Montréal-Nord is one of those areas we euphemistically call “disadvantaged.” A place where drugs, poverty, delinquency, suicide and all kinds of dysfunction are depressingly commonplace. This is where the late Magnus Isacsson decided to film 18 months in the lives of four young men aged 17 to 22: Danny, Alex, Mickerson and Michael. Music is central to all of their lives. More than just a pastime, hip-hop is their outlet for coping with their demons. With the help of their teacher, mentor and friend Don Karnage, and driven by a fierce desire to overcome hardship, they learn to be adults. Winner of the award for Best Canadian Feature Film at the most recent Montreal International Documentary Festival, Ma vie réelle is an exceptionally astute document in which listening and generosity gain the power to defeat misery.
Alexandre Bryson
Don Karnage
Danny Raymond
Michael Stiverne
Mikerson Stiverne
Montréal-Nord is one of those areas we euphemistically call “disadvantaged.” A place where drugs, poverty, delinquency, suicide and all kinds of dysfunction are depressingly commonplace. This is where the late Magnus Isacsson decided to film 18 months in the lives of four young men aged 17 to 22: Danny, Alex, Mickerson and Michael. Music is central to all of their lives. More than just a pastime, hip-hop is their outlet for coping with their demons. With the help of their teacher, mentor and friend Don Karnage, and driven by a fierce desire to overcome hardship, they learn to be adults. Winner of the award for Best Canadian Feature Film at the most recent Montreal International Documentary Festival, Ma vie réelle is an exceptionally astute document in which listening and generosity gain the power to defeat misery.
2012-11-01
0
A feature-length documentary portrait of Québécoise painter Johanne Corno, who has lived and worked in New York City for more than 20 years. Ignored by the art intelligentsia in Québec, she settled abroad to escape that creative constraint, and built an enviable international career. Today, she casts a lucid eye on her work and describes the resources she draws on to survive in the jungle of the contemporary art world.
This short film recreates the experience of Sylvie, a battered woman who seeks shelter in a Montréal transition house. Faced with the threat of violence, loneliness, the lack of financial resources or information about services, the victim is often understandably reluctant to seek help. Emphasizing the importance for women of speaking out, the film also points out the role of the transition house in putting victims of abuse in touch with appropriate legal and social services.
St. Joseph's Oratory, a picturesque shrine silhouetted against Mount Royal, draws pilgrims by the thousands every year. They come from California by Greyhound bus, from Vancouver by plane, and on foot from many parishes surrounding Montréal. What is the fame of this shrine, that it attracts the devout and the curious alike? The story is told by Brother Placide Vermandère of the Order of the Holy Cross, who was personally acquainted with Brother André, after whom the shrine's famous temple is named. Cameras follow a procession of the League of the Sacred Heart through the streets of the city to the famous sanctuary and show many of the religious observances conducted in the church, including Mass attended by invalids who come in the hope of being healed of various afflictions.
Alanis Obomsawin turns her lens to Le Patro Le Prévost, a recreational centre in the Villeray quarter of Montreal. On the eve of its 80th anniversary in 1989, Le Patro is a vital focal point in the predominantly working-class neighbourhood. Beloved by the many generations who use the facilities and partake in activities daily, Le Patro encourages a strong sense of togetherness through principles of cooperation, respect and sharing. Obomsawin presents a tender portrait of a neighbourhood of diverse residents and the community centre many of them consider a second home.
This feature documentary studies the different faces of Montreal’s Greek community in 1969. Instead of giving voice to the businessmen and well-integrated few, the film highlights the cultural and economic problems encountered by new immigrants and their families.
Roadsworth: Crossing the Line details a Montreal stencil artist's clandestine campaign to make his mark on the city streets. As he is prosecuted at home and celebrated abroad, Roadsworth struggles to defend his work, define himself as an artist and address difficult questions about art and freedom of expression. - Written by Loaded Pictures
The Taj Mahal and shots of Jalandhar nestle between footage from Canada and Africa.
On March 15, 2020, Montreal sees appearing on a wall, written in black letters on white paper "Stop feminicides". It is at this moment that the Collages Feminicides Montreal collective sees the light for the first time. Now the streets of the city are carpeted with their words. Today, after the 17th feminicide, they will continue to fight and stick, until this violence stops.
Show Girls celebrates Montreal's swinging Black jazz scene from the 1920s to the 1960s, when the city was wide open. Three women who danced in the legendary Black clubs of the day - Rockhead's Paradise, The Terminal, Café St. Michel - share their unforgettable memories of life at the centre of one of the world's hottest jazz spots. From the Roaring Twenties, through the Second World War and on into the golden era of clubs in the fifties and sixities, Show Girls chronicles the lives of Bernice, Tina and Olga - mixing their memories with rarely seen footage of the era.
A candid-camera view of professional wrestling as seen in the Montréal Forum, where some of the biggest bouts are staged, and in back-street wrestling parlours where the warriors practice their art.
Chez Schwartz takes us inside a year in the life of Schwartz's Deli - the unique 75-year-old landmark on Montreal's historic Main. Filmed through changing seasons, from the quiet of early morning preparation to the frenetic bustle of packed lunch times and never ending line-ups, to the more relaxed ambiance late at night - Chez Schwartz is an evocative, cinematic portrait of a small spunky deli known worldwide equally for its atmosphere and smoked meat.
A silent succession of black-and-white photographs of the city of Montreal.
In 1994, the Montreal Expos held the best record in baseball until the mid-August strike and the entire post-season was cancelled. The team never found success again, and in 2004, the franchise was forced to leave Montreal and move to Washington. This film provides access to powerful behind-the-scenes footage – ranging from the players’ bus ride to the stadium, to their emotional reactions stepping onto the field, to the Montreal fans who have never forgotten baseball’s best team in 1994. Interviews with media who followed the team’s season and discussions with former coaches and players will paint both a thrilling and heartbreaking picture of the influential ‘94 Montreal Expos – a groundbreaking squad whose legacy lives on in Montreal
In the mid-1990s, Dieter Dubbert accidentally ends up with the Miskito Indians in Bismuna, Nicaragua. Here he begins to work with drug-addicted and delinquent young people from Germany who would otherwise disappear into homes and prisons.
Vintage Queer Montreal: A glimpse into the 90s. Working though the 90s, House of Pride brought Montreal LGBTQ+ people together in the celebration of diversity.