Psychotropical(2016)

Доктор(ru)

С осенью в сердце(ru)

The Game(sh)

In this child's game, a live-action boy and girl draw characters and compete who is better. The girl draws a flower and the boy draws a car that runs it over. Then a drawn lion chases a drawn girl, until it all becomes frightfully serious.

Death of a Stag(fr)

Russian emigré Dimitri Kirsanoff’s film, alternatively titled Death of A Stag and Une chasse à courre, is a post-war study of a traditional stag hunt. The pursuit of the animal finds a cross-cutting parallel in the felling of a tree in the forest.

Overdose(tr)

While four buddies are hanging out in one of their houses, Kaan mentions a digital drug called "I,Doser." They watch videos of people who have tried it but it doesn't look secure to them.None of the boys dare to try it.They decide to play a game and incidents occur.

In My Mind(en)

A woman is plagued by her overactive imagination.

Meshes of an Autumn Afternoon(en)

A woman is stalked by a mysterious hooded spectre. An Autumnal homage to and inspired by Meshes of the Afternoon by Maya Deren.

The Ground that Sinks(en)

Three sisters are afforded the opportunity for rediscovery through their grief after losing their father.

Redland(en)

As a family struggles to survive in rural isolation during the Great Depression, their daughter's secret affair begins a journey into the unknown.

Monument(en)

In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument. It was broadcast in January, 1968, and subsequently has been seen throughout Europe, Asia, and the United States. Apart from the technical aspect of the project, their intention was to develop a widened consciousness of the communi - cative process inherent in visual images. They selected as source material the "monuments" of world culture— images of famous persons and paintings.

Pink Ladies(en)

Mickey, an impressionable youth enticed by the realm of money and narcotics, finds himself in possession of an enigmatic, unreleased product. The intoxicating allure of this substance creates a profound unforgivable dilemma that weighs on Mickey's conscience, as he grapples with the various individuals looking to exploit his newfound position.

Ferry(nl)

Before he built a drug empire, Ferry Bouman returns to his hometown on a revenge mission that finds his loyalty tested — and a love that alters his life.

Húmus(en)

A videodance short-film of the avant-garde / experimental dance group of the same name based on the book "Húmus" (released in 1917) by Raul Brandão.

Transfer(en)

A psychiatrist and his needy patient discuss their relationship in a snow-covered field.

Weatherman '69(en)

Featuring a cast that includes Sonic Youth's Kim Gordon and Thurston Moore, Mike Watt of the legendary hardcore band Minutemen, and Pettibon himself, this deadpan narrative pays dubious homage to the 1960's radical underground. In this crudely rendered home video of a commune of stoned revolutionaries, the cameras are hand-held, the edits in-camera, and the dialogue is wryly on-target. Pettibon's band of outsiders reenacts a countercultural moment defined by rock music, drugs, and ideological paradox — and in so doing, captures their own late-80's West Coast grunge milieu as well.

Acceleration(sh)

A film about the dominance of time and space over a human being. A poetic reflection on the transience of material life characterized by a Mediterranean ambience, contemplation, mosaic structure, and repetitive editing patterns.

My Friend Ángel(es)

An experimental and critical view on the decadence of Honduran society. It practically has no narrative structure, as it plays out as a day-in-the-life-of the eponymous Ángel, a kid who's a shoe-shiner.

White Tape(en)

White Tape explores the theme of boundaries: the frame, the space between brushstrokes and the implications of occupation.

Dream(ko)

In the aftermath of a car crash, a man discovers his dreams are tied to a stranger's sleepwalking.

Thoughts and Visions of a Severed Head(fr)

The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard documentary and chopped it up, using quotes from the long-dead artist, and periodic statements by a historian (Smolders) filling in a few bits of Wiertz’ life.