In 1976-77, José Ma Berzosa contacted General Pinochet during a trip to Chilean Antarctica. On his return to Santiago, Pinochet agreed to be interviewed. In front of the camera, the General and three members of the junta speak about their memories and political thoughts, artistic tastes and their family lives. From the interviews, conducted in an apparently cordial atmosphere, emerges an ironic portrait without concessions of their taste for order, efficiency and a certain "ordinary fascism." By way of contrast, the families of victims and missing people endure a different reality.
In 1976-77, José Ma Berzosa contacted General Pinochet during a trip to Chilean Antarctica. On his return to Santiago, Pinochet agreed to be interviewed. In front of the camera, the General and three members of the junta speak about their memories and political thoughts, artistic tastes and their family lives. From the interviews, conducted in an apparently cordial atmosphere, emerges an ironic portrait without concessions of their taste for order, efficiency and a certain "ordinary fascism." By way of contrast, the families of victims and missing people endure a different reality.
2004-01-01
7.857
For the past 30 years, the history of Isabel and that of the main events in Argentina have been intimately linked. The only one who didn't know about it was her.
President Santos opens an international megaproject with champagne while children who have been displaced because of it die a few metres away. General Reyes states that a guerrilla leader has been executed without knowing that, a few hours later, he would have to admit that, in fact, the killed person was an indigenous leader. The judge who was investigating several military members for raping and murdering of three children is killed. Workers of a banana plantation risk their lives to claim their rights...
When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.
Known for his unmistakable cascading strings and recordings such as Charmaine, Mantovani enthralled the world with his sublime arrangements. This is the story of the man and his music.
WrestleMania 23 was the twenty-third annual WrestleMania PPV. It took place on April 1, 2007 at Ford Field in Detroit, Michigan. The event was a joint-brand pay-per-view, featuring performers from the Raw, SmackDown!, and ECW brands. The main match on the Raw brand was John Cena versus Shawn Michaels for the WWE Championship. The predominant match on the SmackDown! brand was Batista versus The Undertaker for the World Heavyweight Championship. The primary match on the ECW brand was an Eight Man Tag Team match between The ECW Originals and The New Breed. The featured matches on the undercard included Bobby Lashley versus Umaga and an interpromotional Money in the Bank ladder match. It set an all-time Ford Field attendance record of 80,103. WrestleMania 23 grossed US$5.38 million in ticket sales, breaking the previous record of $3.9 million held at WrestleMania X8. With about 1.25 million buys, the event is the highest WWE pay-per-view buyrate in history.
Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.
Unhappily married, Julia Sturges decides to go to America with her two children on the Titanic. Her husband, Richard also arranges passage on the luxury liner so as to have custody of their two children. All this fades to insignificance once the ship hits an iceberg.
Extraterrestrial beings travel the galaxy to free men "oppressed" by females to make way for an entirely-homosexual society.
Rome and Ethan have been together for 14 years. He is the love of her life, and she is his number one supporter. They are each other's firsts, and to their friends, they are the perfect couple. When the two begin to feel that their relationship has gone stale, they explore the idea of going open. It's something Ethan wants to do and it's the only way Rome feels she can do to keep her man. They agree that they are allowed to have sex with strangers, but they are not allowed to fall in love. In a relationship built over time, the two begin to "explore" expecting to salvage the exact same thing they are giving up. In the end, they learn the importance of the very thing that they have been blind to–a relationship without trust will eventually crumble.
People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.
In her forties, Juana is tired of working as a hairdresser. By chance, she discovers the crime of some clients and decides to blackmail them. But they have other plans, which include a wedding to cover up the crime and blame the groom.
30 years ago, Switzerland was shaken by a scandal that seems to have already been forgotten: more than 900,000 people were surveilled because of their political convictions. Against the backdrop of this "secret files scandal," Micha Lewinsky sets his film. Conscientious policeman Viktor Schuler is tasked by his superior to infiltrate the Schauspielhaus, a renowned Zurich theatre, in order to keep an eye on its leftist scene. However, Viktor finds himself quite taken with the artist's life and falls in love with the subversive actress Odile Lehmann.