As a Sikh man with a full beard and turban, AMRIT SINGH is often the target of racial profiling. But when he sees his dreams of becoming Chief of Surgery at a state-of-the-art transplant center dwindle because of his appearance, Amrit goes against a tradition he's maintained his whole life and cuts his hair. Hiding this decision from his girlfriend and family in Toronto is only the start of a series of compromises Amrit finds himself making as he deals with hospital politics and health care injustices. When his compromises result in the death of a patient, Amrit begins to reexamine the value of the religious traditions he'd turned his back on.
David Stewart
As a Sikh man with a full beard and turban, AMRIT SINGH is often the target of racial profiling. But when he sees his dreams of becoming Chief of Surgery at a state-of-the-art transplant center dwindle because of his appearance, Amrit goes against a tradition he's maintained his whole life and cuts his hair. Hiding this decision from his girlfriend and family in Toronto is only the start of a series of compromises Amrit finds himself making as he deals with hospital politics and health care injustices. When his compromises result in the death of a patient, Amrit begins to reexamine the value of the religious traditions he'd turned his back on.
2008-12-14
4.9
The Venice Hongwanji Buddhist Temple had an opportunity to take part in an episode of East of Main Street, an HBO documentary series that has been produced for the past three years to celebrate Asian Pacific American Heritage Month. This year’s episode, Milestones, focuses on how different groups of Asian Americans mark the milestones throughout their lives.
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Somewhere in Australia in the early 20th century outback, an Aboriginal man is accused of murdering a white woman. Three white men are on a mission to capture him with the help of an experienced Indigenous man.
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Based on the true life experiences of poet Jimmy Santiago Baca, the film focuses on half-brothers Paco and Cruz, and their bi-racial cousin Miklo. It opens in 1972, as the three are members of an East L.A. gang known as the "Vatos Locos", and the story focuses on how a violent crime and the influence of narcotics alter their lives. Miklo is incarcerated and sent to San Quentin, where he makes a "home" for himself. Cruz becomes an exceptional artist, but a heroin addiction overcomes him with tragic results. Paco becomes a cop and an enemy to his "carnal", Miklo.
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