Psychotropical(2016)

Chelsea Girls(en)

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

Pangaea(bs)

Dementia draws a woman into a world of memory loops, losing her love her spirit, her present her past.

The Whisper Stop(en)

Five passengers encounter a mysterious woman on a train. While we strain to hear their whispers, we are confronted by the passengers' reactions. Dark and secretive, this journey will leave you with questions playing on your mind.

Within(en)

This psychedelic horror short inspired by vintage cinema follows a raped girl's descent into derangement and makes the audience feel as claustrophobic as the character.

Meshes of an Autumn Afternoon(en)

A woman is stalked by a mysterious hooded spectre. An Autumnal homage to and inspired by Meshes of the Afternoon by Maya Deren.

In My Mind(en)

A woman is plagued by her overactive imagination.

Superstar: The Karen Carpenter Story(en)

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

Húmus(en)

A videodance short-film of the avant-garde / experimental dance group of the same name based on the book "Húmus" (released in 1917) by Raul Brandão.

A Girl Named Ann(ja)

Lost Luggage(en)

Neil Bishop has spent his whole life living on the fringes of society. His only interaction with people is through his job as a lost luggage courier. One day, Neil delivers luggage to a woman in suffering, and he discovers someone like him. In this dreamlike psychological thriller, Neil Bishop sets out to make today, unlike any other day.

White Tape(en)

White Tape explores the theme of boundaries: the frame, the space between brushstrokes and the implications of occupation.

Amtrak to Baka(en)

An experimental summation of the connective space and sense of re-discovery between two people in a long-distance relationship.

Acceleration(sh)

A film about the dominance of time and space over a human being. A poetic reflection on the transience of material life characterized by a Mediterranean ambience, contemplation, mosaic structure, and repetitive editing patterns.

Transfer(en)

A psychiatrist and his needy patient discuss their relationship in a snow-covered field.

Weatherman '69(en)

Featuring a cast that includes Sonic Youth's Kim Gordon and Thurston Moore, Mike Watt of the legendary hardcore band Minutemen, and Pettibon himself, this deadpan narrative pays dubious homage to the 1960's radical underground. In this crudely rendered home video of a commune of stoned revolutionaries, the cameras are hand-held, the edits in-camera, and the dialogue is wryly on-target. Pettibon's band of outsiders reenacts a countercultural moment defined by rock music, drugs, and ideological paradox — and in so doing, captures their own late-80's West Coast grunge milieu as well.

The Human Surge(es)

Buenos Aires. Exe, 25 years old, has just lost his job and is not looking for another one. His neighbors and friends seem as odd to him as they always do. Online, he meets Alf, a boy from Mozambique who is also bored with his job and who is about to follow Archie, another boy who has run away into the jungle. Through the dense vegetation of the forest, Archie tracks ants back to their nest. One of them wanders off course and comes across Canh, a Filipino, sitting on top of a giant heap of earth and who is about to go back to his strange, beautiful home town, where he too has a miserable job.

Доктор(ru)

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Florence(en)

Florence, a young vulnerable and exhausted stripper from Amsterdam melts down and deals with duality within her consciousness that ultimately defeats her chance at a happy ending.

Thoughts and Visions of a Severed Head(fr)

The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard documentary and chopped it up, using quotes from the long-dead artist, and periodic statements by a historian (Smolders) filling in a few bits of Wiertz’ life.