Event and murmur: modulating attention through channels, like shifting through radio, can reveal signals in noise – the basis for "frequency hopping" cryptography, which gives the logic for mobile networks. At the beach, networks fail, we hop waves, acumulate dead time, roam. ( Super8 films shot in the 1970s and processed only in 2020.)
Event and murmur: modulating attention through channels, like shifting through radio, can reveal signals in noise – the basis for "frequency hopping" cryptography, which gives the logic for mobile networks. At the beach, networks fail, we hop waves, acumulate dead time, roam. ( Super8 films shot in the 1970s and processed only in 2020.)
2020-09-27
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Ann follows Warhol's instructions throughout the entire screen test, as she stares directly at the camera without blinking, until tears begin to fall first from her left eye, and then from her right eye.
"A Brutalist film-poem about the nature of a family tree and the macabre ancestral tales that work their way into your identity, whether you like it or not. A collaborative work that blends the poetry of Adelle Stripe, the music of C.A.R., and my hand-processed Super 8 imagery." — M.J.
Trance dances and out of body projection. In front of the camera, Parvaneh Navaï becomes a mediator who enters in contact with and immerses into the energies of Nature, while her own energy radiates and echos in the forest ("selva"). The camera amplifies and expands her presence, transforming the forest into an imaginary space. The camera becomes a painter's brush.
After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.
The director Andrés Kaiser combines hundreds of amateur films and photographs from the treasure trove of images belonging to his migrant grandparents creating a cinematic firework of analogies.
A sunny day at the park becomes a duel to the death when two lemonade sellers turn to guerrilla warfare in a battle for customers.
This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.
Made for straight 8's 2019 competition on one cartridge of super 8mm film with only in-camera edits and no post-production. This film follows two naked people who meet at a café, fall in love, and decide to dress each other in clothes.
A man is confronted by parallel versions of himself as he contemplates his life choices.
SONG 1: Portrait of a lady (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
SONGS 2 & 3: Fire and a mind’s movement in remembering (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
SONGS 2 & 3: Fire and a mind’s movement in remembering (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
SONG 4: Three girls playing with a ball. Hand painted (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
SONG 6: The painted veil via moth-death (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
SONG 7: San Francisco (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
SONG 10: Sitting around (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
SONG 11: Fires, windows, an insect, a lyre of rain scratches (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
SONG 12: Verticals and shadows caught in glass traps (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).