restraining and freeing of a bounded soul. A journey on the never-ending search of belongingness.
Perennial Stream is a portrayal of growth and decay. It is done on a single sheet of paper. Graphite marks are drawn, erased, then re-drawn, leaving behind a map of remains. A single, drawn line acts as a seed, which then propagates into larger forms, gathering to create a cyclic flow of movement and stillness within an abstracted ecosystem.
Remote Life Drawings is an animated collage of abstract images that illustrate the neighbourhood of Taipei Artist Village in Taiwan. TAV is located at the centre of four distinct districts that exist in harmony in central Taipei. The film connects the four districts by using morphing animation, presenting the vague and complex atmosphere around the village.
A guy gets out of bed. A curious boy looks for magic. A bunny chases dreams away.
What would you do if a stranger disrupted your daily routine? The choice is whether to accept this person as a friend, or reject him as an outsider.