An exploration of everyday ambivalence around property, consumption, and whiteness.
An exploration of everyday ambivalence around property, consumption, and whiteness.
2020-09-26
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An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
Charles Santore, in an expansion of his discussion in “Oz: The American Fairyland” (1997) (V), tells about his experience making an abridged storybook of “The Wizard of Oz”. He tells of his inspirations, the little girl who modeled for Dorothy, the tin man in folk art, and a left to right progression in a journey of identity, with opposing forces pushing the movement in art back to the left.
Short film about an animal in captivity longing for the outside. An animal that, like us, dreams, is intelligent, curious, social and sensitive, and in whom we can clearly recognise a soul. The piglet in this movie invites us to see the world through his eyes, which will forever change our view on pigs.
A documentary short that follows a 13-year-old girl named Nejmia, who lives in Sana’a and refuses to wear the veil.
In the hills of rural Pennsylvania, the leader of a local militia must prepare his men for the turbulent political landscape of 2020 while at war with his own conscience. For over ten years, 48-year-old Iraqi War Veteran and machinist Christian Yingling has commanded a troop of private militiamen and women concerned with the government’s infringement on their constitutional rights. The group practices paramilitary drills, stockpiles food and ammo, and attends gun rights rallies in preparation for a doomsday scenario. Now that a worldwide pandemic has hit, followed by a summer of racial injustice protests and a Presidential election like no other, Christian—out of work and nearly out of money—must confront his allegiance and choose to act or not.
Benjamin and Awad run Sudan's national film archive. The two men, who have worked together for more than 40 years, are devoted to protecting their country's visual memories. Home to some 13,000 films, the archive preserves pivotal moments of Sudan's turbulent history and is one of the largest in Africa. But the archive is in a fragile state. Following years of neglect and poor storage, many film reels are turning to dust in Sudan's unforgiving tropical climate. The two friends are determined to turn it around and embark on a mission to save the old films. Will they succeed in preserving Sudan's visual history for future generations before it's too late?
During his adventure in Mexico, Sergei Eisenstein made footage of a Mexican "Death Day" celebration for inclusion in his "Que Viva Mexico!" film project. When the 200,000-plus feet of film he eventually exposed in Mexico was first attempted to be made into a feature film, "Thunder Over Mexico", the producers excluded the Death Day material for subsequent compilation as an independent short subject. Silent with music track and explanatory English intertitles.
Manon de Boer films the dancer Cynthia Loemij, who improvises to Eugène Ysaÿe’s 3 Sonates for Violin Solo.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Swimming movements of a common seal under water, propulsion through hind extremities.
The film shows open air shots of life in the colony of the sea lion. The following behaviours are shown: establishing territories and rivalry fights, courting and mating, feeding the young, play among young animals.
The three-spined stickleback is shown. Nest building, zigzag dance, fanning at the nest, sometimes following a female, also short mouth fights, the female swimming into the nest, spawning, the male poking at the rear end of the partner, inseminating the eggs in the nest after the female swims away.
A portrait of the German city of Ulm and it's social activities, fassades, court building. Also about the role of the district court during National Socialism.
The film gives a survey on innate behaviour patterns of the grey-lag goose. The first part shows reproductive behaviour. In the second part some behaviour patterns of gosling being imprinted on their human foster parent are shown: following reaction, separation of two flocks according to their imprinting, response to the alarm call and landing "by order" of the flying young.
Wilhelm Emter demonstrates individual muscles and muscle groups of the shoulder region, chest region, torso and abdominal region and the arm in practice on his extremely trained body.