"Rejected 1960s Tab commercial/mind control experiment." Designed to be played in the middle of the night for an unsuspecting audience.
From the south of France, a science fiction film about the end of the Leisure Class and that which came to replace it.
A doctor with the ability to visit people's dreams helps a young woman confront the terrifying reality of her nightmare
A meditation on transience composed through juxtaposition of sun-bathed exteriors of Split and dark interiors, landscapes of the city and close-ups of human faces, movements and stillness, the material and the spiritual.
In the period between 1988 and 1989, a well known radio reporter in San Cristóbal de las Casas, Chiapas, killed a girl of four years, shocking the town folks. Exergo is the experimental exploration of such events, based on real police archives.
Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.
Mort Rainey, a writer just emerging from a painful divorce with his ex-wife, is stalked at his remote lake house by a psychotic stranger and would-be scribe who claims Rainey swiped his best story idea. But as Rainey endeavors to prove his innocence, he begins to question his own sanity.
Otherwise known as Magellan's Toys #1. Hollis Frampton's "Noctiluca" was a film designed to be shown on the second day of the Magellan cycle, the filmmaker's unfinished magnum opus work. The title (nox/luceo) means something that shines by night, i.e., the moon, and the film indeed consists of a bright sphere, sometimes white, sometimes tinted, sometimes single, sometimes doubled and overlapped.
Terminal City records the demolition of the Devonshire Hotel in Vancouver; through extreme show motion (200 frames per second) and symmetrical diagonal framing, Gallagher underscores the passage from order to chaos within the event. The sparseness of this centering and he patience required of the viewer heightens the literally explosive climaxes of the film, and transforms the everyday violence of the events into moments of convulsive beauty. – Jim Shedden, Michael Zryd, The Independent Eye
Steve Clark is a newcomer in the town of Cradle Bay, and he quickly realizes that there's something odd about his high school classmates. The clique known as the "Blue Ribbons" are the eerie embodiment of academic excellence and clean living. But, like the rest of the town, they're a little too perfect. When Steve's rebellious friend Gavin mysteriously joins their ranks, Steve searches for the truth with fellow misfit Rachel.
Ten years after she was separated from her family, an eighteen-year-old orphan with vague memories of the past sets out to Paris in hopes of reuniting with her grandmother. She is accompanied by two con men, who intend to pass her off as the Grand Duchess Anastasia to the Dowager Empress for a reward.
Jerry (Jamie Draven) was an idealist when he served in the first Gulf War. But when he was later deployed to Iraq, Jerry was an older man, a father of three and embittered by broken promises and unfulfilled desires. When Jerry returns from Iraq he has been transformed by horrors that cannot be forgiven. He lives a life of poverty, his children afraid of him and his wife, Nora (Vinessa Shaw), unsympathetic and unhappy. When Jerry discovers that Nora has betrayed him, his anger and despair drive him to commit an act so heinous and irreversible that nothing he had experienced in combat could have prepared him for.
In 2047, a group of astronauts are sent to investigate and salvage the starship Event Horizon which disappeared mysteriously seven years before on its maiden voyage. However, it soon becomes evident that something sinister resides in its corridors.
The short film is a montage of sped up clips of The Ringling Brothers Circus in action set to a musical track. The film is separated into four segments, each segment which focuses on different acts within the circus. The later segments often incorporate clips from earlier segments, mostly as background to the featured acts. The speed of the clips match the tempo of the soundtrack music.
An Appropriated Self-portrait is an autobiographical piece conceived through the articulation of appropriated and recycled film fragments from over 180 movies and found footage. It was assembled as a fragmentary structure that relies on a non-linear narrative.
Every culture has one – the horrible monster fueling young children's nightmares. But for Tim, the Boogeyman still lives in his memories as a creature that devoured his father 16 years ago. Is the Boogeyman real, or did Tim make it up to explain why his father abandoned his family?
"In the first shot of Reinke’s new feature length video, we see the desert landscape of the American Southwest from a car window. Though shaky and handheld, it is an immediately recognizable and iconic image: the great vistas of Hollywood westerns, of American westward expansion, of monumental modernist land art from the late 20th century. On the soundtrack, Reinke’s unmistakable voice apologizes for beginning the film with a shot of a landscape from a moving car, but what is he to do? The camera is already rolling. This moment encapsulates much of what transpires in the scenes that follow: presenting us with an image, dismissing that image and wryly suggesting he is doing nothing here, that the footage is just unreeling. Reinke’s collection and organization of images and sounds seem casual at first, but ultimately reveal themselves to be heavily mediated and orchestrated."
An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
A young girl loves watching horror films but always gets nightmares from them. She gets grabbed into the TV one night and has to escape her worst nightmares through the movies.