Russian-speaking Katja was born in 1992 in the Estonian city of Narva, not far from the Russian border. She represents the entire generation of the 1990s, which sees itself as a house with no address or railway tracks leading nowhere. In the ruins of the Soviet Union, she searches for her national identity and learns to breathe freedom.
Russian-speaking Katja was born in 1992 in the Estonian city of Narva, not far from the Russian border. She represents the entire generation of the 1990s, which sees itself as a house with no address or railway tracks leading nowhere. In the ruins of the Soviet Union, she searches for her national identity and learns to breathe freedom.
2020-10-19
0
7.4Since the fall of the Iron Curtain an estimated four million children have found themselves living on the streets in the former countries of the Soviet Union. In the streets of Moscow alone there are over 30,000 surviving in this manner at the present time. The makers of the documentary film concentrated on a community of homeless children living hand to mouth in the Moscow train station Leningradsky. Eight-year-old Sasha, eleven-year-old Kristina, thirteen-year-old Misha and ten-year-old Andrej all dream of living in a communal home. They spend winter nights trying to stay warm by huddling together on hot water pipes and most of their days are spent begging. Andrej has found himself here because of disagreements with his family. Kristina was driven into this way of life by the hatred of her stepmother and twelve-year-old Roma by the regular beatings he received from his constantly drunk father. "When it is worst, we try to make money for food by prostitution," admits ...
0.0In a decaying Soviet-era retirement home, a vibrant group of elders cling to life by staging Shakespeare. Yet loneliness lingers beyond the theater’s doors, until drama begins to blur with reality.
6.3The end of the Cold War did not bring about a definitive thaw in the former republics of the Soviet Union, so that today there are several frozen conflicts, unresolved for decades, in that vast territory. As in Transnistria, an unrecognized state, seceded from Moldova since 1990. Kolja is a silent witness of how borders and bureaucracy shape the lives of citizens, finally forced to lose their identity.
0.0In the Russian city of St. Petersburg, in the Dybenko basements, drug addict children survive by taking drugs. This is an attempt to look into this terrible world from the inside.
10.0A documentary road movie. Traveling across his homeland, the filmmaker explores what Yakut cinema is, and what it means to the Sakha people and to himself.
0.0Jonathan Stavleu explores, in a stream-of-consciousness video essay, the relationship people have with water and what happens when access to it is taken away. For this work, he examines anecdotal histories he has heard from Estonians, as well as stories from his own family history in the Netherlands, weaving them together into a journal-like narrative.
6.7More than twenty years after Vladimir Putin came to supreme power in Russia on May 7, 2000, Russian society is deeply divided. A young, modern generation opposes the growing repression by the regime, which still retains the support of many members of previous generations. Who are these ordinary citizens who dream of living in a different Russia? What price will they have to pay to achieve the freedom and justice they so desire?
0.0Tashkent: The End of an Era reconstructs the complex history of Tashkent by means of archive footage which has never been shown before and the testimonies of its inhabitants.
0.0After she discovers canisters of undeveloped film shot by her late father, Elene sets out on a journey to collaborate with him on a special project. Between the earth and the land of the dead, a darkroom becomes the only dimension where the paths of a father and a daughter can cross.
6.9A young Finnish woman escapes an enigmatic love affair in Moscow by boarding a train to the arctic port of Murmansk. Forced to share the long ride and a tiny sleeping car with a larger than life Russian miner, the unexpected encounter leads the occupants of Compartment No. 6 to face major truths about human connection.
6.6After being fired from his bull breeding job without proper compensation, Franco steals a world-class bull from his former employer and smuggles it to Hungary, planning to sell it for a large sum of money.
4.5In a crumbling Soviet Union, the Petrosyan family finds themselves as outcasts—wherever they go. Their Armenian heritage marks them for discrimination, first in their home country of Azerbaijan and then in Russia. After finding their eternal hope through a church planted by American missionaries, the hostility of everyday life pushes them to seek refuge in the United States. In the shadow of exile, hope became their home. Based on a riveting true story of faith and hope set amidst great oppression.
5.0Sparky Smith (Joe Mantegna) was manager of the Seattle Mariners until he had one too many shouting matches with the team's owner (Michael Lerner) and winds up fired. Now Sparky's ready to coach any team who'll have him. The only problem is, no one will, until the day the Russian Sports Ministry led by the delectable Tanya (Natalya Negoda) comes knocking at his door. The Russians need a baseball coach for their Olympic team, and Sparky is just the man for the job. Once on Russian soil though, he soon discovers that the Russian team is composed of athletes, hockey players, and shot putters who barely know their way around a diamond. Confronted with this losing team, hilarious comedy ensues when Sparky is told to accept an invitation to have his team visit the States and play his old team the Mariners.
6.7Minsk, Belarus, 1996. Velya, an aspiring DJ, wants to move to Chicago to make her dreams come true, but bureaucracy, a phone line and the human condition will put obstacles in her way that will be difficult to avoid.
10.0A documentary that introduces FIT Hives, a student-run organization whose mission is to educate the FIT community about the importance of bees to the environment, the use of bee-derived resources in the industries related to the majors at FIT and its goal to put a beehive on the roof. FIT Hives is a recipient of an FIT Innovation Grant which also supported the making of this documentary.
0.0A documentary on the making of “Zebraman” directed by Takashi Miike.
0.0Two thousand Canadians suffered the longest incarceration anywhere in the Second World War, a bitter four-year period inside Japanese POW camps in Hong Kong and Japan.
0.0The documentary explores the extraordinary lives of Kwakwaka’wakw Chief Mungo Martin and Jewish ethno-musicologist Ida Halpern. Their combined efforts nearly 75 years ago led to preventing hundreds of First Nations songs from being lost forever. They not only shared a deep dedication to preserving the embedded cultural knowledge that these songs held, they had also experienced the heart-wrenching effects of cultural genocide on their people.
0.0As a general, he had fought to preserve the Union. As president, he helped to oversee the transformation from union to nation. As a former president, he was the embodiment of the very idea of national union, and of America's entry onto the world stage. As a dying general, he was the symbol of the nation's greatest and most traumatic war. The story of Ulysses S. Grant's life, from his first days on the Ohio frontier to his last days out-writing death in the Adirondacks, is an endlessly fascinating one. Few public figures have ever held a such a firm grip on the American popular imagination. Grant was a man whose rise from obscurity made him a hero to millions who could see themselves in him. An ordinary man who faced and met extraordinary challenges, his successes and failures seemed to encapsulate the national character. He was so popular with the American public that, despite his two scandal-ridden terms as president, he was nearly nominated to run for a third term.
0.0After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.