Nheengatu – The Language of the Amazon takes us on a journey along the Negro River, on the trail of this language imposed on indigenous people by the first Portuguese colonialists who landed in Brazil in the 15th century. Throughout the various encounters with local communities that still speak this language, the director faces the different cultural, historical and social issues that confront tradition and future.
Childhood, Boyhood, Youth is a gripping coming-of-age story set within the walls of the National Conservatory Dance School in Lisbon, Portugal. The film takes us into the little-known world of classical dance, letting us witness moments of learning, rivalry and bonding between the students as they are put to the test during three key moments that will determine the rest of their lives.
The quirky Dutch-Jamaican Hadiah Tromp (21) is the daughter of Navy officer Tromp, who believes his daughter is a perfect fit for the Navy. But Hadiah doesn't like her Navy training. She prefers to stay at home and listen to her collection of old Ska records. When her boyfriend cheats on her, she decides to finish her Navy training. But Hadiah has difficulties feeling at home in the disciplined and closed environment of the naval frigate and she has constant collusions with the handsome but stern Sergeant Major Paul Borremans. Can the impulsive Hadiah stand tall in the Navy world full of rules? Or is she forced to leave the ship early?
The first rule is that there are no rules. For the bare-knuckle combatants competing in Musangwe fights, anything goes - you can even put a curse on him. The sport, which dates back centuries, has become a South African institution. Any male from the age of nine to ninety can compete. We follow a group of fighters as they slug it out in the ring. Who will be this year's champion?
Filmed April 12, 2003 at a benefit concert held at and for The Anthology Film Archives, the international center for the preservation, study, and exhibition of avant-garde and independent cinema. In addition to screening films for the public, AFA houses a film museum, research library and art gallery. The event, which raised money for the Archives and celebrated the life and work of avant-garde film maker Stan Brakhage, featured Sonic Youth providing an improvised instrumental collaboration with silent Brakhage’s films. The band performed with drummer/percussionist Tim Barnes (Essex Green, Jukeboxer, Silver Jews).
In this short, an artist creates a painting of the landscape he sees, then finds he can literally climb into the picture to see the fantastic world inside.
If we compacted the human emotional range into a few minutes, what might it look like? From the Artistic Director of Australian Dance Theatre, Garry Stewart, this is a dazzlingly baroque explosion of imagery set to a wildly unexpected electronic score. It explores the choreographic possibilities of the gestures and facial expressions that constitute human emotion. The physicality of these emotions are universal and can be read from one cultural group to another. The way in which emotions are expressed by the body is a type of dance if we think of ‘dance' as being underpinned by kinetics and rhythmic patterns of the body.
A sorority mixer at a local bowling alley goes terribly wrong when the five women who own the building turn out to not be what they seem.
Four friends head off to Bombay and get involved in the mother and father of all gang wars.
Insane Fight Club is back. This year the boys are taking their unique form of entertainment to England as they stage fight nights in Birmingham, Leeds, Liverpool and Newcastle.
An old man is kidnapped. His interrogation uncovers the biography of a mass murderer: The 80 years old man was a SS leader and responsible for the killing of thousands of people in Russia. He also "invented" an evil technique of eliminating political prisoners: the manipulated suicide. Thomas Harlan reconstructs the history of a bureaucratic murderer, he also develops a direct connection between the Nationalsocialism and the treatment of prisoners of the RAF terrorists in the Stuttgart isolation prison. Robert Kramer filmed the shooting of Harlan's Wundkanal: Notre Nazi documents a social experiment in which the children of Nazis and of victims meet a real culprit. The reality seems to be stronger that the fiction in Harlan's film. (Edition Filmmuseum)
A painter is accused of art-forging. He thinks his girlfriend betrayed him, so it's time for revenge.
A community is under siege as three Belmont Highschool coed students go missing with no trace of their whereabouts. The pressure is on the police to capture the culprits responsible. Scouring the school hallways in search of clues, undercover female detective Maggie Rawdon (Jessica Sonnerborn) enters Belmont High as a transfer student in an attempt to solve the hideous disappearance of the students. Maggie makes a few new friends, and gets invited to a private rave in the country. Just as the group begins to suspect that they've taken a wrong turn, however, the trap is sprung and Maggie finds out firsthand what fate has befallen the missing girls.
Walker takes us on a personal journey into a world of myth and imagination that he learned from his grandmother. He travels from the Moors of Devon and the Highlands of Scotland to the brooding Celtic landscapes of Ireland and the intimate hills of Cape Breton, in his search of this potent “otherworld” of the imagination.
Sandra, a small town country girl, returns home after college to take over the family business, her father's beloved bed and breakfast. Facing an unfaithful husband and dysfunctional relationship with her mother, she finds herself at a difficult crossroads. Everything changes, however, when Terrance (Steven Sutton), a young, handsome lawyer checks in and opens her eyes to an entirely different life filled with happiness.
With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.
Tested to your limits...there must be an extent to all you can bear...